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- Catalogue of Illuminated Manuscripts

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British Library Catalogue of Illuminated Manuscripts

809 results from this resource . Displaying 321 to 340

null, Book of Hours, Use of Rome

All text pages with partial foliate borders, in colours and gold. Large and small initials in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Rome Inscription, 16th(?) century (f. 132).The Harley Collection,

Detail of miniature depicting an abbess., Book of Hours, Use of Rome

Miniature of Pentecost, decorated initial 'D'(omine) and foliate borders, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use effaced, probably Rouen

the Virgin and the beginning of the Penitential Psalms lost after f. 44. Small initials in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use effaced, probably Rouen Tias and Newman family, London, 16th

Illuminated initials., Book of Hours, Use effaced, probably Rouen

Detail of a white vine initial 'L'(ucus) with two birds and acanthus ornament., De legibus

notes that the vine decoration is of an early type. 12 large white vine initials in gold, red, green, and blue, some with bird or animal heads (ff. 1, 9, 21, 30, 61, 80, 106v, 122, 144, 167v, 191v, 206v).

Detail of a miniature of Medea, with Jason on a horse and a slaughter of a child with his sword, at the beginning of chapter 17., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

of vine and acanthus leaves and foliate initial in colours and gold. Initials and paraphs in gold on rose and blue grounds with penwork decoration in white. De claris mulieribus in an anonymous French translation (Le livre de femmes nobles

Miniature of the Annunciation, decorated initial 'D'(omine), and full foliate border, at the beginning of the Hours of the Virgin., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

with decorated initials with partial foliate borders, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Sarum (the 'Hours of the Umfray Family') Erased entries in the calendar commemorating

Miniature of the Visitation, decorated initial 'D'(eus), and full foliate border, at the beginning of Lauds in the Hours of the Virgin., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

Miniature of the Nativity with an angel preparing a bath for the Christ child, decorated initial 'D'(eus), and full foliate border, at the beginning of Prime in the Hours of the Virgin., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

Miniature of the Requiem mass, decorated initial 'D'(ilexi), and full foliate border, at the beginning of the Hours of the Dead., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

Miniature of the Crucifixion, initial 'O' with a nun in prayer, and a full foliate border, at the beginning of a prayer to Our Lord., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

On the left, illuminated initial, and on the right, a miniature of the Requiem mass, decorated initial 'D'(ilexi), and full foliate border, at the beginning of the Office of the Dead., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

Miniature of a burial., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

Text panel with entwined roses at the beginning of Misopenes., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

Text page with initials in gold on coloured panels, bearing the names of the protagonists of the dialogue., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

Text panel with entwined roses at the beginning of Alithia., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

Putto holding aloft a text panel., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

Text panel with entwined roses at the beginning of Bombarda., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

Coloured capitals at the beginning of Lucian's Dialogues., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

Decorated initial 'E'(x) with a partial border., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

Page 17 of 41

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British Library Catalogue of Illuminated Manuscripts

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