• Detail of a historiated initial 'S'(alvum) of the Triumph of Saul and David, at the beginning of Psalm 68., Psalter with canticles, imperfect

and blue grounds with penwork decoration in white and foliate extensions, at the beginning of other Psalms. Initials in red with dark blue pen-flourishing or in blue with red pen-flourishing, at the beginning of verses. Line-filler in red and blue.

• Detail of an historiated initial 'C'(antate) of David kneeling with a harp, and trumpeters before an ark, at the beginning of Psalm 97., Psalter with canticles, imperfect

and blue grounds with penwork decoration in white and foliate extensions, at the beginning of other Psalms. Initials in red with dark blue pen-flourishing or in blue with red pen-flourishing, at the beginning of verses. Line-filler in red and blue.

• Detail of an historiated initial 'D'(ixit) of the Trinity, with the figure of God deliberately erased, at the beginning of Psalm 109., Psalter with canticles, imperfect

and blue grounds with penwork decoration in white and foliate extensions, at the beginning of other Psalms. Initials in red with dark blue pen-flourishing or in blue with red pen-flourishing, at the beginning of verses. Line-filler in red and blue.

• Miniature of the Birth of the Virgin with an inscription on the wall 'Joy sans fin', and of the Annunciation to Joachim and the meeting of Joachim and Anna at the Golden Gate, with a full border containing the royal arms of England surrounded by the Garter with the motto 'Honny soit qui mal y pense', surmounted by a crowned helm with a mantling in Edward VI's colours of red and blue, and the Yorkist badge of a white ~rose-en-soleil~ with the motto 'Dieu est mon droit', and an illuminated initial 'C'(ombien) with the white rose of the York family, at the beginning of the prologue to book 2., Fleur des histoires, books 2-3

an initial in colours (f. 175). Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. Fleur des histoires, books 2-3 Edward IV (b. 1442, d. 1483), king of England and

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or