• Drawing of a battle between mounted knights., Chanson d'Aspremont, imperfect

45 pen drawings and fragments of 2 more, with a wash of green, and often red, or sometimes yellow and/or blue, often of knights on horseback in combat. Small simple initials in red or green. Chanson d'Aspremont, imperfect William Petty

• Miniature of a battle at the beginning of Book 2., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Miniature of a judgement scene at the beginning of book 4, as a man is being put into prison., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Miniature of Christine writing her book; on the right, an armed female., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Text; miniature of a judgement scene at the beginning of book 4, as a man is being put into prison., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Detail of a miniature of Christine writing her book; on the right, an armed female., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Detail of a miniature of a king and bishop with soldiers., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Text; miniature of a judgement scene at the beginning of book 4, as a man is being put into prison., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• White vine initial 'Q'(uam) at the beginning of De officiis., De officiis

vine initials in colours at the beginning of each book (ff. 1, 38v, 61). Coloured initials in alternating red or blue. De officiis Part 1 written by Blasius Axeretinus in Milan in 1433: inscribed 'M. Tulij ciceronis liber [...] incipit

• White vine initial 'Q'(uemadmodum) in colours at the beginning of the book., De officiis

vine initials in colours at the beginning of each book (ff. 1, 38v, 61). Coloured initials in alternating red or blue. De officiis Part 1 written by Blasius Axeretinus in Milan in 1433: inscribed 'M. Tulij ciceronis liber [...] incipit

• Detail of white vine initial 'Q'(uam) at the beginning of De officiis., De officiis

vine initials in colours at the beginning of each book (ff. 1, 38v, 61). Coloured initials in alternating red or blue. De officiis Part 1 written by Blasius Axeretinus in Milan in 1433: inscribed 'M. Tulij ciceronis liber [...] incipit

• Historiated initial 'C'(um) depicting a layman in profile (Priscian?) holding a book, at the beginning of Priscian's Grammatica maior., Grammatica maior

for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials alternately red or blue, with red penwork decoration. Grammatica maior Written in part in 1434 by Iohannes de Drizona (? Drizzona, between Cremona

• Initial 'D' with pen-flourishing, in Priscian's Grammatica maior., Grammatica maior

for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials alternately red or blue, with red penwork decoration. Grammatica maior Written in part in 1434 by Iohannes de Drizona (? Drizzona, between Cremona

• Detail of historiated initial., Grammatica maior

for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials alternately red or blue, with red penwork decoration. Grammatica maior Written in part in 1434 by Iohannes de Drizona (? Drizzona, between Cremona

• null, Ab urbe condita; each Decade preceded by the tables attributed to Donato degli Albanzani (ff. 1-3v, 103-105v, 195-196v) (index History of Rome from its foundation)

124v, 133v, 141v, 150v, 160v, 170v, 180, 187, 197, 204v, 210v, 219, 226v, 233, 242, 251v, 260). Small initials alternately blue with red pen-flourishing, or red with purple pen-flourishing. Three partial borders incorporating the arms of Cardinal Pietro Riario, at

• Detail of decorated initial., Grammatica maior

for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials alternately red or blue, with red penwork decoration. Grammatica maior Written in part in 1434 by Iohannes de Drizona (? Drizzona, between Cremona

• Full white vine border inhabited by putti, with a white vine initial 'P'(ost), and, in the lower margin, a circlet of vines framing arms that have been effaced., Institutiones

(ff. 24v, 44v, 63v, 80, 103, 119v, 138, 158, 186, 189v, 206, 216v, 229v). Numerous plain initials in red and blue. Rubrics in red. Epigraphic capitals in red ink (f. 250). Institutiones Written in 1434: colophon, 'Sub anno domini millesimo

• Miniature in three parts, including scenes of battle, with an illuminated initial in Livy's Ab urbe condita., Ab urbe condita; each Decade preceded by the tables attributed to Donato degli Albanzani (ff. 1-3v, 103-105v, 195-196v) (index History of Rome from its foundation)

124v, 133v, 141v, 150v, 160v, 170v, 180, 187, 197, 204v, 210v, 219, 226v, 233, 242, 251v, 260). Small initials alternately blue with red pen-flourishing, or red with purple pen-flourishing. Three partial borders incorporating the arms of Cardinal Pietro Riario, at

• Detail of miniature in three parts, including scenes of battle, with an illuminated initial in Livy's Ab urbe condita., Ab urbe condita; each Decade preceded by the tables attributed to Donato degli Albanzani (ff. 1-3v, 103-105v, 195-196v) (index History of Rome from its foundation)

124v, 133v, 141v, 150v, 160v, 170v, 180, 187, 197, 204v, 210v, 219, 226v, 233, 242, 251v, 260). Small initials alternately blue with red pen-flourishing, or red with purple pen-flourishing. Three partial borders incorporating the arms of Cardinal Pietro Riario, at

• Ownership inscription identifying the manuscript as belonging to the Brigittine monastery at Syon, "near Shene" (Sheen), located near Twickenham., Ladder of Perfection (Scala perfectionis), imperfect, the first two parts only

border in blue, red, white and gold at the beginning of parts, the second with an animal head (ff. 1, 54). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue. Rubrics