• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'F'(undamentum) and three-sided border with an Agnus dei and heraldic arms, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Historiated initial 'D'(omine) with the Annunciation, and full foliate borders, at the beginning of the Hours of the Virgin., Book of Hours, Use of Sarum

in gold with blue foliate pen-flourishing or in blue with red foliate pen-flourishing. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing or in red with blue pen-flourishing. Line-fillers decorated in red and blue. Decorated catchwords

• Miniature of the Virgin and Child, decorated foliate initial 'S'(alve), and full foliate borders, at the beginning of a prayer., Book of Hours, Use of Sarum

in gold with blue foliate pen-flourishing or in blue with red foliate pen-flourishing. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing or in red with blue pen-flourishing. Line-fillers decorated in red and blue. Decorated catchwords

• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'F'(undamentum), at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Part of the border with an Agnus dei, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Part of the border with the arms of the Rotenhan family of Bamberg, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'T'(hese), at the beginning of Exodus, and pen-flourished initial 'A'(ftir), at the beginning of chapter 2 of Exodus., Wycliffite Bible, in the later version (from Genesis to Job), with glosses

volume is Harley 5017.Catchwords and bifolium signatures. Puzzle initials in red and blue with red and violet pen-flourishing, at the beginning of biblical books and smaller initials in blue with red pen-flourishing throughout the text. Running titles and chapter numbers

• Detail of a foliate initial 'D'(omine) with an instruction for illuminator 'oro' next to it, at the beginning of Matins., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Decorated initials on a text page., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Decorated initials on a text page., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Illuminated initial 'A'(d) in colours on a gold ground., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Front binding., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Illuminated initial 'S'(eynte) in gold with purple pen-flourishing in the shape of leaves, with paraphs., Miscellany of devotional works in prose and verse

23v-31v) . Initials and paraphs in gold with penwork decoration in purple or in blue with penwork decoration in red. Rubric in red and line-fillers in blue (f. 3). Miscellany of devotional works in prose and verse Flyleaves contain additional

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or