• Table., Miscellaneous scientific treatises

some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous

• Detail of white vine initial 'Q' with the tail of the letter in the form of a bird., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• Puzzle initial 'D'(omino) at the beginning of Constantinus Africanus's Theorica Pantegni., Theorica Pantegni, in 10 books (index In theorica pantegni, The Whole Art)

red and blue with pen-flourishing in the same colours, 1 at the beginning of each book (ff. 2, 2v, 23, 36v, 44v, 64v, 77v, 93v, 107v, 142v). Initials in red with blue penwork decoration or pen-flourishing, or in blue with

• Flourished initial 'I'(uri), in Bartolus de Saxoferrato's In primam partem digesti veteris., In primam partem digesti veteris

pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Decorated catch-words. A large space precedes the text, perhaps intended for a miniature (f. 3). Ff. 243v-265v: Large and small initials in plain red or blue, some with penwork

• Flourished initials, decorated catchword, and scribal colophon., In primam partem digesti veteris

pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Decorated catch-words. A large space precedes the text, perhaps intended for a miniature (f. 3). Ff. 243v-265v: Large and small initials in plain red or blue, some with penwork

• Flourished initial 'C'., Missal

a 15th-century hand (f. 41v).Musical notation. Large and small initials in blue with red foliate pen-flourishing. Missal A prayer for the soul of Ambrose Dawntesey, added in a 15th-century hand, (f. 20), and directions for prayers for the souls of

• Drawing of the Mocking of Christ., Speculum humanae salvationis, with tabula, prohemium, and 45 chapters

MS 27. Numerous drawings of types in brown ink, most with captions, and some also with details. Large initials in blue. Small initials in brown. Speculum humanae salvationis, with tabula, prohemium, and 45 chapters 15th-century inscription 'John west of new

• Illuminated initial 'E'(t) with an unidentified coat of arms, and initial 'O'(ratoris) in red with blue penwork decoration., Rhetorica ad Herennium (index De ratione dicendi ad Herennium); De inventione synonyma; Gasparini Pergamensis exordia circa rhetoricam novam Ciceronis; Praecepta Gasparini de Parma

(f. 58). Large, medium, and small intials in red with blue penwork decoration, and in blue with red penwork decoration. Some brown initials with brown penwork decoration. Paraphs in blue. Rhetorica ad Herennium (index De ratione dicendi ad Herennium); De

• Illuminated historiated initial 'U' at the beginning of Leviticus, showing Aaron(?), dressed as a thirteenth-century priest, sacrificing a sheep on an altar, watched by similarly dressed Israelites., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' of Paul handing the book to the messenger Phebe at the beginning of Romans., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial at the beginning of Luke, with Luke shown writing, with the head of his symbol, an ox, and an illuminated initial below of Zacharias censing the altar (Luke 1:9)., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' at the beginning of Acts, of Luke writing and of Theophilus, to whom the Acts are addressed in the opening lines, with two smaller decorated illuminated initials., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' at the beginning of I Peter, of Peter writing, and his arrest; the buildings at the top probably represent the cities to which Peter's epistle was addressed., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' of Paul in prison, giving a scroll to a messenger, at the beginning of Philippians., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Decorated initials., Register book of the Fraternity of Corpus Christi, York

foliate extensions into the margins, in colours and gold (f. 15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis Fraternitatis corporis Christi fundate in Ebor

• Decorated initial 'y'(e) at the beginning of the Prick of Conscience, and, on the left, the ownership inscription of Sir Henry Spelman, historian and antiquary and of 'Jhon boyce'., Prick of Conscience

Lewis and MacIntosh 1982 p. 69. 1 three-sided border of red pen-flourishing with foliate forms (f. 2). Large initials in blue with red penwork decoration and pen-flourishing. Highlighting of letters in red. Prick of Conscience 16th-century inscriptions 'Jhon boyce' (f.

• Decorated initial 'H'(ec), at the beginning of the Liber ordinacionis fraternitatis Corporis Christi Eboracensis., Register book of the Fraternity of Corpus Christi, York

described. 1 large decorated initial, with foliate extensions into the margins, in colours and gold (f. 15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis

• Drawing of a Virgin and Child as space-filler in the table of contents of the Cartulary of the Abbey of Malmesbury in Wiltshire., Cartulary of the abbey of Malmesbury in Wiltshire

in Wiltshire. 3 drawings as space-fillers in the table of contents (ff. 4, 4v (x2)). Large and small initials in blue with red (foliate) pen-flourishing. Cadels. Cartulary of the abbey of Malmesbury in Wiltshire Inscriptions, 15th century (f. 220v).Inscription, 16th

• null, Cartulary of the abbey of Malmesbury in Wiltshire

(ff. 4, 4v (x2)). Large and small initials in blue with red (foliate) pen-flourishing. Cadels. Cartulary of the abbey of Malmesbury in Wiltshire Inscriptions, 15th century (f. 220v).Inscription, 16th century: 'Charles Danvers is my name' (f. 7v).James West (b. 1703,

• Bas-de-page miniature of Theseus slaying the Minotaur, with Ariadne behind him, from the story of Aeneas., Histoire ancienne jusqu'à César

the text], 284v). Large puzzle initials in gold and blue with pen-flourishing in blue and red, at the beginning of the battles. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Histoire ancienne jusqu'à César Copied