• Detail of a miniature of a fox, afflicted with dropsy, being cured by a weasel, at the beginning of Chapter 8 of Book 3., Spiegel der Weisheit

99v, 102, 105, 107v, 109v, 112, 114v, 118, 119v, 121v, 122, 124, 127). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. The first miniature is in two parts, the left half is coverd by a

• Detail of a miniature of a goat admiring his reflection in a stream, while the hedgehog mocks him for this, at the beginning of Chapter 3 of Book 2., Spiegel der Weisheit

99v, 102, 105, 107v, 109v, 112, 114v, 118, 119v, 121v, 122, 124, 127). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. The first miniature is in two parts, the left half is coverd by a

• Miniature of Alexander, in a cage, being carried aloft by griffins, and a foliate initial 'L'(ore) with a partial border, at the beginning of chapter 63., Historia de proelis in a French translation (Le Livre et le vraye hystoire du bon roy Alixandre)(index Alexandre)

92). Foliate initials in colours and gold with extensions. Small initials in gold on blue and rose grounds with penwork decoration in white, and line-fillers in blue, rose and gold with penwork decoration in white in the list of contents

• Initial 'C'(um) with pen-flourishing, at the beginning of Johannes Halgrinus de Abbatisvilla's Sermones de tempore per annum, and the inscription of the Cistercian monastery of Eberbach in the lower margin., Sermones de tempore per annum

inscription of the Cistercian monastery of Eberbach in the lower margin. Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Sermones de tempore per annum The Cistercian abbey of St Mary, Eberbach (today Erbach

• Illuminated historiated initial, with Moses (identified by his horns) facing a group of Israelites, making a gesture of speaking (or perhaps counting?) at the beginning of Deuteronomy. The blue ground-line on which they all stand is in fact a serpent., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'H' at the beginning of Exodus, with Moses (identified by his horns) parting the Red Sea (depicted a vertical blue and red wavy lines), in the upper margin is a pencil instruction indicating the opening words which had been deliberately omitted by the scribe, to be executed in gold by the artist., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Detail of a drawing of the River Jordan., Voyage d'outre mer in Middle English

and gold, in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary

• Detail of a drawing of two kings., Voyage d'outre mer in Middle English

gold, in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from

• Drawing of the Dry Tree, and a king., Voyage d'outre mer in Middle English

and gold, in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary

• Drawings of two kings., Voyage d'outre mer in Middle English

in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the

• Drawing of the River Jordan., Voyage d'outre mer in Middle English

in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the

• null, Voyage d'outre mer in Middle English

lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the Northern Europe

• Compass of the world., Voyage d'outre mer in Middle English

in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the

• Detail of a marginal drawing of a man., Voyage d'outre mer in Middle English

and gold, in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary

• null, Voyage d'outre mer in Middle English

lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the Northern Europe

• null, Voyage d'outre mer in Middle English

lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the Northern Europe

• Decorated initial 'I'(n)., Voyage d'outre mer in Middle English

the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the Northern

• Illuminated historiated initial 'E' at the beginning of Josua, probably inspired by Joshua 5:3, in which Joshua circumcises the Israelites who had been born after the Israelites fled from Egypt, with Josua characterised as an ugly hook-nosed Jew., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' at the beginning of II Kings, probably representing the events related in II Kings 24:11, in which King Nebuchadnezzar besieged and captured Jerusalem. This subject may have been chosen because it was relatively 'topical': Jerusalem had been captured in the Fourth Crusade just a few decades before this manuscript was made., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'T' at the beginning of Tobit, with Tobit on the left (his closed eyes signifying his blindness) sending out his son Tobias with the angel Raphael, instead of the more usual scene of the blinding of Tobit which is more typically is illustrated., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters