• Diagram of the seven tunics and three humours of the eye and the skull, labelled for the conjunctiva, cornea, uvea, albugineus (aqueous) humor, tunica aranea (interior capsule of the lens), cystalline humor or lens itself., Medical miscellany, including the 'book of Macharias on the eye called Salaracer or secret of secrets'

of the eye, in black and red (f. 68). Large initials in blue with red penwork decoration, often in foliate forms. Large and small simple initials in red, blue, or brown. Marginal drawings in black ink. Medical miscellany, including the

• Detail of a diagram of the seven tunics and three humours of the eye and the skull, labelled for the conjunctiva, cornea, uvea, albugineus (aqueous) humor, tunica aranea (interior capsule of the lens), cystalline humor or lens itself., Medical miscellany, including the 'book of Macharias on the eye called Salaracer or secret of secrets'

of the eye, in black and red (f. 68). Large initials in blue with red penwork decoration, often in foliate forms. Large and small simple initials in red, blue, or brown. Marginal drawings in black ink. Medical miscellany, including the

• Detail of a miniature of Albina and other daughters of Diodicias disembarking from a ship in Britain, with two giants and Brutus and his followers arriving in another ship, with a foliate initial 'E'(n), and a full border, at the beginning of the text., French Prose Brut

at the beginning of the text (f. 8). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Paraphs in red or blue. French Prose Brut Unidentified coat of arms included in the initial 'C'(est) (f.

• Miniature of Albina and other daughters of Diodicias disembarking from a ship in Britain, with two giants and Brutus and his followers arriving in another ship, with a foliate initial 'E'(n), and a full border, at the beginning of the text., French Prose Brut

at the beginning of the text (f. 8). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Paraphs in red or blue. French Prose Brut Unidentified coat of arms included in the initial 'C'(est) (f.

• Detail of decorated initial., Collection of Franciscan texts, including the life of Francis

Detail of decorated initial. Large initials in blue with red penwork decoration and pen-flourishing, or in red with brown penwork decoration, often in the form of leaves. Small initials in red or blue. Paraphs in red. Highlighting of letters in

• Text page with flourished initial and decorated catchword of a crowned woman., Canterbury Tales

of a crowned woman. ff. 56-63v, and 271 are 19th-century replacements. 1 large initial in blue with red foliate pen-flourishing (f. 1). Small initials in blue with red pen-flourishing. Canterbury Tales Edward Haistwell of the Middle Temple, by 1718: his

• null, Gradual, Use of Sarum, with portions of a Magnificat and motets

on blue and red grounds with white filigree and sometimes green leaf decoration. Large initials in brown or black ink with penwork decoration and highlights in red, a few with faces or animals. Small plain initials in red or blue.

• Detail of historiated initial 'R'(esurrexi) with Christ standing on the tomb, and sleeping soldiers., Gradual, Use of Sarum, with portions of a Magnificat and motets

on blue and red grounds with white filigree and sometimes green leaf decoration. Large initials in brown or black ink with penwork decoration and highlights in red, a few with faces or animals. Small plain initials in red or blue.

• Initials with reserved designs., L'histoire des trois Maries

Initials with reserved designs. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Large and small initials in plain red. Small coloured 15th-century print with a Pietà inserted as f. 1*. L'histoire des trois Maries Jean-Baptiste

• Puzzle initial 'T'(he) with pen-flourishing at the beginning of the text, and ownership inscription in the upper margin., Troilus and Criseyde

are of parchment.Leaf signatures. Catchwords written horizontally. Puzzle initial in blue and red with pen-flourishing in the same colours framing the text (f. 1). 7 initials in red or blue with pen-flourishing in the other colour (ff. 20v, 51v, 52v,

• Pen-flourished initial 'W'(han)., Sermons (index Homilies, Homiliarius), including a treatise on hermeneutics (ff. 32v-35v), with a table of contents (ff. 146v-148v)

Pen-flourished initial 'W'(han). Horizontal catchwords.f. 149 is a parchment flyleaf. Large initials in blue with red pen-flourishing. Smaller plain initials in blue. Paraphs in red. Captials marked in red. Sermons (index Homilies, Homiliarius), including a treatise on hermeneutics (ff. 32v-35v),

• Text and pen-flourished initial 'I'(ntendimus)., Commentaries on the Ars medicine (index Ars medicinae), and other medical texts

Text and pen-flourished initial 'I'(ntendimus). Annotated by medieval readers. Initials in blue or red with pen-flourishing. Paraphs in blue or red. Rubrics in red. Marginal pen sketches of human faces or profiles (ff. 5, 11, 28, 34, 35v). Commentaries on

• Decorated initials., Breviary, imperfect at the beginning and at the end

floral sprays, some large, some small. Large initials in gold with brown pen-flourishing or in blue with red pen-flourishing. Smaller initials in gold or in blue with red penwork decoration. Breviary, imperfect at the beginning and at the end Robert

• Decorated initial 'P'(opulus)., Epitoma de Tito Livio (index Epitome of Livy)

leaves.Vertical catchwords in the inner margin. 4 large initials in red, yellow, blue, and green with foliate motifs (pp. 1, 18, 38, 60). Smaller plain initials in blue and red. Rubrics in red. Epitoma de Tito Livio (index Epitome of

• Initials 'A'(ftir) in blue with red pen-flourishing., The Prose Brut Chronicle of England (abbreviated version to 1419)

'A'(ftir) in blue with red pen-flourishing. Catchwords.Part of Matheson's Group C (AV-1419:C) (See Matheson 1998, no. 132).Attributed to the 'Beryn Scribe' by Mooney and Matheson (2003). 'Champ' initial in colours and gold with foliate spray, badly rubbed (f. 1). Numerous

• Decorated initials., Breviary, imperfect at the beginning and at the end

floral sprays, some large, some small. Large initials in gold with brown pen-flourishing or in blue with red pen-flourishing. Smaller initials in gold or in blue with red penwork decoration. Breviary, imperfect at the beginning and at the end Robert

• Puzzle initial 'A'(lta) and flourished initial 'M'(aiores) at the beginning of Johannes Andreae's Summaria Valerii Maximi., Summaria Valerii Maximi (ff. 129-168); Tabula (ff. 169-201v), a list of the words in the preceding index (ff. 202-205)

Valerii Maximi. Large puzzle initials in red and blue, flourished in the same colours, the first with predominantly red flourishing (ff. 129, 132, 135, 139, etc.). Small initials alternately in red with blue flourishing, or vice versa. Paraphs in red.

• Decorated iInitial 'I(n) at the beginning of Ovid's Metamorphoses, and in the lower margin, a circular diagram of the Golden Chain of Macrobius, labelled in the centre ‘Aurea cathena macrobii’, with intersecting semi-circles marked ‘Ignis’, ‘calidus’, ‘aer’, ‘humidus’, etc., Metamorphoses (ff. 3-180); Commentary on the Metamorphoses (f. 181v-191); and other short texts

‘calidus’, ‘aer’, ‘humidus’, etc. Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v).

• Diagram of the harmony of the planets, marked with names of Saturn, Jupiter, Mars, Mercury, Venus, the Sun, and the Moon, with the page number '380' in Twysden's handwriting., Metamorphoses (ff. 3-180); Commentary on the Metamorphoses (f. 181v-191); and other short texts

'380' in Twysden's handwriting. Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v).

• Opening page of Cicero's Philippic orations, with a decorated intial 'A'(ntequam), and an added illuminated foliate border and heraldry., Philippics

large blue initial with later added foliate decoration, and an added full foliate border, in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at