• Marginal drawing of a priest celebrating Mass, with a minor cleric in attendance holding two tapers, at the moment of the elevation of the host., Book of Hours, Use of Sarum

84v, 104v). Large decorated initials with foliate extensions into the margins, in grisaille. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Book of Hours, Use of Sarum It has been suggested that the manuscript

• Miniature of Christ before Pilate, with borders of acanthus decoration., Book of Hours, Use of Sarum

84v, 104v). Large decorated initials with foliate extensions into the margins, in grisaille. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Book of Hours, Use of Sarum It has been suggested that the manuscript

• Miniature of the Crucifixion of Christ, with a foliate border., Book of Hours, Use of Sarum

84v, 104v). Large decorated initials with foliate extensions into the margins, in grisaille. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Book of Hours, Use of Sarum It has been suggested that the manuscript

• Miniature of the Entombment of Christ, with foliate borders, at the beginning of Compline in the Hours of the Passion., Book of Hours, Use of Sarum

84v, 104v). Large decorated initials with foliate extensions into the margins, in grisaille. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Book of Hours, Use of Sarum It has been suggested that the manuscript

• Miniature of the Presentation, decorated initial 'D'(eus) and foliate borders, at the beginning of None in the Hours of the Virgin., Book of Hours, Use of Sarum

84v, 104v). Large decorated initials with foliate extensions into the margins, in grisaille. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Book of Hours, Use of Sarum It has been suggested that the manuscript

• Detail of a miniature of Dante and Virgil entering the area devoted to simoniacs and magicians, while Dante speaks to the upside-down figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX., Divina Commedia (index Divine Comedy)

figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration

• Decorated initial 'S'(icut) at the beginning of the first text, and birds, oak leaves, acorns and crowned knight in armour in the margins., Various religious and historical tracts (also known as 'Codex ruber' and 'Waltham Abbey Miscellany') including the 'Vita Haroldi' (ff. 1-24v); 'De inventione sancte crucis de Waltham' (also known as the 'Waltham Chronicle', ff. 43-62v), part 1; the Voyage of St Brendan (ff. 67-75v)

Smaller red initials with pen-flourishing in purple ink, or blue with red flourishing. Marginal red ink drawing: a knight in armour (f. 1). Small coloured initials and paraphs in red or blue. Line-fillers in red ink. Various religious and historical

• Decorated initial 'D'(e) with pen-flourishing including an oak leaf, at the beginning of a list of the relics given to Waltham abbey by Harold and others., Various religious and historical tracts (also known as 'Codex ruber' and 'Waltham Abbey Miscellany') including the 'Vita Haroldi' (ff. 1-24v); 'De inventione sancte crucis de Waltham' (also known as the 'Waltham Chronicle', ff. 43-62v), part 1; the Voyage of St Brendan (ff. 67-75v)

Smaller red initials with pen-flourishing in purple ink, or blue with red flourishing. Marginal red ink drawing: a knight in armour (f. 1). Small coloured initials and paraphs in red or blue. Line-fillers in red ink. Various religious and historical

• Decorated initials with pen-flourishing in the 'Waltham Chronicle'., Various religious and historical tracts (also known as 'Codex ruber' and 'Waltham Abbey Miscellany') including the 'Vita Haroldi' (ff. 1-24v); 'De inventione sancte crucis de Waltham' (also known as the 'Waltham Chronicle', ff. 43-62v), part 1; the Voyage of St Brendan (ff. 67-75v)

Smaller red initials with pen-flourishing in purple ink, or blue with red flourishing. Marginal red ink drawing: a knight in armour (f. 1). Small coloured initials and paraphs in red or blue. Line-fillers in red ink. Various religious and historical

• Decorated initial 'C'(um) with pen-flourishing. Arches drawn in the margin, possibly by William Howard in the early 17th century., Various religious and historical tracts (also known as 'Codex ruber' and 'Waltham Abbey Miscellany') including the 'Vita Haroldi' (ff. 1-24v); 'De inventione sancte crucis de Waltham' (also known as the 'Waltham Chronicle', ff. 43-62v), part 1; the Voyage of St Brendan (ff. 67-75v)

Smaller red initials with pen-flourishing in purple ink, or blue with red flourishing. Marginal red ink drawing: a knight in armour (f. 1). Small coloured initials and paraphs in red or blue. Line-fillers in red ink. Various religious and historical

• The upper pastedown, with a typical Bury press-mark, '.J. 7.' ('J' is for Jerome). To the right of this is an inscription headed 'A book of St. Edmund, in which are contained', followed by a note on the contents., Commentaries on Isaiah and Ezechiel

by a bird (f. 3). Large initial in red with blue and red penwork decoration at the beginning of the prologue to Ezechiel (f. 90). Words in red, green, or blue. 6 large initials in red at the beginning of

• Coloured initial and musical notations on 4-line staves., Life of Thomas Becket (index Vie de Thomas Becket), in Anglo-Norman verse, followed by an Anglo-Norman crusade noted song ‘S’onques nus hom pour dure’ (ff. 14-14v); Anglo-Norman romance Guy of Warwick (index Gui de Warewic) (ff. 15-26)

B clefs), England, second half of the 13th century (f. 14) Large initial in blue with pen-work decoration in red (f. 1). Initials in red and blue. Musical notation on 4-line staves (f. 14). Life of Thomas Becket (index Vie

• Text page with added notes., Life of Thomas Becket (index Vie de Thomas Becket), in Anglo-Norman verse, followed by an Anglo-Norman crusade noted song ‘S’onques nus hom pour dure’ (ff. 14-14v); Anglo-Norman romance Guy of Warwick (index Gui de Warewic) (ff. 15-26)

B clefs), England, second half of the 13th century (f. 14) Large initial in blue with pen-work decoration in red (f. 1). Initials in red and blue. Musical notation on 4-line staves (f. 14). Life of Thomas Becket (index Vie

• White vine initial 'P'(roficiscenti)., Apologeticus and various sermons

la Mare 1985)Horizontal catchwords.Marginal commentary. 1 large white vine initial in colours and gold (f. 1). 6 plain initials In blue (f. 2, 27, 48, 50, 57v, 66v) . Rubrics, paraphs, and colophon in red. Apologeticus and various sermons Ser

• Diagrams in brown ink in the main text., Commentary on Cicero's De somno Scipionis

(ff. 39v, 50v, 53v, 70) and in the margins (ff. 12v, 28v, 37v, 42v, 43, 52v). 1 large initial in blue with a reserved design and red pen-flourishing (f. 1). Initials wanting (ff. 6v, 43v, 46v). Pointing hands, human faces

• Detail of white vine initial 'P'(roficiscenti)., Apologeticus and various sermons

la Mare 1985)Horizontal catchwords.Marginal commentary. 1 large white vine initial in colours and gold (f. 1). 6 plain initials In blue (f. 2, 27, 48, 50, 57v, 66v) . Rubrics, paraphs, and colophon in red. Apologeticus and various sermons Ser

• Drawing of two shepherds, one standing with his flock, the other seated, playing a pipe., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Miniature of a man pruning vines., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Detail of a drawing of a shepherd with his flock., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Drawing of an armed horseman., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica