• Miniature of the Visitation, with an angel attanding the Virgin, with a full foliate border, at the beginning of Lauds of the Virgin., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Miniature of Christ presiding over the Last Judgement, with souls being raised to heaven and others consigned to hell, at the beginning of the Deus propicius; to the left, John the Evangelist holds a cup and palm, standing behind a kneeling Dunois; at the bottom is an angel, holding a skull, kneeling in a churchyard., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Miniature of the Virgin Mary suckling the Christ child under a red canopy, with two angels, at the beginning of the O intemerata., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Miniature of the Virgin and Child with a kneeling Jean Comte de Dunois in armour, with full foliate borders, at the beginning of the Obsecro te., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Miniature of Mark seated at a desk and writing the words 'In illo tempore' on a parchment, while his symbol, a winged lion, sits before him, at the beginning of his Gospel., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Miniature of Luke seated at a table and mending his quill pen with a knife, with his symbol, the winged ox, by his side, and a full foliate border, at the beginning of his Gospel., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Text and borders., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Text and borders, with a full foliate border including the arms of Dunois., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Circular diagram against lightning; below, a diagram connected with solar and lunar cycles., Medical recipes and charms

British Library, Royal 17 B XLIX and Royal 17 B L. Circular ink diagrams (f. 1). Initials in red or blue. Medical recipes and charms On f. 21 is the colophon 'Amen quod I. ff. [] qui scripsit hoc (sic)

• Decorated intial., Travels of Sir John Mandeville

(f. 3). Smaller initials in plain red or blue, some with reserved designs. Travels of Sir John Mandeville ? The Benedictine Abbey of St Albans (see below).? Willyam Caxton, by 1490 (see below).? Richard Tottyl, London, by 1579 (see below).Hugh

• Text page., Travels of Sir John Mandeville

(f. 3). Smaller initials in plain red or blue, some with reserved designs. Travels of Sir John Mandeville ? The Benedictine Abbey of St Albans (see below).? Willyam Caxton, by 1490 (see below).? Richard Tottyl, London, by 1579 (see below).Hugh

• Detail of miniature and illuminated initial., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

with penwork decoration in brown and/or red (ff. 3v, 6v). Small paraphs in gold with brown penwork decoration or in blue with red penwork decoration. The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment ? made in

• Detail of decorated and illuminated initials., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

with penwork decoration in brown and/or red (ff. 3v, 6v). Small paraphs in gold with brown penwork decoration or in blue with red penwork decoration. The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment ? made in

• Decorated initial 'E'(t)., The Historia Aseneth (ff. 53-64v) and Testamenta xii. Patriarcharum filiorum Jacob (ff. 65-96v)

Catchwords Initials in blue with red penwork decoration. Small initials in brown, some with penwork decoration, especially of two parallel lines. The Historia Aseneth (ff. 53-64v) and Testamenta xii. Patriarcharum filiorum Jacob (ff. 65-96v) Allatby(?) Williams: 14th-century inscription (f. 96v).

• White vine initial 'S'(emper)., Satires (index Saturae, Satirae)

catchwords. 1 large white vine initial in colours and gold (f. 1). Plain initials in blue. Rubrics in red. Satires (index Saturae, Satirae) The Jesuit College in Agen (Lot-et-Garonne, France), maintained by the Jesuits from 1591 to 1762: inscribed, 17th

• Text page with foliate border., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Text page with foliate border, illuminated initials 'N'(umquid) and 'S'(icut) and decorated initials 'D'(ominus) and 'G'(loria), with the catchword 'tuis' in the lower margin., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Decorated initial 'C'(haos) with white vine decoration, at the beginning of the text by Lactantius, Ovidii Metamorphoseon fabularum narratio, and the arms of the Donati family of Venice with an animal head above the shield., Ovidii Metamorphoseon fabularum narratio, and other mythological texts

Venice with an animal head above the shield. Large coloured initials with white vine scroll decoration. Small simple red or blue initials. The arms of the Donati family of Venice surmounted by a lion's head (f. 1). Guide letters. Ovidii

• Puzzle initial 'P'(aschales) below a rubric with the date 1465 in medieval arabic numerals, at the beginning of a prologue, Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc.

are notes by Barthélemy Mercier (b. 1734 d. 1799), abbé de St.-Léger. Large and small puzzle initials in red and blue. Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc. Apparently written in 1465: a rubric reads 'Prologus sedulij primus incipit 1465'

• White vine initial 'M'(aiores), at the beginning of the book 7., De architectura

2, 16v, 33v, 49, 54, 63v, 81v, 95v, 108v, 123v, order of the books 4-6 reversed). Small initials in plain blue. De architectura Space for arms left blank (f. 1).Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th