• Decorated foliate initial 'G'(losa), at the beginning of Bartolus de Saxoferrato's In secundam partem digesti veteris., In secundam partem digesti veteris (ff. 6-160), and others

pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Ff. 161-202v: Small initials in red with red pen-flourishing or in blue with red pen-flourishing. Ff. 203-253v: 1 large initial in plain blue (f. 203). Throughout

• Decorated initials, in Bartolus de Saxoferrato's In secundam partem digesti veteris., In secundam partem digesti veteris (ff. 6-160), and others

pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Ff. 161-202v: Small initials in red with red pen-flourishing or in blue with red pen-flourishing. Ff. 203-253v: 1 large initial in plain blue (f. 203). Throughout

• Detail of decorated initial., In secundam partem digesti veteris (ff. 6-160), and others

pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Ff. 161-202v: Small initials in red with red pen-flourishing or in blue with red pen-flourishing. Ff. 203-253v: 1 large initial in plain blue (f. 203). Throughout

• Miniature of the Visitation, decorated initial 'D'(eus) and full foliate border, at the beginning of Lauds in the Hours of the Virgin., Book of Hours, Use of Rome

a red and blue ground accompanied by a bar with foliate decoration (f. 159). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing.

• Miniature of the Last Judgement, decorated initial 'D'(omine) and full foliate border, at the beginning of the Seven Penitential Psalms., Book of Hours, Use of Rome

a red and blue ground accompanied by a bar with foliate decoration (f. 159). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing.

• Miniature of the Raising of Souls to Heaven, decorated initial 'S'(ubvenite) and full foliate border, at the beginning of the Commendation of Souls., Book of Hours, Use of Rome

a red and blue ground accompanied by a bar with foliate decoration (f. 159). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing.

• Miniature of the Flagellation of Christ, decorated initial 'I'(n) and full foliate border, at the beginning of the Passion of Christ., Book of Hours, Use of Rome

a red and blue ground accompanied by a bar with foliate decoration (f. 159). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing.

• Miniature of God the Father and foliate borders, at the beginning of the Seven Penitential Psalms., Book of Hours, Use of Rome

Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in red, blue and/or gold. Capital letters highlighted in red. Book of

• Illuminated initials 'H'(ora) and 'D'(omine)., Book of Hours, Use of Rome

a red and blue ground accompanied by a bar with foliate decoration (f. 159). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing.

• Miniature of the Pentecost., Book of Hours, Use of Rome

Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in red, blue and/or gold. Capital letters highlighted in red. Book of

• Historiated initial 'A'(ve) with the Virgin and Child and a kneeling man, and as part of the lower border, a monk with a shield and sword fighting a dragon., Musical miscellany

in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with

• Historiated initial 'H'(omo) with the Crucifixion and a kneeling woman, and one-sided border., Musical miscellany

in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with

• Historiated initial 'Q'(uisquis) with standing figures and a dragon forming the tail of the letter., Musical miscellany

in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with

• Illuminated initial 'V'(eritas) with a man standing on a dragon spearing an owl., Musical miscellany

in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with

• Illuminated initial 'B'(ulla) with foliate decoration., Musical miscellany

in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with

• Historiated initial 'A' with a standing Catherine, and the letter formed by an animal body and head., Musical miscellany

in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with

• Flap of the original binding., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Text page from the Hours of the Sorrow of the Virgin, with an illuminated initial 'A'., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Text page from the Hours of the Sorrow of the Virgin, with coloured lettering., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Text page with flourished initial and decorated catchword of a crowned woman., Canterbury Tales

of a crowned woman. ff. 56-63v, and 271 are 19th-century replacements. 1 large initial in blue with red foliate pen-flourishing (f. 1). Small initials in blue with red pen-flourishing. Canterbury Tales Edward Haistwell of the Middle Temple, by 1718: his