• Puzzle initial and partial border, at the beginning of Bernard of Clairvaux's Sermons., Sermons

6d. (Egerton MSS 710-730). 1 large puzzle initial in red and blue with pen-flourishing in blue and red, developing a three-sided border (f. 3). 7 smaller initials in blue, with reserved designs, with red pen-flourishing (ff. 7, 21, 53, 134,

• Flourished initial, in Bernard of Clairvaux's Sermons., Sermons

6d. (Egerton MSS 710-730). 1 large puzzle initial in red and blue with pen-flourishing in blue and red, developing a three-sided border (f. 3). 7 smaller initials in blue, with reserved designs, with red pen-flourishing (ff. 7, 21, 53, 134,

• Historiated initial 'Q'(uoniam) with a portrait of Bartholomaeus de S. Concordio and an illuminated initial 'A'(bbas)., Summa Pisana with an index (ff. 222v-226v) (index Summa de casibus conscientiae, Summa Pisanella)

116, 128v, 131v, 143, 162v, 163, 174v, 201, 207). Initials in red with blue penwork decoration or in blue with red penwork decoration. Paraphs in red or blue. Rubrics in red (f. 1). Summa Pisana with an index (ff. 222v-226v)

• Decorated initial O(paca) in blue, magenta, and green with floral sprays and bezants. Marginal hand and text hand by Gunthorpe., Tragoediae (index Tragedies)

22, 40, 51, 91, 111, 147). The two remaining decorated initials in blue, magenta, and green with floral sprays and bezants (ff. 130, 163). Initials in red or blue at the beginning of each scene. Paraphs. Tragoediae (index Tragedies) John

• Miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon; text with a decorative initial 'M', and decorated borders with a coat of arms., Historia naturalis (index Natural history)

yellow, gold or white on a red, green or blue panel. Initials in gold on a ground combining blue, red and green (from f. 91). Coloured initials in gold or blue (ff. 11-20v). Historia naturalis (index Natural history) Aeneas Silvius

• Detail of illuminated initial., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Detail of lower border., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Detail of illuminated initial., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Decorated initial 'V'(irginis) with penwork decoration containing a human head., Processional

a human head. Musical notation. A few large initials in blue with red penwork decoration or in red with brown penwork decoration. Large and small initials in plain red or blue. Processional Petrus Lauzelli, priest of the church of St.

• Detail of illuminated initial., Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v); Poesie diverse (ff. 190-195v)

extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);

• Detail of the arms of King Alfonso I of Naples., Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v); Poesie diverse (ff. 190-195v)

extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);

• Detail of text page, Aeneis (index Aeneid) , with a verse preface (ff. 1-201); Extract from Servius on Aeneis 6 (f. 202)

I is a paper flyleaf.Marginal commentary (ff. 87v to 97). 18 large initials in gold on red and blue grounds with red, blue, and brown penwork decoration (ff. 1, 1v, 2, 16, 16v, 32v, 47, 47v, 61v, 79, 79v, 97v,

• Puzzle initial 'V'(alerii), and fifteenth-century ownership inscription and pressmark of the Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier., Commentarius in Valerium Maximum; Facta et dicta memorabilia

Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier. 1 large puzzle initial in blue and red with red pen-flourishing (f. 1). 9 smaller blue and red puzzle initials with red pen-flourishing (ff. 2, 54v, 95v, 126v, 153, 183,

• White vine initial 'Q'(uintus) and partial border at the beginning of Cicero's De amicitia., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• White vine initial 'A'(nimadverti) at the beginning of Cicero's Paradoxa., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Illuminated white vine initial 'O' at the beginning of Cicero's De senectute., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Inhabited foliate initial 'A'(bsenti) with small figures, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum., Repertorium aureum sive lexicon juridicum

25v, 33, 62). 8 large puzzle initials in red and blue (ff. 79, 107, 117v, 129, 130v, 163v, 182v, 204v). 10 large and smaller initials in plain red or blue (ff. 190, 203, 283v, 284v [with reserved designs], 296, 311

• Detail of illuminated initial., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Detail of lower border., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Inhabited foliate initial 'A'(bsenti) with a seated man and a naked man, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum., Repertorium aureum sive lexicon juridicum

25v, 33, 62). 8 large puzzle initials in red and blue (ff. 79, 107, 117v, 129, 130v, 163v, 182v, 204v). 10 large and smaller initials in plain red or blue (ff. 190, 203, 283v, 284v [with reserved designs], 296, 311