• Miniature of the Resurrection., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of the Trinity, with Christ on a crucifix., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of a woman in prayer before the Virgin and Child., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of John the Baptist., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of Peter., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of Stephen., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature showing a woman washing her feet in a small fountain with a crowned king watching from afar, with a decorated initial 'D'(omine) and a full architectural border., Book of Hours, Use of Rome

(x2), 134, 135, 135v, 136, 136v (x2), 137, 137v). Smaller and small initials and line-fillers in gold on red or blue grounds.Jean Pichore (ff. 13, 19v, 25, 42, 43v, 45, 81, 130, 130v), his workshop (ff. 14v, 15v, 16v, 17,

• Miniature of the Annunciation to the Shepherds, with a decorated initial 'D'(eus) and a full architectural border., Book of Hours, Use of Rome

(x2), 134, 135, 135v, 136, 136v (x2), 137, 137v). Smaller and small initials and line-fillers in gold on red or blue grounds.Jean Pichore (ff. 13, 19v, 25, 42, 43v, 45, 81, 130, 130v), his workshop (ff. 14v, 15v, 16v, 17,

• Detail of historiated initial., Miscellany, including Liber Hermetis de alchimia (ff. 155-157); Liber triginta verborum (ff. 164-166); De duodecim aquis (ff. 166v-167v); and De naturis colorum iuxta Aristotelem 70 preceptorum (ff. 185v-186).

1457 to Würzburg). 1 large red initial with a human face (f. 84). Large and small initials in red, green, blue, or brown, two decorated with patterns. Paraphs in red. Marginalia. 1 table (f. 121). Blank spaces left (for illustrations?).

• Detail of decorated initial 'I' (may) combined with a partial foliate bar border with acanthus leaves and feathering including the arms of the James family at the beginning of book 1., Speculum religiosorum or ecclesiae (ff. 1-6v); Confessio amantis, imperfect (ff. 8-215v), (also known as The Rede (Boarstall) Gower)

(same arms as f. 8), 196v (same arms as f. 11)). Smaller initials in blue with red pen-flourishing including foliate motifs. Paraphs in alternating red or blue. Rubrics underlined in red rather than written in red. A few cadels (e.g.

• Decorated initial 'H'(ow) combined with a partial foliate bar border with acanthus leaves and feathering including the arms of the Haudlo family at the beginning of book 2., Speculum religiosorum or ecclesiae (ff. 1-6v); Confessio amantis, imperfect (ff. 8-215v), (also known as The Rede (Boarstall) Gower)

(same arms as f. 8), 196v (same arms as f. 11)). Smaller initials in blue with red pen-flourishing including foliate motifs. Paraphs in alternating red or blue. Rubrics underlined in red rather than written in red. A few cadels (e.g.

• Decorated initial 'F'(erste) combined with a partial foliate bar border with acanthus leaves and feathering including the arms of the De la Pole family at the beginning of book 5., Speculum religiosorum or ecclesiae (ff. 1-6v); Confessio amantis, imperfect (ff. 8-215v), (also known as The Rede (Boarstall) Gower)

(same arms as f. 8), 196v (same arms as f. 11)). Smaller initials in blue with red pen-flourishing including foliate motifs. Paraphs in alternating red or blue. Rubrics underlined in red rather than written in red. A few cadels (e.g.

• Decorated initial 'T'(he) combined with a partial foliate bar border with acanthus leaves and feathering including the arms of the Marmion family of Checkenden at the beginning of book 8., Speculum religiosorum or ecclesiae (ff. 1-6v); Confessio amantis, imperfect (ff. 8-215v), (also known as The Rede (Boarstall) Gower)

(same arms as f. 8), 196v (same arms as f. 11)). Smaller initials in blue with red pen-flourishing including foliate motifs. Paraphs in alternating red or blue. Rubrics underlined in red rather than written in red. A few cadels (e.g.

• Decorated initial 'I'(ff) combined with a partial foliate bar border with acanthus leaves and feathering including the arms of the Fitz-Nigel family at the beginning of book 4., Speculum religiosorum or ecclesiae (ff. 1-6v); Confessio amantis, imperfect (ff. 8-215v), (also known as The Rede (Boarstall) Gower)

(same arms as f. 8), 196v (same arms as f. 11)). Smaller initials in blue with red pen-flourishing including foliate motifs. Paraphs in alternating red or blue. Rubrics underlined in red rather than written in red. A few cadels (e.g.

• White vine initial 'G'(rammatica) and wreath enclosing the arms and helm of John Tiptoft, earl of Worcester, at the beginning of Suetonius' De grammaticis et rhetoribus., De grammaticis et rhetoribus (ff. 2-14v); Dialogus de oratoribus (ff. 15-42v)

wreath enclosing the arms and crest of John Tiptoft, Earl of Worcester (f. 2). Large initial in gold on a blue and red panel with pen-flourishing and besants extending into the margin (f. 15). Smaller initials in purple or green

• Illuminated initial 'S'(aepe) at the beginning of Tacitus' Dialogus de oratoribus., De grammaticis et rhetoribus (ff. 2-14v); Dialogus de oratoribus (ff. 15-42v)

wreath enclosing the arms and crest of John Tiptoft, Earl of Worcester (f. 2). Large initial in gold on a blue and red panel with pen-flourishing and besants extending into the margin (f. 15). Smaller initials in purple or green

• White vine initial 'T'(ytire) in colours and gold., Bucolica (index Bucolics, Eclogues)(ff. 2-19v); Georgica (index Georgics)(ff. 19v-66); Aeneis (index Aeneid)(ff. 67-276v); Appendix (ff. 277-310).

83, 99v, 115, 130, 148v, 167v, 185, 200v, 218, 237, 256v, 277, 286, 288v, 300v, 309, 309v). Plain initials in blue. Rubrics in red. Bucolica (index Bucolics, Eclogues)(ff. 2-19v); Georgica (index Georgics)(ff. 19v-66); Aeneis (index Aeneid)(ff. 67-276v); Appendix (ff. 277-310).

• White vine initial 'A'(rma) in colours and gold., Bucolica (index Bucolics, Eclogues)(ff. 2-19v); Georgica (index Georgics)(ff. 19v-66); Aeneis (index Aeneid)(ff. 67-276v); Appendix (ff. 277-310).

83, 99v, 115, 130, 148v, 167v, 185, 200v, 218, 237, 256v, 277, 286, 288v, 300v, 309, 309v). Plain initials in blue. Rubrics in red. Bucolica (index Bucolics, Eclogues)(ff. 2-19v); Georgica (index Georgics)(ff. 19v-66); Aeneis (index Aeneid)(ff. 67-276v); Appendix (ff. 277-310).

• Historiated initial 'P'(etrus) of Peter and Paul, in semi-grisaille, with partial foliate borders., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Historiated initial 'N' of Dante and Virgil in a dark wood, with four half-length figures representing Justice, Power, Peace and Temperance., Divina Commedia (index Divine Comedy)

190). Large decorated initials with foliate extensions into the margins, in colours and gold. Small initials in gold on pink, blue, and/or green grounds. Divina Commedia (index Divine Comedy) Alphonso V, king of Aragon, Naples and Sicily (reigned 1416 to