• null, Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Drawing of Ara, the Altar., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Text page., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Detail of white vine initial 'Q'(uam) at the beginning of De officiis., De officiis

vine initials in colours at the beginning of each book (ff. 1, 38v, 61). Coloured initials in alternating red or blue. De officiis Part 1 written by Blasius Axeretinus in Milan in 1433: inscribed 'M. Tulij ciceronis liber [...] incipit

• Miniature of David penitent., Book of Hours, Use of Paris

(2 lines) with three-sided foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Perhaps for a woman as the prayers Obsecro te and O intemerata

• Detail of a miniature of David penitent., Book of Hours, Use of Paris

(2 lines) with three-sided foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Perhaps for a woman as the prayers Obsecro te and O intemerata

• Miniature of the Virgin and Child adored by angels, inhabited initial 'D'(oulce) with an animal and foliate borders, at the beginning of the prayer Doulce dame., Book of Hours, Use of Paris

(2 lines) with three-sided foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Perhaps for a woman as the prayers Obsecro te and O intemerata

• Detail of a white vine initial 'L'(ucus) with two birds and acanthus ornament., De legibus

notes that the vine decoration is of an early type. 12 large white vine initials in gold, red, green, and blue, some with bird or animal heads (ff. 1, 9, 21, 30, 61, 80, 106v, 122, 144, 167v, 191v, 206v).

• Detail of while vine initial 'V'., Comoediae (index Comedies)

94). White vine initials in gold and colours (ff. 1, 18, 32v, 46v, 69, 75v, 85v). Numerous large initials in blue. Rubrics and running headers in red (faded). Abbreviations of characters' names in red (e.g. 'St' for Staphila). Comoediae (index

• White vine initial 'C'(um)., Comoediae (index Comedies)

94). White vine initials in gold and colours (ff. 1, 18, 32v, 46v, 69, 75v, 85v). Numerous large initials in blue. Rubrics and running headers in red (faded). Abbreviations of characters' names in red (e.g. 'St' for Staphila). Comoediae (index

• Detail of white vine initial 'C'(um)., Comoediae (index Comedies)

94). White vine initials in gold and colours (ff. 1, 18, 32v, 46v, 69, 75v, 85v). Numerous large initials in blue. Rubrics and running headers in red (faded). Abbreviations of characters' names in red (e.g. 'St' for Staphila). Comoediae (index

• Illuminated letters (INITIUM) at the beginning of Mark., Gospels, with prologues, and capitula (ff. 227-241)

and numbers in gold. Small initials in red. Text entirely in gold or red. Small stylised leaves in red or blue, some with gold, in certain headings (ff. 13, 76, 78, 113, 184). Gospels, with prologues, and capitula (ff. 227-241)

• Miniature of the building of the Tower of Babel; miniature of Zoroaster with two demons, from Pseudo-Aristotle's Secreta secretorum., Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts (ff. 130v-143v)

extensions into the margins, in colours and gold (ff. 1, 114). Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts

• Decorated initial 'A'(l), at the beginning of Pseudo-Aristotle's Secreta secretorum., Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts (ff. 130v-143v)

extensions into the margins, in colours and gold (ff. 1, 114). Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts

• Miniature of two men sawing Isaiah in half, from Pseudo-Aristotle's Secreta secretorum., Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts (ff. 130v-143v)

extensions into the margins, in colours and gold (ff. 1, 114). Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts

• Miniature of Charlemagne approaching a city in Italy on horseback; miniature of Charlemagne fighting with a Saracen on horseback, from Pseudo-Aristotle's Secreta secretorum., Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts (ff. 130v-143v)

extensions into the margins, in colours and gold (ff. 1, 114). Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts

• Illuminated white vine initials 'C' (onfessionis) and 'M'(agnus) with a putto, bird and butterfly, on the first page of text of an extract from Augustine's Retractions (chapter 6 of book 2) as a preface to the Confessions., Confessions, Retractions (extract)

of book 2) as a preface to the Confessions. Large and small gold initials with white vine scroll decoration on blue, olive green, and yellow grounds, the first with a putto, bird and butterfly. Small simple red initials. Some headings

• Historiated initial 'C'(um) depicting a layman in profile (Priscian?) holding a book, at the beginning of Priscian's Grammatica maior., Grammatica maior

for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials alternately red or blue, with red penwork decoration. Grammatica maior Written in part in 1434 by Iohannes de Drizona (? Drizzona, between Cremona

• Decorated initial 'M'(illesimo), at the beginning of Book 6 of Henry of Huntingdon's Historia Anglorum; in the lower margin the beginning of an ownership and anathema inscription (which finishes on the facing page), stating that the manuscript belongs to the church of St Mary's, Southwick., Historia Anglorum

medieval parchment flyleaf). Sketches of heraldic arms (f. 144). 1 bas-de-page drawing (f. 168v). Large initials in red, green and/or blue with penwork decoration or pen-flourishing in green (and red) or red (and green) (ff. 2, 3, 4, 20v, 34v,

• Marginal drawing of the Battle of Lincoln, in Henry of Huntingdon's Historia Anglorum. Captions identify the man to the left as Baldwin FitzGilbert and the central crowned figure as King Stephen; the king is directing Baldwin to address the army of his behalf., Historia Anglorum

medieval parchment flyleaf). Sketches of heraldic arms (f. 144). 1 bas-de-page drawing (f. 168v). Large initials in red, green and/or blue with penwork decoration or pen-flourishing in green (and red) or red (and green) (ff. 2, 3, 4, 20v, 34v,