• Detail of a miniature of Nicholas, dressed as a bishop, with the three youths and books on a table behind, at the beginning of his suffrage., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Miniature of the Virgin and Child, with full foliate borders, at the beginning of the prayer O intemerata., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Text page with three-sided foliate border, and illuminated initial 'D'(eus)., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of Peter, seated on a papal throne and holding a key, at the beginning of his suffrage. On either side are red-robed cardinals, and a surpliced clerk kneels before him holding an open book., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of Martin of Tours riding on a horse, cutting his cloak with his sword to share it with a beggar, at the beginning of his suffrage., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of Julian in a boat, wearing a red cloak and holding a paddle. His mother carries a lantern and holds a paddle on the other end of the boat, while between them is Christ in the guise of a leper, with a staff and rattle. At the beginning of his suffrage., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of Mary of Egypt, covered in golden hair, being handed a cloak by Zosimus, at the beginning of her suffrage., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Double-page of the calendars for April and May., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of men making wine, from the calendar page for September., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of Luke seated at a table and mending his quill pen with a knife, with his symbol, the winged ox, by his side, at the beginning of his Gospel., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of the Virgin and Child with a kneeling Jean Comte de Dunois in armour, at the beginning of the Obsecro te., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• null, Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc.

abbé de St.-Léger. Large and small puzzle initials in red and blue. Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc. Apparently written in 1465: a rubric reads 'Prologus sedulij primus incipit 1465' (f. 7v).The Celestine convent of the Holy Trinity, Marcoussis,

• null, Comediae (index Comedies), preceded by arguments and prologues: Andria (ff. 1-27v), Eunuchus (ff. 28-57v), Heauton tirorumenos (ff. 58-87), Adelphoe (f. 87-113v), Hecyra (ff. 114-137v), Phormio (ff. 138-166v)

and shell gold, at the beginnings of the arguments (ff. 28, 29v, 58, 87, 114, 114v, 138). Small initials alternately blue or red. Headings in red capitals Comediae (index Comedies), preceded by arguments and prologues: Andria (ff. 1-27v), Eunuchus (ff.

• On the left, large calligraphic initial 'L'(envoye) and illuminated initial 'T(his), and on the right, a miniature of the story of Cadmus, possibly retouched, and the illuminated initial 'B'., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

with penwork decoration in brown and/or red (ff. 3v, 6v). Small paraphs in gold with brown penwork decoration or in blue with red penwork decoration. The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment ? made in

• null, Commentary on the Psalms (imperfect, starting in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146)

painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around the letter or in the bowl with simple patterns in other

• null, Commentary on the Psalms (imperfect, starting in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146)

painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around the letter or in the bowl with simple patterns in other

• White vine initial 'C'(um), and part of the three-sided border, at the beginning of the prologue., De architectura

2, 16v, 33v, 49, 54, 63v, 81v, 95v, 108v, 123v, order of the books 4-6 reversed). Small initials in plain blue. De architectura Space for arms left blank (f. 1).Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th

• Lower part of the three-sided border, at the beginning of the prologue., De architectura

2, 16v, 33v, 49, 54, 63v, 81v, 95v, 108v, 123v, order of the books 4-6 reversed). Small initials in plain blue. De architectura Space for arms left blank (f. 1).Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th

• White vine initial 'M'(aiores), at the beginning of the book 7., De architectura

2, 16v, 33v, 49, 54, 63v, 81v, 95v, 108v, 123v, order of the books 4-6 reversed). Small initials in plain blue. De architectura Space for arms left blank (f. 1).Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th

• Detail of a miniature of the story of Cadmus, possibly retouched, and the illuminated initial 'B'., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

with penwork decoration in brown and/or red (ff. 3v, 6v). Small paraphs in gold with brown penwork decoration or in blue with red penwork decoration. The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment ? made in