• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• The left-hand page has a drawing in the form of a hand holding a placard bearing the catchword; the right-hand page has a foliate initial 'P'(rima) at the beginning of Horace's Epistles., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

beginning of Horace's Epistles. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Marginal drawing of a seated old man holding a round red object in his left hand, adjacent to Horace's account of the Seven Ages of Man., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

Seven Ages of Man. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Decorated initial 'H'(umano)at the beginning of Horace's Ars poetica., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

of Horace's Ars poetica. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Marginal marks similar to notaries' marks on a former flyleaf., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

on a former flyleaf. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Detail of decorated initial., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

Detail of decorated initial. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• null, Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v, 17v, 19, 21, 26v)

• Illuminated initial 'I'(lle) with white vine decoration of the Ille ego opening of the Aeneid, and in the lower margin, effaced arms within a green wreath., Aeneis (index Aeneid), with the Ille ego opening; Bucolica (index Bucolics, Eclogues), book I, imperfect (ff. 165-178v); Georgica (index Georgics)(ff. 179-214v); verses on the 12 books of Aeneis (f. 216v)

of red, green, and blue, with gold and gold balls (f. 1). Large initials in gold with white vine decoration in colours at the beginning of books. Large initials in gold on coloured grounds, usually of blue, green, and red,

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of decorated initials., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

Ubaldis, Lectura Authentici (ff. 91-178). Ff. 25-177v: Large initials alternately red or blue, the first with reserved designs, with red pen-flourishing. Paraph marks in plain red or blue. A note on f. [180] is a count of the number of

• Detail of marginal drawing., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

Detail of marginal drawing. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Historiated initial 'D'(omine) of the Annunciation, with floral borders with a peacock, owl, and a bear playing bagpipes, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an historiated initial 'D'(omine) of the Annunciation, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of a peacock, from a floral border, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an owl from a floral border, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of a bear playing bagpipes from a floral border, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of a bas-de-page scene of a hermit baptizing a naked man., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink

• Detail of a bas-de-page scene of a naked hermit on a leash being lead by two other men., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink