• Detail of a miniature of the Adoration of the True Cross: a richly jewelled cross within a hexagonal building, surrounded by figures representing different communions of Christianity, at the beginning of the Hours of the Cross., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature from the border of two men digging and uncovering the holy Cross, guided by Helena, at the beginning of the Hours of the Cross., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of a wealthy man riding a wolf, carrying a sword and a chalice and followed by a servant with flagons of wine, as a personification of Gluttony (Gloutenie), in the Penitential Psalms., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of a man riding a leopard and stabbing himself with a sword, as a personification of Anger (Ire), in the Penitential Psalms., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a full border of shepherds approaching the Nativity of Christ, at the beginning of Prime of the Hours of the Virgin., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of Christ presiding over the Last Judgement, with souls being raised to heaven and others consigned to hell, at the beginning of the Deus propicius., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of the lower border from a miniature of the Last Judgement of an angel, holding a skull, kneeling in a churchyard., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Decorated initial 'I'(n the name of God)., Statutes of the Hospital of Ewelme, Oxfordshire

afterwards' (Harley Catalogue). 1 large initial in colours and gold with floral sprays (f. 3). Initials in blue with red pen-flourishing. Paraphs in blue. Statutes of the Hospital of Ewelme, Oxfordshire The Almshouse (Domus Dei) of Ewelme, Oxfordshire, founded by

• Miniature of Dante and Virgil entering the area devoted to simoniacs and magicians, while Dante speaks to the upside-down figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX., Divina Commedia (index Divine Comedy)

figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration

• Offset of the Trinity miniature, with an inscription reading '19 A XXII / p. 296'., Sept articles de la foy

border), 14v, 16, 21, 26). Small initials in gold with black penwork decoration or in blue with red penwork decoration. Line-fillers in red and blue. Capitals marked in yellow. Sept articles de la foy L. Galet: inscribed, 'Explicit le codicile

• Miniature of the Trinity with a kneeling king, identified as Henry VII, and a full foliate border., Sept articles de la foy

border), 14v, 16, 21, 26). Small initials in gold with black penwork decoration or in blue with red penwork decoration. Line-fillers in red and blue. Capitals marked in yellow. Sept articles de la foy L. Galet: inscribed, 'Explicit le codicile

• Miniature of the Trinity with a kneeling king, identified as Henry VII, and a full foliate border., Sept articles de la foy

border), 14v, 16, 21, 26). Small initials in gold with black penwork decoration or in blue with red penwork decoration. Line-fillers in red and blue. Capitals marked in yellow. Sept articles de la foy L. Galet: inscribed, 'Explicit le codicile

• Miniature of the Resurrection of Christ, with a full foliate border., Sept articles de la foy

border), 14v, 16, 21, 26). Small initials in gold with black penwork decoration or in blue with red penwork decoration. Line-fillers in red and blue. Capitals marked in yellow. Sept articles de la foy L. Galet: inscribed, 'Explicit le codicile

• Detail of a miniature of the Resurrection., Sept articles de la foy

border), 14v, 16, 21, 26). Small initials in gold with black penwork decoration or in blue with red penwork decoration. Line-fillers in red and blue. Capitals marked in yellow. Sept articles de la foy L. Galet: inscribed, 'Explicit le codicile

• Detail of the emblem of the Order of the Garter, from the lower border of the folio., Sept articles de la foy

border), 14v, 16, 21, 26). Small initials in gold with black penwork decoration or in blue with red penwork decoration. Line-fillers in red and blue. Capitals marked in yellow. Sept articles de la foy L. Galet: inscribed, 'Explicit le codicile

• Miniature of the Ascension of Christ, with a Tudor Rose, and the royal arms in the lower margin of the folio., Sept articles de la foy

border), 14v, 16, 21, 26). Small initials in gold with black penwork decoration or in blue with red penwork decoration. Line-fillers in red and blue. Capitals marked in yellow. Sept articles de la foy L. Galet: inscribed, 'Explicit le codicile

• Detail of a miniature of the Ascension of Christ., Sept articles de la foy

border), 14v, 16, 21, 26). Small initials in gold with black penwork decoration or in blue with red penwork decoration. Line-fillers in red and blue. Capitals marked in yellow. Sept articles de la foy L. Galet: inscribed, 'Explicit le codicile

• Detail of the royal arms, from the lower border of the folio., Sept articles de la foy

border), 14v, 16, 21, 26). Small initials in gold with black penwork decoration or in blue with red penwork decoration. Line-fillers in red and blue. Capitals marked in yellow. Sept articles de la foy L. Galet: inscribed, 'Explicit le codicile

• Detail of a miniature of the Crucifixion of Christ., Book of Hours, Use of Sarum

84v, 104v). Large decorated initials with foliate extensions into the margins, in grisaille. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Book of Hours, Use of Sarum It has been suggested that the manuscript

• Detail of a miniature of Christ before Pilate., Book of Hours, Use of Sarum

84v, 104v). Large decorated initials with foliate extensions into the margins, in grisaille. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Book of Hours, Use of Sarum It has been suggested that the manuscript