• Historiated initial 'P'(ost) depicting Quintilian(?) writing; with a three-sided border incorporating putti supporting heraldic arms., Institutiones

of the remaining books (ff. 21v, 39, 57, 72v, 94, 109, 124, 140v, 162, 177, 196). Small initials in plain blue. Institutiones Unidentified owner: with his arms ~azure~, a lion rampant ~vert~ tongued ~gules~, holding a branch ~vert~ (f. 2;

• Illuminated white vine initial 'C'(um), at the beginning of Book 9 of Quintilian's Institutiones., Institutiones

of the remaining books (ff. 21v, 39, 57, 72v, 94, 109, 124, 140v, 162, 177, 196). Small initials in plain blue. Institutiones Unidentified owner: with his arms ~azure~, a lion rampant ~vert~ tongued ~gules~, holding a branch ~vert~ (f. 2;

• Illuminated white vine initia 'V'(entum), at the beginning of Book 12 of Quintilian's Institutiones., Institutiones

of the remaining books (ff. 21v, 39, 57, 72v, 94, 109, 124, 140v, 162, 177, 196). Small initials in plain blue. Institutiones Unidentified owner: with his arms ~azure~, a lion rampant ~vert~ tongued ~gules~, holding a branch ~vert~ (f. 2;

• Detail of illluminated initial., Institutiones

of the remaining books (ff. 21v, 39, 57, 72v, 94, 109, 124, 140v, 162, 177, 196). Small initials in plain blue. Institutiones Unidentified owner: with his arms ~azure~, a lion rampant ~vert~ tongued ~gules~, holding a branch ~vert~ (f. 2;

• Detail of illluminated initial., Institutiones

of the remaining books (ff. 21v, 39, 57, 72v, 94, 109, 124, 140v, 162, 177, 196). Small initials in plain blue. Institutiones Unidentified owner: with his arms ~azure~, a lion rampant ~vert~ tongued ~gules~, holding a branch ~vert~ (f. 2;

• Detail of historiated initial., Institutiones

of the remaining books (ff. 21v, 39, 57, 72v, 94, 109, 124, 140v, 162, 177, 196). Small initials in plain blue. Institutiones Unidentified owner: with his arms ~azure~, a lion rampant ~vert~ tongued ~gules~, holding a branch ~vert~ (f. 2;

• Detail of heraldry., Institutiones

of the remaining books (ff. 21v, 39, 57, 72v, 94, 109, 124, 140v, 162, 177, 196). Small initials in plain blue. Institutiones Unidentified owner: with his arms ~azure~, a lion rampant ~vert~ tongued ~gules~, holding a branch ~vert~ (f. 2;

• Detail of decorated initial 'I' (may) combined with a partial foliate bar border with acanthus leaves and feathering including the arms of the James family at the beginning of book 1., Speculum religiosorum or ecclesiae (ff. 1-6v); Confessio amantis, imperfect (ff. 8-215v), (also known as The Rede (Boarstall) Gower)

(same arms as f. 8), 196v (same arms as f. 11)). Smaller initials in blue with red pen-flourishing including foliate motifs. Paraphs in alternating red or blue. Rubrics underlined in red rather than written in red. A few cadels (e.g.

• Decorated initial 'H'(ow) combined with a partial foliate bar border with acanthus leaves and feathering including the arms of the Haudlo family at the beginning of book 2., Speculum religiosorum or ecclesiae (ff. 1-6v); Confessio amantis, imperfect (ff. 8-215v), (also known as The Rede (Boarstall) Gower)

(same arms as f. 8), 196v (same arms as f. 11)). Smaller initials in blue with red pen-flourishing including foliate motifs. Paraphs in alternating red or blue. Rubrics underlined in red rather than written in red. A few cadels (e.g.

• Decorated initial 'F'(erste) combined with a partial foliate bar border with acanthus leaves and feathering including the arms of the De la Pole family at the beginning of book 5., Speculum religiosorum or ecclesiae (ff. 1-6v); Confessio amantis, imperfect (ff. 8-215v), (also known as The Rede (Boarstall) Gower)

(same arms as f. 8), 196v (same arms as f. 11)). Smaller initials in blue with red pen-flourishing including foliate motifs. Paraphs in alternating red or blue. Rubrics underlined in red rather than written in red. A few cadels (e.g.

• Decorated initial 'T'(he) combined with a partial foliate bar border with acanthus leaves and feathering including the arms of the Marmion family of Checkenden at the beginning of book 8., Speculum religiosorum or ecclesiae (ff. 1-6v); Confessio amantis, imperfect (ff. 8-215v), (also known as The Rede (Boarstall) Gower)

(same arms as f. 8), 196v (same arms as f. 11)). Smaller initials in blue with red pen-flourishing including foliate motifs. Paraphs in alternating red or blue. Rubrics underlined in red rather than written in red. A few cadels (e.g.

• Decorated initial 'I'(ff) combined with a partial foliate bar border with acanthus leaves and feathering including the arms of the Fitz-Nigel family at the beginning of book 4., Speculum religiosorum or ecclesiae (ff. 1-6v); Confessio amantis, imperfect (ff. 8-215v), (also known as The Rede (Boarstall) Gower)

(same arms as f. 8), 196v (same arms as f. 11)). Smaller initials in blue with red pen-flourishing including foliate motifs. Paraphs in alternating red or blue. Rubrics underlined in red rather than written in red. A few cadels (e.g.

• Historiated initial 'C'(um) in colours and gold and the beginning of the book of Aristotle., Ethica (index Ethics)

beginning of the prologue and of each book (ff. 2, 5v, 16v, 24v, 37v, 49v, 62, 70v, 84, 96, 107v). Blue initials with red pen-flourishing and red initials with purple pen-flourishing. Rubrics in red. Ethica (index Ethics) Jacobus de Ardicijs

• Historiated initial 'I'(gitur) in colours and gold and the beginning of the book of Aristotle., Ethica (index Ethics)

beginning of the prologue and of each book (ff. 2, 5v, 16v, 24v, 37v, 49v, 62, 70v, 84, 96, 107v). Blue initials with red pen-flourishing and red initials with purple pen-flourishing. Rubrics in red. Ethica (index Ethics) Jacobus de Ardicijs

• Text panel with entwined roses at the beginning of Misopenes., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text page with initials in gold on coloured panels, bearing the names of the protagonists of the dialogue., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text panel with entwined roses at the beginning of Alithia., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Putto holding aloft a text panel., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text panel with entwined roses at the beginning of Bombarda., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Coloured capitals at the beginning of Lucian's Dialogues., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,