• Decorated initial 'P'(rincipia), and plain red initial 'P'(aulus); the upper margin with an ownership inscription of Sir John Prise., Commentaria in Epistolas beati Pauli

ownership inscription of Sir John Prise. 1 large initial in green, red, and blue with geometric decoration (f. 2). Large, small, and one-line initials in red or green, some decorated with foliate arabesques (e.g., ff. 101v, 111v). Commentaria in Epistolas

• Coloured initial 'P'(aulus) and other plain red and green initials., Commentaria in Epistolas beati Pauli

green initials. 1 large initial in green, red, and blue with geometric decoration (f. 2). Large, small, and one-line initials in red or green, some decorated with foliate arabesques (e.g., ff. 101v, 111v). Commentaria in Epistolas beati Pauli Probably fom

• Decorated initial 'C'(haos) with white vine decoration, at the beginning of the text by Lactantius, Ovidii Metamorphoseon fabularum narratio, and the arms of the Donati family of Venice with an animal head above the shield., Ovidii Metamorphoseon fabularum narratio, and other mythological texts

Venice with an animal head above the shield. Large coloured initials with white vine scroll decoration. Small simple red or blue initials. The arms of the Donati family of Venice surmounted by a lion's head (f. 1). Guide letters. Ovidii

• Puzzle initial 'P'(aschales) below a rubric with the date 1465 in medieval arabic numerals, at the beginning of a prologue, Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc.

are notes by Barthélemy Mercier (b. 1734 d. 1799), abbé de St.-Léger. Large and small puzzle initials in red and blue. Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc. Apparently written in 1465: a rubric reads 'Prologus sedulij primus incipit 1465'

• Illuminated canon tables with a foliate pattern, preceding the Gospels., Letter to Carpianus and canon tables

157) at the beginning of each Gospel. Simple headpieces and endpieces in red and sometimes brown. Large decorated initials in blue and red at the beginning of each Gospel. Small simple initials in red. Letter to Carpianus and canon tables

• null, Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc.

abbé de St.-Léger. Large and small puzzle initials in red and blue. Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc. Apparently written in 1465: a rubric reads 'Prologus sedulij primus incipit 1465' (f. 7v).The Celestine convent of the Holy Trinity, Marcoussis,

• null, Comediae (index Comedies), preceded by arguments and prologues: Andria (ff. 1-27v), Eunuchus (ff. 28-57v), Heauton tirorumenos (ff. 58-87), Adelphoe (f. 87-113v), Hecyra (ff. 114-137v), Phormio (ff. 138-166v)

and shell gold, at the beginnings of the arguments (ff. 28, 29v, 58, 87, 114, 114v, 138). Small initials alternately blue or red. Headings in red capitals Comediae (index Comedies), preceded by arguments and prologues: Andria (ff. 1-27v), Eunuchus (ff.

• null, Commentary on the Psalms (imperfect, starting in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146)

painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around the letter or in the bowl with simple patterns in other

• null, Commentary on the Psalms (imperfect, starting in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146)

painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around the letter or in the bowl with simple patterns in other

• Musical notation., Medical miscellany, including the medical rules according to the homo signorum (ff. 35-36); a recipe for gingerbread

the True Physition'.Flyleaves of musical notation on red 4-line staves with large initials in blue with red penwork decoration and in brown with penwork decoration (ff. 2r-v, 127r-v). Large and small simple initials in red or brown, one with a

• Text page., Various poems, including Columella's De re rustica (ff. 1-9); Serenus's Liber medicinali (ff. 9-30v); Ibis (ff. 65-77); Nux (f. 79v-83), Medicamina faciei femineae; Aetna (ff. 52-64) (index Appendix Vergiliana)

65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown, or sometimes red (e.g. ff. 34v, 35v, 36v) at the beginning of lines. Headings

• Text page., Various poems, including Columella's De re rustica (ff. 1-9); Serenus's Liber medicinali (ff. 9-30v); Ibis (ff. 65-77); Nux (f. 79v-83), Medicamina faciei femineae; Aetna (ff. 52-64) (index Appendix Vergiliana)

65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown, or sometimes red (e.g. ff. 34v, 35v, 36v) at the beginning of lines. Headings

• Illuminated initial 'N'(ux)., Various poems, including Columella's De re rustica (ff. 1-9); Serenus's Liber medicinali (ff. 9-30v); Ibis (ff. 65-77); Nux (f. 79v-83), Medicamina faciei femineae; Aetna (ff. 52-64) (index Appendix Vergiliana)

65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown, or sometimes red (e.g. ff. 34v, 35v, 36v) at the beginning of lines. Headings

• Anthropomorphic initial 'P'(atrem), in Suetonius's De Vita Caesarum., De vita Caesarum (index XII Caesars)

or zoomorphic initials in ink (ff. 58v, 79v, 115, 135, 142v, 146v, 152v, 160v). Small initials in plain red or blue. De vita Caesarum (index XII Caesars) Colophon 'Explicit Deo gracias m[c]ccc[l]xxij Decembris xviij' (f. 173, some letters erased).Unidentified owner,

• Miniature of Charles the Bold, duke of Burgundy receiving the book from Jean Duchesne, with a full border including a space left for a coat of arms, at the beginning of the prologue., Bellum Gallicum (Les commentaires de Cesar)

282, 292, 297, 304v, 310v, 317, 324, 331v). Initials and paraphs in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue, rose and gold with penwork decoration in white. Bellum Gallicum (Les commentaires de Cesar)

• Miniature of Caesar's army, a castle and ships on the sea, with a full border, at the beginning of book 10., Bellum Gallicum (Les commentaires de Cesar)

282, 292, 297, 304v, 310v, 317, 324, 331v). Initials and paraphs in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue, rose and gold with penwork decoration in white. Bellum Gallicum (Les commentaires de Cesar)

• Miniature of the Crucifixion., Book of Hours, Use of Rome

fruits and flowers. Some borders are left unpainted. 'Champ' initials in gold on blue and pink grounds. Small initials in gold with black penwork decoration, or in blue with red penwork decoration. Book of Hours, Use of Rome Cut strip

• Miniature of the Pentecost., Book of Hours, Use of Rome

fruits and flowers. Some borders are left unpainted. 'Champ' initials in gold on blue and pink grounds. Small initials in gold with black penwork decoration, or in blue with red penwork decoration. Book of Hours, Use of Rome Cut strip

• Miniature of the Virgin and Child., Book of Hours, Use of Rome

fruits and flowers. Some borders are left unpainted. 'Champ' initials in gold on blue and pink grounds. Small initials in gold with black penwork decoration, or in blue with red penwork decoration. Book of Hours, Use of Rome Cut strip

• Text page., Commentary on the Canon Medicinae by Avicenna, Book I, Fen I

and berries, with two large historiated initials in blue with white tracery (ff. 4, 192). Cadels (ff. 147v, 191, 208v). Diagrams touched in yellow (ff. 204, 281). Initials and paraphs in alternating blue and red. Sentence initials touched in yellow.