• Full border with flowers, putti, deer, a medallion of the Triumph of Time, and the historiated initial 'D'(e)., Trionfi (index Triumphs) (ff. 11-52v); Rime (ff. 55-195)

41, 43v). Numerous small gold initials on blue, pink, and green grounds. Title in epigraphic capitals in blue and gold framed by the Medici device of a diamond ring (f. 10v). Alternating blue and gold lines of text for the

• Full border with flowers, putti, birds, portrait medallions, a medallion of the Triumph of Eternity, and the historiated initial 'D'(apo)., Trionfi (index Triumphs) (ff. 11-52v); Rime (ff. 55-195)

41, 43v). Numerous small gold initials on blue, pink, and green grounds. Title in epigraphic capitals in blue and gold framed by the Medici device of a diamond ring (f. 10v). Alternating blue and gold lines of text for the

• Decorated initial 'S(alvu[m] me fac) with ribbon pattern at the beginning of Psalm 68., Psalter

in the same style. 11 gold initials on blue panels (ff. 178v, 180v, 184, 225v, 227, 238, 243, 257, 259v, 266v; green panel on f. 35). Numerous smaller gold initials on blue, red or pink panels. Line-fillers in the same

• Puzzle initial 'D'(omino) with penwork decoration, and rubric with cadels at the beginning of the prologue., Liber de virtutibus Philippi Burgundie et Brabancie ducis

f. 83), which may be part of the same watermark. Puzzle initial in red and blue with blue penwork decoration (f. 1). Coloured initials in blue or red. Some cadels. Some ascenders decorated with ink drawings in red and brown

• Full border with flowers, birds, putti, portrait medallions, marginal vignette of the Triumph of Fame, and historiated initial 'N'(el)., Trionfi (index Triumphs) (ff. 11-52v); Rime (ff. 55-195)

41, 43v). Numerous small gold initials on blue, pink, and green grounds. Title in epigraphic capitals in blue and gold framed by the Medici device of a diamond ring (f. 10v). Alternating blue and gold lines of text for the

• Illuminated initial 'P'(hilippus), and full border including harpies, a bust, serpents and flowers, at the beginning of the Statutes of the Order of the Golden Fleece., Statutes of the Order of the Golden Fleece

and a full border with all'antica ornament, in colours and gold (f. 4). Small initials in gold on red or blue grounds. Statutes of the Order of the Golden Fleece Written not earlier than 1531: the appendix (f. 32r-v) ends

• Interlace initial 'N'(untiatum), at the beginning of Book 12 of Aulus Gellius's Noctes Atticae., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Decorated initial 'M'(arcus), enclosing a depiction of a building, at the beginning of Book 13 of Aulus Gellius's Noctes Atticae., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Miniature of David in Prayer, and a full trompe l'oeil border, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

2 lines) in gold on red and blue grounds, with sprays and flowers. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in red, blue and gold. Book of Hours, Use of

• Decorated initials., Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43)

blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or

• Text page., Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43)

blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or

• Text page., Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43)

blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or

• Cadel., Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43)

blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or

• Text page., Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43)

blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or

• Decorated initial., Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43)

blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or

• Decorated initial 'M'(arcus), enclosing a depiction of a building, at the beginning of Book 13 of Aulus Gellius's Noctes Atticae., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Interlace initial 'N'(untiatum), at the beginning of Book 12 of Aulus Gellius's Noctes Atticae., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Initial 'P'(lutarchus) decorated with foliate decoration in the style of 'white vine', but coloured, and full borders incorporating putti, birds, animals, buildings, at the beginning of Aulus Gellius's Noctes Atticae., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Detail of the heraldic arms of Ludovico Maria Sforza, at the beginning of Aulus Gellius's Noctes Atticae, from the lower border., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Initial 'P'(lutarchus) decorated with foliate decoration in the style of 'white vine', but coloured, at the beginning of Aulus Gellius's Noctes Atticae., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this