• Miniature of King David in the wilderness, kneeling in penitence before God, above a four-line puzzle initial 'D'(omine) with a partial border, at the beginning of the Seven Penitential Psalms., Book of Hours, Use of Paris

Catherine, and perhaps elsewhere. Large puzzle initials in purple and blue with red and blue penwork decoration and pen-flourishing. Small initials alternately blue with red penwork or purple with blue penwork decoration. Zig-zag line-fillers in the litany. Book of Hours,

• Miniatures, and a full border, at the beginning of Livy's Ab Urbe Condita., Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• Miniature, at the beginning of Book 2 of Livy's Ab Urbe Condita., Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• Miniature, at the beginning of Book 3 of Livy's Ab Urbe Condita., Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• Detail of miniature of David praying., Book of Hours, Use of Paris

Catherine, and perhaps elsewhere. Large puzzle initials in purple and blue with red and blue penwork decoration and pen-flourishing. Small initials alternately blue with red penwork or purple with blue penwork decoration. Zig-zag line-fillers in the litany. Book of Hours,

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• Detail of a miniature of, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• Puzzle initial 'D'(e) with penwork decoration of leaves., In unum ex quatuor, with capitula and tables (ff. 3v-13v) and prefaces, table of lessons (ff. 190-191v), and glossary of names (ff. 191v-194)

in blue and red, with red penwork decoration and pen-flourishing (f. 14). Large initials in blue with red penwork decoration, many with foliate forms, and pen-flourishing. Large and small initials in red or blue. Paraphs in red or blue. Highlighting