• null, Metamorphoses (ff. 3-180); Commentary on the Metamorphoses (f. 181v-191); and other short texts

Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v). Metamorphoses (ff. 3-180); Commentary

• null, Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

grounds, with brown pen-flourishing extending into the margins (f. 1v). Small initials in blue with red pen-flourishing or in red with brown pen-flourishing. Line-fillers in red and/or blue. Biblical and genealogical chronicle from Adam and Eve to Edward VI (the

• null, Iliad, each book except book I preceded by one or two monostich summaries; prose hypothesis at the start of book II (f. 13); scholia relating to book I 331-341 (ff. 7v-8).

Large gold initial with green vine-stems on blue and red grounds (f. 2). Large red or blue initials with penwork decoration. Small red simple initials. Iliad, each book except book I preceded by one or two monostich summaries; prose hypothesis

• Puzzle initial 'A' with pen-flourishing, at the beginning of the Register book of the Infirmary of the Abbey of St Edmundsbury called Ikworth., Register book of the Infirmary of the abbey of St Edmund, Bury

Abbey of St Edmundsbury called Ikworth. 1 large puzzle initial in red and blue with foliate pen-flourishing in red (f. 4). Large and small initials in blue with red foliate pen-flourishing. Numerous spaces for initials. Register book of the Infirmary

• null, Register book of the Infirmary of the abbey of St Edmund, Bury

1 large puzzle initial in red and blue with foliate pen-flourishing in red (f. 4). Large and small initials in blue with red foliate pen-flourishing. Numerous spaces for initials. Register book of the Infirmary of the abbey of St Edmund,

• Illuminated initial 'A'(tt) at the beginning of the prologue to the Squire's tale., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Decorated initial 'U' and full border, in the Antiphonary., Antiphoner (index antiphonal, antiphonary), use of Sarum (begins and ends imperfectly)

brown penwork decoration, some including human heads, in the musical notation. Smaller initials in blue with pen-flourishing in red. Small initials in plain red or blue. Antiphoner (index antiphonal, antiphonary), use of Sarum (begins and ends imperfectly) William Petty (~formerly~

• Initial 'A'(ristoteles) with pen-flourishing, at the beginning of Aristoteles's De generatione animalium., Consilia medica and other texts

blue with pen-flourishing in red, at the beginning of the texts (ff. 7, 31v, 40, 43, 101, 156, 159v, 161, 162v, 166v, 172, 180v, 184, 189v, 211v, 218, 223v, 229v, 235, 235v, 263). Paraph marks in plain red or

• Detail of the lower part of the folio showing urine glasses with different bands of colour and floating particles at various levels, with the colours marked in Greek: 'kyanos' (blue), on the left, and 'inopos' (wine-coloured) on the right., Medical miscellany, including Godfridus super palladium (ff. 88-92); Agnus Castus, fragmentary (ff. 30-33v)

(blue), on the left, and 'inopos' (wine-coloured) on the right. Various additions (ff. 1-3; 112-119) Large simple initials in red. Highlighting of letters in red. Diagrams in red with washes of other colours (ff. 58-60). Rubrics in red or

• Zodiac man and coloured initials., Speculum Phlebotomae (ff. 1-2); Liber medicinarum (ff. 1-100); Fistula in Ano (ff. 63-121v)

Zodiac man and coloured initials. f. 1 is a paper leaf. Large initials in blue. Parpahs in blue or red. Line-filllers in red. Drawings in brown and red of zodiac man, and surgical instruments and procedures (ff. 62v, 72v, 81v).

• Text page from the Miller's Tale., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Detail of initial 'A'(t)., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Foliate initial 'A'(nd)., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initial 'O' with foliate border., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Text page from the Merchant's Tale., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Initial with reserved designs,, Scala paradisi, etc.

Initial with reserved designs, 2 large initials in blue with reserved designs (ff. 2, 38v). Small initials in plain red or blue, some with reserved designs. Hole in the parchment encircled in red (f. 8). Scala paradisi, etc. Colophon 'Finito

• Detail of a drawing of a young esquire., Pharsalia

initials in yellow set against blue, purple and yellow backgrounds possibly painted over or added later into blanks (ff. 3, 31v, 47, 63v, 79v, 96v, 114, 131v, 153v). Large puzzle initial in red and blue with pen-flourishing in red and

• Decorated initial 'D'(omino) at the beginning of a dedicatory epistle of Gilbert Foliot, bishop of London to Robert, bishop of Hereford., Commentary on the Song of Solomon

initial in red and blue with penwork decoration in green, yellow and blue, at the beginning of the preface (f. 4). Smaller initials in red with penwork decoration in blue, yellow, and/or green, or in blue with penwork decoration in

• null, Glossed Digestum Novum

Large blue initials with red pen-flourishing, in the text. Small blue initials with red pen-flourishing, in the glosses. Small initials in red with blue pen-flourishing, in the text and in the glosses. Paraph marks in plain red or blue. 3

• Miniature of the Crucifixion before the beginning of the Psalms., Psalter

in gold on red and blue grounds, with partial foliate borders, for all the other Psalms. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line fillers decorated in gold and blue. Capital letters at the