• Miniature of the Crucifixion, decorated initial 'D'(omine) and foliate borders including a monkey, at the beginning of the Hours of the Cross., Book of Hours, Use of Paris

(2 lines) with three-sided foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Perhaps for a woman as the prayers Obsecro te and O intemerata

• Detail of a miniature of the Annunciation., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

with decorated initials with partial foliate borders, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Sarum (the 'Hours of the Umfray Family') Erased entries in the calendar commemorating

• Detail of a miniature of the Nativity., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

with decorated initials with partial foliate borders, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Sarum (the 'Hours of the Umfray Family') Erased entries in the calendar commemorating

• Detail of a miniature of the Visitation., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

with decorated initials with partial foliate borders, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Sarum (the 'Hours of the Umfray Family') Erased entries in the calendar commemorating

• Detail of a miniature of the Crucifixion., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

with decorated initials with partial foliate borders, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Sarum (the 'Hours of the Umfray Family') Erased entries in the calendar commemorating

• Detail of historiated initial of a nun., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

with decorated initials with partial foliate borders, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Sarum (the 'Hours of the Umfray Family') Erased entries in the calendar commemorating

• Miniature of the Adoration of the Magi, illuminated initial 'D'(eus) and foliate borders, at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use effaced, probably Rouen

the Virgin and the beginning of the Penitential Psalms lost after f. 44. Small initials in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use effaced, probably Rouen Tias and Newman family, London, 16th

• Miniature of the Flight into Egypt, illuminated initial 'D'(eus) and foliate borders, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use effaced, probably Rouen

the Virgin and the beginning of the Penitential Psalms lost after f. 44. Small initials in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use effaced, probably Rouen Tias and Newman family, London, 16th

• Miniature of David penitent., Book of Hours, Use of Paris

(2 lines) with three-sided foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Perhaps for a woman as the prayers Obsecro te and O intemerata

• Detail of a miniature of David penitent., Book of Hours, Use of Paris

(2 lines) with three-sided foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Perhaps for a woman as the prayers Obsecro te and O intemerata

• Miniature of the Virgin and Child adored by angels, inhabited initial 'D'(oulce) with an animal and foliate borders, at the beginning of the prayer Doulce dame., Book of Hours, Use of Paris

(2 lines) with three-sided foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Perhaps for a woman as the prayers Obsecro te and O intemerata

• Miniature of Anthony and foliate borders, at the beginning of his suffrage., Book of Hours, Use of Rome

All text pages with partial foliate borders, in colours and gold. Large and small initials in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Rome Inscription, 16th(?) century (f. 132).The Harley Collection,

• null, Book of Hours, Use of Rome

All text pages with partial foliate borders, in colours and gold. Large and small initials in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Rome Inscription, 16th(?) century (f. 132).The Harley Collection,

• Detail of miniature depicting an abbess., Book of Hours, Use of Rome

All text pages with partial foliate borders, in colours and gold. Large and small initials in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Rome Inscription, 16th(?) century (f. 132).The Harley Collection,

• Miniature of Pentecost, decorated initial 'D'(omine) and foliate borders, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use effaced, probably Rouen

the Virgin and the beginning of the Penitential Psalms lost after f. 44. Small initials in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use effaced, probably Rouen Tias and Newman family, London, 16th

• Illuminated initials., Book of Hours, Use effaced, probably Rouen

the Virgin and the beginning of the Penitential Psalms lost after f. 44. Small initials in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use effaced, probably Rouen Tias and Newman family, London, 16th

• Detail of a white vine initial 'L'(ucus) with two birds and acanthus ornament., De legibus

notes that the vine decoration is of an early type. 12 large white vine initials in gold, red, green, and blue, some with bird or animal heads (ff. 1, 9, 21, 30, 61, 80, 106v, 122, 144, 167v, 191v, 206v).

• Detail of a miniature of Medea, with Jason on a horse and a slaughter of a child with his sword, at the beginning of chapter 17., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

of vine and acanthus leaves and foliate initial in colours and gold. Initials and paraphs in gold on rose and blue grounds with penwork decoration in white. De claris mulieribus in an anonymous French translation (Le livre de femmes nobles

• Illuminated white vine initial 'F'(requentia), at the beginning of book 4 of Cicero's Philippica., Philippica, omitting 5.12-6.6

of Cicero's Philippica. 13 large white vine initials, in gold against a blue field, at the beginning of each book (ff. 1, 10, 37, 46v, 50, 58, 63v, 70v, 74v, 81, 91v, 99v, 113), the first with a matching white

• Decorated initial 'M'(illesimo), at the beginning of Book 6 of Henry of Huntingdon's Historia Anglorum; in the lower margin the beginning of an ownership and anathema inscription (which finishes on the facing page), stating that the manuscript belongs to the church of St Mary's, Southwick., Historia Anglorum

medieval parchment flyleaf). Sketches of heraldic arms (f. 144). 1 bas-de-page drawing (f. 168v). Large initials in red, green and/or blue with penwork decoration or pen-flourishing in green (and red) or red (and green) (ff. 2, 3, 4, 20v, 34v,