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1 large foliate initial, in colours (f. 2). Small initials alternately red with purple flourishing, or blue with red flourishing. Paraphs altenately red or blue. Metamorphoses (index Metamorphoseon libri) Partly palimpsest (e.g. ff. 26 and 33): under ultra-violet light the
the decorated initial 'A'. Large initials in blue with red penwork decoration and pen-flourishing, or in red with brown penwork decoration, often in the form of leaves. Small initials in red or blue. Paraphs in red. Highlighting of letters in
cover, with stitching at the outside corners. 1 large initial in gold on a red and blue ground (f. 1). Large initials in blue with red penwork decoration, and in red with brown penwork decoration. Leaves formerly used as a
an alchemical treatise. Large initials in blue, with red foliate penwork decoration and pen-flourishing. Large initials in red with red pen-flourishing, or also with a leaf in brown (f. 11). Large initial in green with red pen-flourishing (f. 24). Small
in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left
in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left
in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left
front leaf is missing. 36 large and smaller initials in blue with red foliate pen-flourishing (ff. 3, 5v, 7v, 16, 22, 30v, 40v, 47v, 54, 65, 76v, 83, 88v, 94v, 98v, 106, 113, 120v, 126, 137, 144v, 154v, 159v, 167v,
brown penwork decoration, some including human heads, in the musical notation. Smaller initials in blue with pen-flourishing in red. Small initials in plain red or blue. Antiphoner (index antiphonal, antiphonary), use of Sarum (begins and ends imperfectly) William Petty (~formerly~
(blue), on the left, and 'inopos' (wine-coloured) on the right. Various additions (ff. 1-3; 112-119) Large simple initials in red. Highlighting of letters in red. Diagrams in red with washes of other colours (ff. 58-60). Rubrics in red or
beginning of Egidius Corboliensis's Liber de urinis. 1 large initial in blue, with reserved design, with pen-flourishing in red (f. 1). 1 small initial in red with pen-flourishing in blue, including a human face (f. 1). Small initials and paraph
in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left
in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left
in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left
in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left
in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left
in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left
branches, at the beginning of chapters. Initials and paraphs in blue with red pen-flourishing, or in blue with red pen-flourishing, throughout the text. Initials and paraphs in gold on blue and rose grounds with penwork decoration in white, at the
branches, at the beginning of chapters. Initials and paraphs in blue with red pen-flourishing, or in blue with red pen-flourishing, throughout the text. Initials and paraphs in gold on blue and rose grounds with penwork decoration in white, at the
large puzzle initials in red and blue with reserved designs and pen-flourishing in the same colours extending into the margins including hybrid creatures (ff. 14, 15, 63v, 134v, 166, 194, 237v, 257). Initials in blue or red with pen-flourishing in