• Text page., Travels of Sir John Mandeville

(f. 3). Smaller initials in plain red or blue, some with reserved designs. Travels of Sir John Mandeville ? The Benedictine Abbey of St Albans (see below).? Willyam Caxton, by 1490 (see below).? Richard Tottyl, London, by 1579 (see below).Hugh

• Decorated initial 'E'(t)., The Historia Aseneth (ff. 53-64v) and Testamenta xii. Patriarcharum filiorum Jacob (ff. 65-96v)

Catchwords Initials in blue with red penwork decoration. Small initials in brown, some with penwork decoration, especially of two parallel lines. The Historia Aseneth (ff. 53-64v) and Testamenta xii. Patriarcharum filiorum Jacob (ff. 65-96v) Allatby(?) Williams: 14th-century inscription (f. 96v).

• White vine initial 'S'(emper)., Satires (index Saturae, Satirae)

catchwords. 1 large white vine initial in colours and gold (f. 1). Plain initials in blue. Rubrics in red. Satires (index Saturae, Satirae) The Jesuit College in Agen (Lot-et-Garonne, France), maintained by the Jesuits from 1591 to 1762: inscribed, 17th

• Text page with foliate border., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Text page with foliate border, illuminated initials 'N'(umquid) and 'S'(icut) and decorated initials 'D'(ominus) and 'G'(loria), with the catchword 'tuis' in the lower margin., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Decorated initial 'C'(haos) with white vine decoration, at the beginning of the text by Lactantius, Ovidii Metamorphoseon fabularum narratio, and the arms of the Donati family of Venice with an animal head above the shield., Ovidii Metamorphoseon fabularum narratio, and other mythological texts

Venice with an animal head above the shield. Large coloured initials with white vine scroll decoration. Small simple red or blue initials. The arms of the Donati family of Venice surmounted by a lion's head (f. 1). Guide letters. Ovidii

• Puzzle initial 'P'(aschales) below a rubric with the date 1465 in medieval arabic numerals, at the beginning of a prologue, Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc.

are notes by Barthélemy Mercier (b. 1734 d. 1799), abbé de St.-Léger. Large and small puzzle initials in red and blue. Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc. Apparently written in 1465: a rubric reads 'Prologus sedulij primus incipit 1465'

• White vine initial 'M'(aiores), at the beginning of the book 7., De architectura

2, 16v, 33v, 49, 54, 63v, 81v, 95v, 108v, 123v, order of the books 4-6 reversed). Small initials in plain blue. De architectura Space for arms left blank (f. 1).Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th

• Detail of a miniature of Nicholas, dressed as a bishop, with the three youths and books on a table behind, at the beginning of his suffrage., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Miniature of the Virgin and Child, with full foliate borders, at the beginning of the prayer O intemerata., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Text page with three-sided foliate border, and illuminated initial 'D'(eus)., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of Peter, seated on a papal throne and holding a key, at the beginning of his suffrage. On either side are red-robed cardinals, and a surpliced clerk kneels before him holding an open book., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of Martin of Tours riding on a horse, cutting his cloak with his sword to share it with a beggar, at the beginning of his suffrage., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of Julian in a boat, wearing a red cloak and holding a paddle. His mother carries a lantern and holds a paddle on the other end of the boat, while between them is Christ in the guise of a leper, with a staff and rattle. At the beginning of his suffrage., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of Mary of Egypt, covered in golden hair, being handed a cloak by Zosimus, at the beginning of her suffrage., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Double-page of the calendars for April and May., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of men making wine, from the calendar page for September., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of Luke seated at a table and mending his quill pen with a knife, with his symbol, the winged ox, by his side, at the beginning of his Gospel., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• Detail of a miniature of the Virgin and Child with a kneeling Jean Comte de Dunois in armour, at the beginning of the Obsecro te., Book of Hours, Use of Rome ('The Dunois Hours')

the margins, in colours and gold. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue or in red and blue. Book of Hours, Use of Rome ('The Dunois Hours') Jean

• null, Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc.

abbé de St.-Léger. Large and small puzzle initials in red and blue. Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc. Apparently written in 1465: a rubric reads 'Prologus sedulij primus incipit 1465' (f. 7v).The Celestine convent of the Holy Trinity, Marcoussis,