• Illuminated initial 'R'(everendo) and an effaced coat of arms., Tractatus de venenis, Problemata de venenis

foliate decoration (ff. 1, 13v). Effaced coat of arms (f. 1). Smaller plain initials in red or blue. Paraphs in red or blue. Rubrics in red. Tractatus de venenis, Problemata de venenis Written by Antonius Recanetus: colophon, 'Finitus est tractatus

• Historiated initial 'V'(oi) at the beginning of Petrarch's Il Canzoniere, with an image of Petrarch, shown before a lectern with an open book before him in the bowl of the initial, and a miniature on the right-hand side of the page of Petrarch's muse, Laura, beside a laurel tree, framed with a three-sided border made up of foliate scrolls and gold balls., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• Historiated initial 'I'(vo) of Petrarch holding a closed book, and a foliate border with gold balls, at the beginning of Petrarch's 264th canzone., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• A diagram of Old Testament genealogy, including Noah, with diagrams of the world and Noah's ark., Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

grounds, with brown pen-flourishing extending into the margins (f. 1v). Small initials in blue with red pen-flourishing or in red with brown pen-flourishing. Line-fillers in red and/or blue. Biblical and genealogical chronicle from Adam and Eve to Edward VI (the

• A diagram of the genealogy of the kings of England, including Henry IV, Henry V, Henry VI, Edward IV, Richard III, and Henry VII., Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

grounds, with brown pen-flourishing extending into the margins (f. 1v). Small initials in blue with red pen-flourishing or in red with brown pen-flourishing. Line-fillers in red and/or blue. Biblical and genealogical chronicle from Adam and Eve to Edward VI (the

• Initial 'C'(um) with pen-flourishing, at the beginning of Johannes Halgrinus de Abbatisvilla's Sermones de tempore per annum, and the inscription of the Cistercian monastery of Eberbach in the lower margin., Sermones de tempore per annum

inscription of the Cistercian monastery of Eberbach in the lower margin. Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Sermones de tempore per annum The Cistercian abbey of St Mary, Eberbach (today Erbach

• Historiated initial of Chaucer holding an open book, at the beginning of the prologue to the Canterbury Tales., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initial 'A'(t) at the beginning of the Reeve's tale, identified by a rubric in the upper margin 'The Reve'., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initial 'W'(hilom) at the beginning of the Miller's tale, identified by a rubric in the upper margin 'The Meller'., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initial 'T'(her) and decorated catchword., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated historiated initial, with Moses (identified by his horns) facing a group of Israelites, making a gesture of speaking (or perhaps counting?) at the beginning of Deuteronomy. The blue ground-line on which they all stand is in fact a serpent., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'H' at the beginning of Exodus, with Moses (identified by his horns) parting the Red Sea (depicted a vertical blue and red wavy lines), in the upper margin is a pencil instruction indicating the opening words which had been deliberately omitted by the scribe, to be executed in gold by the artist., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated initial 'D' in colours and gold with foliate decoration including acanthus leaves, ivy, and foliate feathering extending into the margins to form a partial border, including a male figure., Confessio amantis, imperfect

gold with purple (occasionally faded to grey; often combined with blue; including a dragon (f. 102v), a hybrid creature and male face (f. 109)) or ochre pen-flourishing, or in blue with red pen-flourishing. Running titles written in elaborate Gothic bookhand

• Miniature of the Annunciation, with a decorated initial 'D'(omine) and a full foliate border, at the beginning of matins in the Hours of the Virgin., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Miniature of the Pentecost, with a decorated initial 'D'(omine) and a full foliate border, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of a group of saints, including a bearded pope, two bishops, a king with a book, Peter and Benedict, at the beginning of the reading for All Saints, in the Hours of the Virgin., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of the Virgin of Humility with the patron kneeling in front of her, at the beginning of the Hours of the Virgin for Saturday., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of God the Father, at the beginning of the Penitential Psalms., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of the Pentecost, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of the Entry into Jerusalem, at the beginning of the Passion of Christ., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a