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17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in
17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in
17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in
17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in
17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in
23v-31v) . Initials and paraphs in gold with penwork decoration in purple or in blue with penwork decoration in red. Rubric in red and line-fillers in blue (f. 3). Miscellany of devotional works in prose and verse Flyleaves contain additional
(f. 138v). Numerous initial-word panels with penwork decoration and pen-flourishing, in red, mauve and blue ink. Numerous embellished bands with penwork decoration, in red, mauve and blue ink. 8 marginal decorations in red mauve ink (ff. 108, 108v, 111, 123,
(f. 138v). Numerous initial-word panels with penwork decoration and pen-flourishing, in red, mauve and blue ink. Numerous embellished bands with penwork decoration, in red, mauve and blue ink. 8 marginal decorations in red mauve ink (ff. 108, 108v, 111, 123,
(f. 138v). Numerous initial-word panels with penwork decoration and pen-flourishing, in red, mauve and blue ink. Numerous embellished bands with penwork decoration, in red, mauve and blue ink. 8 marginal decorations in red mauve ink (ff. 108, 108v, 111, 123,
Detail of decorated initial. Large initials in blue with red penwork decoration and pen-flourishing, or in red with brown penwork decoration, often in the form of leaves. Small initials in red or blue. Paraphs in red. Highlighting of letters in
colours and gold, at the beginning of each book (ff. 1, 35, 69). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785),
colours and gold, at the beginning of each book (ff. 1, 35, 69). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785),
colours and gold, at the beginning of each book (ff. 1, 35, 69). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785),
are of parchment.Leaf signatures. Catchwords written horizontally. Puzzle initial in blue and red with pen-flourishing in the same colours framing the text (f. 1). 7 initials in red or blue with pen-flourishing in the other colour (ff. 20v, 51v, 52v,
initial 'C'(um). For a detailed list of the contents, see the Harley Catalogue. Initials in blue with red pen-flourishing, some large, some small. Paraphs in blue. Various sermons and treatises on preaching Henry Worsley (b. 1675, d. 1747), scholar and
mainly post-medieval political tracts, etc.Part 2 is on paper.The Epistola begins imperfectly. Initials in blue with red pen-flourishing including leaves and ivy. Coloured initials in blue. Liturgical manuscript (fragment) The Harley Collection, formed by Robert Harley (b. 1661, d. 1724),
Text and pen-flourished initial 'I'(ntendimus). Annotated by medieval readers. Initials in blue or red with pen-flourishing. Paraphs in blue or red. Rubrics in red. Marginal pen sketches of human faces or profiles (ff. 5, 11, 28, 34, 35v). Commentaries on
floral sprays, some large, some small. Large initials in gold with brown pen-flourishing or in blue with red pen-flourishing. Smaller initials in gold or in blue with red penwork decoration. Breviary, imperfect at the beginning and at the end Robert
leaves.Vertical catchwords in the inner margin. 4 large initials in red, yellow, blue, and green with foliate motifs (pp. 1, 18, 38, 60). Smaller plain initials in blue and red. Rubrics in red. Epitoma de Tito Livio (index Epitome of
floral sprays, some large, some small. Large initials in gold with brown pen-flourishing or in blue with red pen-flourishing. Smaller initials in gold or in blue with red penwork decoration. Breviary, imperfect at the beginning and at the end Robert