• Miniature of Christ in majesty, with the Virgin Mary and John the Baptist, and the Resurrection of the Souls. Decorated initial in gold and colours, and full foliate border., Book of Hours, Use of Paris

and partial foliate borders on recto, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription, 16th century (f. 1).Ownership mark dated 1640 (f. 2).The Harley Collection,

• Miniature of the Annunciation to the Shepherds., Book of Hours, Use of Paris

and partial foliate borders on recto, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription, 16th century (f. 1).Ownership mark dated 1640 (f. 2).The Harley Collection,

• Miniature of the Crucifixion at the beginning of the Hours of the Cross., Book of Hours, Use of Troyes, imperfect

72v, 77). Large initials in gold and colours, some defaced (ff. 56v, 61, 77). Initials and line-fillers in red or blue. Capitals marked with yellow. Book of Hours, Use of Troyes, imperfect Certain saints in the calendar and in the

• White vine initial 'D'(ivitias) at the beginning of the text., Various poems including Carmina, Elegiae and Catullus' Carmina

86v, 103). 3 large initials in gold on coloured panels (ff. 14v, 69v, 155). Coloured initials in alternating red or blue. Various poems including Carmina, Elegiae and Catullus' Carmina Maffeo Veggio (b. 1407, d. 1458) and Giovanni Pontani (b. 1426,

• White vine initial 'S'(i quis) at the beginning of Andreas Julianus' Oratio funebris pro Manuele Chrysolora., Various works including Eumenes (f. 1 only, imperfect); Vita Attici (index Atticus), Andreas Julianus' Oratio funebris pro Manuele Chrysolora, letters by Guarino and his funeral oration for Leonello d'Este

see ~Catalogue~ 1808.A composite manuscript. Large white vine initial in gold and colours (f. 53). Large gold initials on red, blue or green panels (ff. 61v, 69v, 72, 74, 76v, 78v, 79, 80, 83, 88, 90, 92v, 96, 100, 100v,

• Initial 'A'(dam) with foliate and spray decoration., Latin Brut Chronicle of England, 2nd version

additions up to 1456 (Matheson 1998). Initial with foliate and spray decoration in gold and colours (f. 2). Initials in blue with pen-flourishing in red. Paraphs in red. Initials highlighted in yellow. Latin Brut Chronicle of England, 2nd version Written

• Miniature of monks singing a requiem, with the celebrant wearing spectacles, decorated initial 'D'(ilexi) and full foliate borders, at the beginning of the Office of the Dead., Book of Hours, Use of Paris

pages with partial foliate borders, in colours and gold. Large and small initials and line-fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Paris Perhaps written for a woman: the prayer

• Miniature of Laurent du Premierfait presenting his translation to Louis, Duc de Bourbon, decorated initial 'A' (tres), and full foliate borders including heraldic arms, at the beginning of the dedicatory prologue., De la vieillesse (De Senectute) and De l'amitié (De Amicitia)

of the book which follows on the next page (f. 4). Large and small initials in gold on red and blue grounds. Cadels, many including human heads. Capital letters highlighted in yellow. De la vieillesse (De Senectute) and De l'amitié

• Historiated initial 'A'(more) of a kneeling lover presenting a book to a lady, identified in the text as Mirabel Zucharia, at the beginning of a series of sonnets, and, in the lower margin, the Zucharia's monogram 'MZ' to the right of a shield overpainted, but that of 'AM' (perhaps Andrea Matteo Acquaviva), to the left of the shield unaltered. The 'm' of 'Amore' in the first word of the poem is also rendered as the 'AM' monogram. The original arms on the shield have been overpainted with two hearts burning in a fire, and in the right margin is the device of a heart on a bonfire, being quenched by the rain., 49 love sonnets

fire with raindrops, in the right margin (f. 1). Small initials in gold with red or purple pen-flourishing or in blue with red or purple pen-flourishing or in silver with purple pen-flourishing. 1 small initial in gold with a woman's

• Flourished initial 'T'(ransacto) and coloured initials 'E' and two 'P's at the beginning of Book 4 of Eutropius's Breviarum ab urbe condita., Breviarum ab urbe condita

in gold with penwork decoration in an unusual green (ff. 7v, 14v, 20v, etc.). Small initials in plain red or blue. Breviarum ab urbe condita Written perhaps in 1460 by Carlo Reguardati of Nursia/Norcia: inscribed, apparently by the main scribe

• Title, encircled by a wreath and held by two putti., De re rustica

73, 87, 102, 114, 128, 139, 146, 167v, 192, 193, 218v (x2), 241v, 258v). Small initials in plain red or blue. De re rustica Spaces for arms left blank (ff. 1v, 2).Perhaps a direct copy of Biblioteca Apostolica Vaticana, Urb.

• White vine initial 'S'(epenumero) and three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

73, 87, 102, 114, 128, 139, 146, 167v, 192, 193, 218v (x2), 241v, 258v). Small initials in plain red or blue. De re rustica Spaces for arms left blank (ff. 1v, 2).Perhaps a direct copy of Biblioteca Apostolica Vaticana, Urb.

• Text page with a space left for an initial, at the beginning of Eutropius's Breviarum ab urbe condita., Breviarum ab urbe condita

in gold with penwork decoration in an unusual green (ff. 7v, 14v, 20v, etc.). Small initials in plain red or blue. Breviarum ab urbe condita Written perhaps in 1460 by Carlo Reguardati of Nursia/Norcia: inscribed, apparently by the main scribe

• Illuminated initial 'P'(ost) with penwork decoration and coloured initials in Eutropius's Breviarum ab urbe condita., Breviarum ab urbe condita

in gold with penwork decoration in an unusual green (ff. 7v, 14v, 20v, etc.). Small initials in plain red or blue. Breviarum ab urbe condita Written perhaps in 1460 by Carlo Reguardati of Nursia/Norcia: inscribed, apparently by the main scribe

• Last page of Paul the Deacon's Historia Romana, with the inscription: Mei Karoli Reguardati Nursini Militis / .1460.', Historia Romana

in gold with penwork decoration in an unusual green (ff. 7v, 14v, 20v, etc.). Small initials in plain red or blue. Historia Romana Written perhaps in 1460 by Carlo Reguardati of Nursia/Norcia: inscribed, apparently by the main scribe despite a

• null, Breviarum ab urbe condita

in gold with penwork decoration in an unusual green (ff. 7v, 14v, 20v, etc.). Small initials in plain red or blue. Breviarum ab urbe condita Written perhaps in 1460 by Carlo Reguardati of Nursia/Norcia: inscribed, apparently by the main scribe

• null, Historia Romana

in gold with penwork decoration in an unusual green (ff. 7v, 14v, 20v, etc.). Small initials in plain red or blue. Historia Romana Written perhaps in 1460 by Carlo Reguardati of Nursia/Norcia: inscribed, apparently by the main scribe despite a

• Detail of a white vine initial 'S'(epenumero) and three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

73, 87, 102, 114, 128, 139, 146, 167v, 192, 193, 218v (x2), 241v, 258v). Small initials in plain red or blue. De re rustica Spaces for arms left blank (ff. 1v, 2).Perhaps a direct copy of Biblioteca Apostolica Vaticana, Urb.

• Detail of the lower part of a three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

73, 87, 102, 114, 128, 139, 146, 167v, 192, 193, 218v (x2), 241v, 258v). Small initials in plain red or blue. De re rustica Spaces for arms left blank (ff. 1v, 2).Perhaps a direct copy of Biblioteca Apostolica Vaticana, Urb.

• Detail of the title, encircled by a wreath and held by two putti., De re rustica

73, 87, 102, 114, 128, 139, 146, 167v, 192, 193, 218v (x2), 241v, 258v). Small initials in plain red or blue. De re rustica Spaces for arms left blank (ff. 1v, 2).Perhaps a direct copy of Biblioteca Apostolica Vaticana, Urb.