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part of 12.2, according to unpublished notes of Michael Gullick.Quire signatures in small Roman numerals. Catchwords. 7 large initials in blue, red, and green with intricate penwork decoration at the beginning of books and prefatory material (ff. 2, 7, 42v,
caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia
caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia
caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia
a human head. Musical notation. A few large initials in blue with red penwork decoration or in red with brown penwork decoration. Large and small initials in plain red or blue. Processional Petrus Lauzelli, priest of the church of St.
(ff. 13 [smaller inital in gold on a red and blue ground], 34v, 46, 51v, 55v, 60, 64, 71). Smaller and small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription in
(ff. 13 [smaller inital in gold on a red and blue ground], 34v, 46, 51v, 55v, 60, 64, 71). Smaller and small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription in
(ff. 13 [smaller inital in gold on a red and blue ground], 34v, 46, 51v, 55v, 60, 64, 71). Smaller and small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription in
large initials in gold on red and blue grounds at the beginning of the litany and the Obsecro te (ff. 98v, 147v). Small initials and line fillers in gold on red and blue grounds. Book of Hours, unidentified Use Unidentified
large initials in gold on red and blue grounds at the beginning of the litany and the Obsecro te (ff. 98v, 147v). Small initials and line fillers in gold on red and blue grounds. Book of Hours, unidentified Use Unidentified
colours and gold (ff. 89, 207v, 311v). Smaller initials in gold on red, blue and/or green grounds. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Breviary, Use of the Humiliati Unidentified owner, by 1471: arms,
colours and gold (ff. 89, 207v, 311v). Smaller initials in gold on red, blue and/or green grounds. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Breviary, Use of the Humiliati Unidentified owner, by 1471: arms,
extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);
extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);
I is a paper flyleaf.Marginal commentary (ff. 87v to 97). 18 large initials in gold on red and blue grounds with red, blue, and brown penwork decoration (ff. 1, 1v, 2, 16, 16v, 32v, 47, 47v, 61v, 79, 79v, 97v,
large initials in gold on red and blue grounds at the beginning of the litany and the Obsecro te (ff. 98v, 147v). Small initials and line fillers in gold on red and blue grounds. Book of Hours, unidentified Use Unidentified
117, 143v, 163v) or large puzzle initial in red and blue with pen-flourishing in red and purple (f. 94v) at the beginning of each book. Numerous smaller initials in blue with red pen-flourishing including foliate decoration and flowers. Polychronicon to
been torn off at the top of f. 1. 1 large initial in gold on a blue ground with an unidentified coat of arms in the lower margin (f. 1). 3 large gold initials on coloured panels with simple foliate
and vertically. Leaf signatures. 9 initials in red or blue with pen-flourishing in the other colour (ff. 1, 3v, 17v, 39v, 51, 67v, 72v, 77, 81v). Coloured initials in red or blue. Capitals marked in red. Disputationes tusculanae (ff. 1-67v),
outer bifolio in each quire is made of parchment. Very large initials with reserved designs in blue or red with penwork decoration in the other colour, or in red with brown penwork (ff. 1v (x2), 14v (x2), 28 (x2), 41,