• Detail of the royal arms, from the lower border of the folio., Sept articles de la foy

border), 14v, 16, 21, 26). Small initials in gold with black penwork decoration or in blue with red penwork decoration. Line-fillers in red and blue. Capitals marked in yellow. Sept articles de la foy L. Galet: inscribed, 'Explicit le codicile

• Detail of a miniature of the Crucifixion of Christ., Book of Hours, Use of Sarum

84v, 104v). Large decorated initials with foliate extensions into the margins, in grisaille. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Book of Hours, Use of Sarum It has been suggested that the manuscript

• Detail of a miniature of Christ before Pilate., Book of Hours, Use of Sarum

84v, 104v). Large decorated initials with foliate extensions into the margins, in grisaille. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Book of Hours, Use of Sarum It has been suggested that the manuscript

• Detail of a marginal drawing of a priest celebrating Mass, with a minor cleric in attendance holding two tapers, at the moment of the elevation of the host., Book of Hours, Use of Sarum

84v, 104v). Large decorated initials with foliate extensions into the margins, in grisaille. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Book of Hours, Use of Sarum It has been suggested that the manuscript

• Miniature of the Three Holy Women at the Tomb., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Detail of a miniature of the Ascension, with two angels standing below with the Apostles and Mary, who gesture upwards towards Christ., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Detail of a miniature of the Entombment of Christ, with foliate borders, at the beginning of Compline in the Hours of the Passion., Book of Hours, Use of Sarum

84v, 104v). Large decorated initials with foliate extensions into the margins, in grisaille. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Book of Hours, Use of Sarum It has been suggested that the manuscript

• Detail of a miniature of the Presentation in the Temple, decorated initial 'D'(eus) and foliate borders, at the beginning of None in the Hours of the Virgin., Book of Hours, Use of Sarum

84v, 104v). Large decorated initials with foliate extensions into the margins, in grisaille. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Book of Hours, Use of Sarum It has been suggested that the manuscript

• Miniature of the Nativity., Sept articles de la foy

border), 14v, 16, 21, 26). Small initials in gold with black penwork decoration or in blue with red penwork decoration. Line-fillers in red and blue. Capitals marked in yellow. Sept articles de la foy L. Galet: inscribed, 'Explicit le codicile

• Miniature of the baptism of Christ., Sept articles de la foy

border), 14v, 16, 21, 26). Small initials in gold with black penwork decoration or in blue with red penwork decoration. Line-fillers in red and blue. Capitals marked in yellow. Sept articles de la foy L. Galet: inscribed, 'Explicit le codicile

• Miniature of the Crucifixion., Sept articles de la foy

border), 14v, 16, 21, 26). Small initials in gold with black penwork decoration or in blue with red penwork decoration. Line-fillers in red and blue. Capitals marked in yellow. Sept articles de la foy L. Galet: inscribed, 'Explicit le codicile

• Miniature of the Harrowing of Hell., Sept articles de la foy

border), 14v, 16, 21, 26). Small initials in gold with black penwork decoration or in blue with red penwork decoration. Line-fillers in red and blue. Capitals marked in yellow. Sept articles de la foy L. Galet: inscribed, 'Explicit le codicile

• Decorated initial 'H'(unc) with the John Beaver's initials, 'IB', in gold, at the start of the inscription, stating that Lord John Beaver, monk of St. Albans, had the manuscript made, and that with the permission of John Whethamstede, the abbot (1420-1440), he has given it to God, the Virgin Mary, and the church of St. Alban. This is followed by an anathema and a list of the contents., Liber de exemplis sacre scripture; Commentary on Wisdom; Commentary on Proverbs; Commentary on Ecclesiasticus

the beginning of the colophon and major text divisions (ff. 1v, 2, 79, 231). Initials in blue with red pen-flourishing. Paraphs in red or blue. Liber de exemplis sacre scripture; Commentary on Wisdom; Commentary on Proverbs; Commentary on Ecclesiasticus Lord

• Decorated initial 'M'(ulta)., Commentary on Malachi and Homilies

vivo vivus adhesi / Martiris interitum gladiis describere cesi'.Catchwords and quire signatures 14 large initials in blue or red with penwork decoration in blue and red, at the beginning of books and prologues (ff. 2, 2v, 7, 13, 19, 25v,

• Miniature of David penitent, praying to the Holy Trinity within a walled garden, with his harp and crown on the ground beside him, with a large historiated initial 'D'(omine) containing David in an open arm gesture with his harp behind, and biblical scenes in quatrefoils in the margins, with a full foliate border., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of a miniature of the Trinity, in which the enthroned Almighty holds the body of the crucified Christ who bears the nail wounds in his hands and feet, wears a crown of thorns and touches his chest wound from which blood pours, whilst the Holy Spirit looks upon Christ from his shoulder, surrounded by an aura of red containing the heads and wings of angels praying., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Miniature of the Crucifixion, with Christ at the centre and two others, one on each side, crucified alongside him, with a skull and bones at the bottom of the Holy cross. A large historiated initial 'D'(omine) shows Christ being put on the cross and five scenes in the margins show scenes of Christ's Passion, with a full foliate border., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Text page, with illuminated initials and a full foliate border with three scenes of a demon setting fire to shepherds and their flock, a demon flying over a battle scene containing two camels, and a demon and wind causing the collapse of several buildings over its inhabitants., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Miniature of David penitent, praying to the Holy Trinity within a walled garden, with his harp and crown on the ground beside him, with a large historiated initial 'D'(omine) containing David in an open arm gesture with his harp behind, and biblical scenes in quatrefoils in the margins, with a full foliate border., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Decorated initial 'C', in gold on a purple background., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the