• Miniature of the Crucifixion, initial 'O' with a nun in prayer, and a full foliate border, at the beginning of a prayer to Our Lord., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

with decorated initials with partial foliate borders, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Sarum (the 'Hours of the Umfray Family') Erased entries in the calendar commemorating

• On the left, illuminated initial, and on the right, a miniature of the Requiem mass, decorated initial 'D'(ilexi), and full foliate border, at the beginning of the Office of the Dead., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

with decorated initials with partial foliate borders, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Sarum (the 'Hours of the Umfray Family') Erased entries in the calendar commemorating

• Miniature of a burial., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

with decorated initials with partial foliate borders, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Sarum (the 'Hours of the Umfray Family') Erased entries in the calendar commemorating

• Text page with small decorated initials., The Regiment of Princes (De Regimine Principum) (index Regement of Princes, The Government of Princes)

large gold initial on a coloured ground with foliate decoration (f. 95v). Small gold initials with purple penwork decoration, and blue initials with red penwork decoration. 1 painted marginal figure of a man (f. 65). The Regiment of Princes (De

• Text page with coloured initials., The Regiment of Princes (De Regimine Principum) (index Regement of Princes, The Government of Princes)

large gold initial on a coloured ground with foliate decoration (f. 95v). Small gold initials with purple penwork decoration, and blue initials with red penwork decoration. 1 painted marginal figure of a man (f. 65). The Regiment of Princes (De

• Text page with coloured initials., The Regiment of Princes (De Regimine Principum) (index Regement of Princes, The Government of Princes)

large gold initial on a coloured ground with foliate decoration (f. 95v). Small gold initials with purple penwork decoration, and blue initials with red penwork decoration. 1 painted marginal figure of a man (f. 65). The Regiment of Princes (De

• Text page with coloured initials., The Regiment of Princes (De Regimine Principum) (index Regement of Princes, The Government of Princes)

large gold initial on a coloured ground with foliate decoration (f. 95v). Small gold initials with purple penwork decoration, and blue initials with red penwork decoration. 1 painted marginal figure of a man (f. 65). The Regiment of Princes (De

• Text panel with entwined roses at the beginning of Misopenes., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text page with initials in gold on coloured panels, bearing the names of the protagonists of the dialogue., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text panel with entwined roses at the beginning of Alithia., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Putto holding aloft a text panel., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text panel with entwined roses at the beginning of Bombarda., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Coloured capitals at the beginning of Lucian's Dialogues., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Decorated initial 'E'(x) with a partial border., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Decorated initial 'V'(idisti) with a partial border., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Decorated initial 'A'(ge) with a partial border., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Miniature of Prince Henry offering or receiving the book (the kneeling man is perhaps John Mowbray, 2nd Duke of Norfolk); and an illuminated initial 'H'(ye) with the arms of the Mowbray familly., The Regiment of Princes (De Regimine Principum) (index Regement of Princes, The Government of Princes)

large gold initial on a coloured ground with foliate decoration (f. 95v). Small gold initials with purple penwork decoration, and blue initials with red penwork decoration. 1 painted marginal figure of a man (f. 65). The Regiment of Princes (De

• Detail of a miniature of Prince Henry offering or receiving the book., The Regiment of Princes (De Regimine Principum) (index Regement of Princes, The Government of Princes)

large gold initial on a coloured ground with foliate decoration (f. 95v). Small gold initials with purple penwork decoration, and blue initials with red penwork decoration. 1 painted marginal figure of a man (f. 65). The Regiment of Princes (De

• Miniature of the raising of Lazarus, with an historiated initial 'D' and foliate borders including a small figure and arms., Le trésor (ff. 1-24), Parce michi domine nichis enim sunt dies mei (ff. 25-65v), etc., Sen suyt ung petit traicte pour sadresser a dieu le cuer desuoye (ff. 67-77), etc.

with full foliate borders including small figures, in colours and gold (f. 67). Small initials in gold on red and blue grounds with foliate extensions into the margins. Cadels. Le trésor (ff. 1-24), Parce michi domine nichis enim sunt dies

• Detail of a miniature of the raising of Lazarus., Le trésor (ff. 1-24), Parce michi domine nichis enim sunt dies mei (ff. 25-65v), etc., Sen suyt ung petit traicte pour sadresser a dieu le cuer desuoye (ff. 67-77), etc.

with full foliate borders including small figures, in colours and gold (f. 67). Small initials in gold on red and blue grounds with foliate extensions into the margins. Cadels. Le trésor (ff. 1-24), Parce michi domine nichis enim sunt dies