• Detail of a historiated initial 'D'(ixit) of the Trinity, at the beginning of Psalm 109., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

extensions, at the beginning of other Psalms. Initials in gold with blue pen-flourishing, or in blue with red pen-flourishing, at the beginning of verses; line-fillers in gold and blue. Psalter with Canticles and the Office of the Dead (The 'Princess

• Detail of a historiated initial 'B'(eatus) of David playing the harp, with a full foliate border, at the beginning of Psalm 1., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

extensions, at the beginning of other Psalms. Initials in gold with blue pen-flourishing, or in blue with red pen-flourishing, at the beginning of verses; line-fillers in gold and blue. Psalter with Canticles and the Office of the Dead (The 'Princess

• Historiated initial 'D'(ixit) of David and the Fool with a full foliate border, at the beginning of Psalm 52., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

extensions, at the beginning of other Psalms. Initials in gold with blue pen-flourishing, or in blue with red pen-flourishing, at the beginning of verses; line-fillers in gold and blue. Psalter with Canticles and the Office of the Dead (The 'Princess

• Detail of a historiated initial 'D'(ixit) of David and the Fool with a full foliate border, at the beginning of Psalm 52., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

extensions, at the beginning of other Psalms. Initials in gold with blue pen-flourishing, or in blue with red pen-flourishing, at the beginning of verses; line-fillers in gold and blue. Psalter with Canticles and the Office of the Dead (The 'Princess

• Detail of a historiated initial 'S'(alvum) of David in water addressing God, at the beginning of Psalm 68., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

extensions, at the beginning of other Psalms. Initials in gold with blue pen-flourishing, or in blue with red pen-flourishing, at the beginning of verses; line-fillers in gold and blue. Psalter with Canticles and the Office of the Dead (The 'Princess

• Historiated initial 'S'(alvum) of David in water addressing God, at the beginning of Psalm 68., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

extensions, at the beginning of other Psalms. Initials in gold with blue pen-flourishing, or in blue with red pen-flourishing, at the beginning of verses; line-fillers in gold and blue. Psalter with Canticles and the Office of the Dead (The 'Princess

• Detail of a historiated initial 'D'(ilexi) of clerics singing a requiem over a coffin, at the beginning of Psalm 114., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

extensions, at the beginning of other Psalms. Initials in gold with blue pen-flourishing, or in blue with red pen-flourishing, at the beginning of verses; line-fillers in gold and blue. Psalter with Canticles and the Office of the Dead (The 'Princess

• Historiated initial 'D'(ilexi) of clerics singing a requiem over a coffin, at the beginning of Psalm 114., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

extensions, at the beginning of other Psalms. Initials in gold with blue pen-flourishing, or in blue with red pen-flourishing, at the beginning of verses; line-fillers in gold and blue. Psalter with Canticles and the Office of the Dead (The 'Princess

• Miniature of the Lover's Confession, of the Lover kneeling before the priest Genus., Confessio amantis (begins imperfectly)

of the books. Smaller initials in gold on red and blue grounds with foliate extensions into the margins. Small initials in gold with blue or purple pen-flourishing or in blue with red pen-flourishing. Confessio amantis (begins imperfectly) Sir Edward Dymoke:

• Decorated initial., Confessio amantis (begins imperfectly)

of the books. Smaller initials in gold on red and blue grounds with foliate extensions into the margins. Small initials in gold with blue or purple pen-flourishing or in blue with red pen-flourishing. Confessio amantis (begins imperfectly) Sir Edward Dymoke:

• Decorated initial., Confessio amantis (begins imperfectly)

of the books. Smaller initials in gold on red and blue grounds with foliate extensions into the margins. Small initials in gold with blue or purple pen-flourishing or in blue with red pen-flourishing. Confessio amantis (begins imperfectly) Sir Edward Dymoke:

• Table and decorated initial., Miscellaneous scientific treatises

some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous

• Table., Miscellaneous scientific treatises

some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous

• Detail of table., Miscellaneous scientific treatises

some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous

• Table., Miscellaneous scientific treatises

some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous

• Miniature of the Annunciation, decorated initial 'E'(cce) and foliate borders, at the beginning of the Temporale in the Breviary., Breviary, Use of Ste Genevieve, Paris

514v). A few large and mostly small initials (1-2 lines) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line fillers decorated in gold and blue. Breviary, Use of Ste Genevieve, Paris Made for use in the abbey

• Miniature in two compartments with David fighting a lion and a bear, decorated initial 'B'(eatus) and foliate borders, at the beginnign of the Psalter in the Missal., Breviary, Use of Ste Genevieve, Paris

514v). A few large and mostly small initials (1-2 lines) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line fillers decorated in gold and blue. Breviary, Use of Ste Genevieve, Paris Made for use in the abbey

• Detail of white vine initial 'Q' with the tail of the letter in the form of a bird., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• Puzzle initial 'D'(omino) at the beginning of Constantinus Africanus's Theorica Pantegni., Theorica Pantegni, in 10 books (index In theorica pantegni, The Whole Art)

red and blue with pen-flourishing in the same colours, 1 at the beginning of each book (ff. 2, 2v, 23, 36v, 44v, 64v, 77v, 93v, 107v, 142v). Initials in red with blue penwork decoration or pen-flourishing, or in blue with

• Flourished initial 'I'(uri), in Bartolus de Saxoferrato's In primam partem digesti veteris., In primam partem digesti veteris

pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Decorated catch-words. A large space precedes the text, perhaps intended for a miniature (f. 3). Ff. 243v-265v: Large and small initials in plain red or blue, some with penwork