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Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v). Metamorphoses (ff. 3-180); Commentary
grounds, with brown pen-flourishing extending into the margins (f. 1v). Small initials in blue with red pen-flourishing or in red with brown pen-flourishing. Line-fillers in red and/or blue. Biblical and genealogical chronicle from Adam and Eve to Edward VI (the
grounds, with brown pen-flourishing extending into the margins (f. 1v). Small initials in blue with red pen-flourishing or in red with brown pen-flourishing. Line-fillers in red and/or blue. Biblical and genealogical chronicle from Adam and Eve to Edward VI (the
grounds, with brown pen-flourishing extending into the margins (f. 1v). Small initials in blue with red pen-flourishing or in red with brown pen-flourishing. Line-fillers in red and/or blue. Biblical and genealogical chronicle from Adam and Eve to Edward VI (the
grounds, with brown pen-flourishing extending into the margins (f. 1v). Small initials in blue with red pen-flourishing or in red with brown pen-flourishing. Line-fillers in red and/or blue. Biblical and genealogical chronicle from Adam and Eve to Edward VI (the
grounds, with brown pen-flourishing extending into the margins (f. 1v). Small initials in blue with red pen-flourishing or in red with brown pen-flourishing. Line-fillers in red and/or blue. Biblical and genealogical chronicle from Adam and Eve to Edward VI (the
large blue initial with later added foliate decoration, and an added full foliate border, in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at
large blue initial with later added foliate decoration, and an added full foliate border, in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at
the decorated initial 'A'. Large initials in blue with red penwork decoration and pen-flourishing, or in red with brown penwork decoration, often in the form of leaves. Small initials in red or blue. Paraphs in red. Highlighting of letters in
cover, with stitching at the outside corners. 1 large initial in gold on a red and blue ground (f. 1). Large initials in blue with red penwork decoration, and in red with brown penwork decoration. Leaves formerly used as a
an alchemical treatise. Large initials in blue, with red foliate penwork decoration and pen-flourishing. Large initials in red with red pen-flourishing, or also with a leaf in brown (f. 11). Large initial in green with red pen-flourishing (f. 24). Small
in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left
in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left
in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left
brown penwork decoration, some including human heads, in the musical notation. Smaller initials in blue with pen-flourishing in red. Small initials in plain red or blue. Antiphoner (index antiphonal, antiphonary), use of Sarum (begins and ends imperfectly) William Petty (~formerly~
(blue), on the left, and 'inopos' (wine-coloured) on the right. Various additions (ff. 1-3; 112-119) Large simple initials in red. Highlighting of letters in red. Diagrams in red with washes of other colours (ff. 58-60). Rubrics in red or
in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left
in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left
in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left
in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left