• Miniature of the Annunciation to the Shepherds from the prefatory cycle., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Miniature of the Adoration of the Magi from the prefatory cycle., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Miniature of Herod directing the Massacre of the Innocents from the prefatory cycle., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Miniature of the Flight into Egypt from the prefatory cycle., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Historiated initial 'B'(eatus) of David playing the harp, and David killing Goliath, at the beginning of Psalm 1., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Historiated initial 'D'(ixi) of the Dormition of the Virgin with Apostles and Christ holding Mary's soul, at the beginning of Psalm 38., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Miniature of the Betrayal of Christ with Judas receiving money and Christ being arrested, following Psalm 38., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Historiated initial 'Q'(uid) of Christ washing the feet of the apostles, at the beginning of Psalm 51., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Detail of an historiated initial 'D'(ixit) of the Ascension of Christ, at the beginning of Psalm 52., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Miniature of the Scourging of Christ, following Psalm 52., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Miniature of Christ carrying the cross, preceding Psalm 68., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Detail of an historiated initial 'S'(alvum) of the Pentecost, at the beginning of Psalm 68., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Detail of a historiated initial 'E'(xultate) of the Resurrection of Christ, at the beginning of Psalm 80., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Historiated initial 'D'(omine) of the Last Judgement of Christ, at the beginning of Psalm 101., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Detail of an historiated initial 'D'(ixit) of Christ and Thomas, at the beginning of Psalm 109., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Miniature of the Harrowing of Hell, following Psalm 109., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Text panel with entwined roses at the beginning of Misopenes., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text page with initials in gold on coloured panels, bearing the names of the protagonists of the dialogue., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text panel with entwined roses at the beginning of Alithia., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Putto holding aloft a text panel., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,