• Detail of the lower margin, with initials 'R. R.' and arms of Roger Rotherham, azure, on a mount, three pointed, vert, a stag in full course or., Strategemata (index Strategematica, De re militari)

to f. 62v.Vertical catchwords. 1 large initial 'C'(um) in blue and purple on a gold ground, and arms in colours and gold in the lower margin (f. 1). Plain initials in blue or red. Rubrics in red. Strategemata (index Strategematica,

• Illuminated intial 'A'(rma) and foliate bar border., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Illuminated initial 'O'(ceanu)., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Text page with colophon of Franciscus de Camuciis supplied by Bartolomeo Sanvito in epigraphic captials., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Detail of Illuminated initial 'O'., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Miniature of Alexander the Great and his army make a sacrifice on the night before the Battle of Issus in Vasco da Lucena's French translation of Rufus's Historia Alexandri magni., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

colours with foliate decoration on gold grounds. Large and small gold initials on pink and blue grounds. Line-fillers, and haute-de-page foliation and capitula in pink, blue, and gold. Red or brown cadells, some with brown ink faces. History of Alexander

• Miniature of Alexander the Great encounters Diogenes in his barrel in Vasco da Lucena's French translation of Rufus's Historia Alexandri magni, executed mainly in grisaille., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

colours with foliate decoration on gold grounds. Large and small gold initials on pink and blue grounds. Line-fillers, and haute-de-page foliation and capitula in pink, blue, and gold. Red or brown cadells, some with brown ink faces. History of Alexander

• Miniature of Alexander the Great consulting his astrologers about an eclipse of the sun after the battle of Arbela and illuminated initial 'A'(lexandre) in Vasco da Lucena's French translation of Rufus's Historia Alexandri magni., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

colours with foliate decoration on gold grounds. Large and small gold initials on pink and blue grounds. Line-fillers, and haute-de-page foliation and capitula in pink, blue, and gold. Red or brown cadells, some with brown ink faces. History of Alexander

• Miniature of the Fall of Man in a roundel, diagrams of Noah's Ark and of the earth, initial and border with foliate and spray decoration, 'champ' initial, and inscribed roundels joined by genealogical lines of descent at the beginning of the chronicle., Chronicle (index Compendium historie in genealogia Christi)

into the margins, in colours and gold (membrane 1). One 'champ' initial in colours and gold (membrane 1). Initials in blue or gold with penwork decoration in red or purple. Rubrics in red. Chronicle (index Compendium historie in genealogia Christi)

• The first inscribed roundels of the 'linea regum britannie' with crowns, and diagrams of the 42 'mansiones' and of the tabernacle of the 12 Tribes of Israel., Chronicle (index Compendium historie in genealogia Christi)

into the margins, in colours and gold (membrane 1). One 'champ' initial in colours and gold (membrane 1). Initials in blue or gold with penwork decoration in red or purple. Rubrics in red. Chronicle (index Compendium historie in genealogia Christi)

• Inscribed roundels with crowns for the seven kingdoms of England, joined by genealogical lines of descent and merging into one under king Egbertus in a central roundel., Chronicle (index Compendium historie in genealogia Christi)

into the margins, in colours and gold (membrane 1). One 'champ' initial in colours and gold (membrane 1). Initials in blue or gold with penwork decoration in red or purple. Rubrics in red. Chronicle (index Compendium historie in genealogia Christi)

• Genealogy of Edward IV, with later additions. , Chronicle (index Compendium historie in genealogia Christi)

into the margins, in colours and gold (membrane 1). One 'champ' initial in colours and gold (membrane 1). Initials in blue or gold with penwork decoration in red or purple. Rubrics in red. Chronicle (index Compendium historie in genealogia Christi)

• null, Chronica pontificum et imperatorum, ending imperfectly

i recto. Large initials in blue with red flourishing and foliate infill, or red with brown flourishing and infill, at the start of texts and major divisions. Small initials similar but simpler. Chronica pontificum et imperatorum, ending imperfectly Medieval ownership(?)

• null, Chronica pontificum et imperatorum, ending imperfectly

i recto. Large initials in blue with red flourishing and foliate infill, or red with brown flourishing and infill, at the start of texts and major divisions. Small initials similar but simpler. Chronica pontificum et imperatorum, ending imperfectly Medieval ownership(?)

• Miniature of the Evangelists with their attributes, John with the eagle, Matthew with the angel, Mark with the lion, and Luke with the ox, decorated initial 'I'(n) and foliate borders including hybrid figures, at the beginning of the Gospel extracts., Book of Hours, Use of Lisieux

(2 lines) with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Lisieux Nicholas Joseph Foucault (b. 1643, d. 1721),

• Miniature of David penitent, decorated initial 'D'(omine) and foliate borders including medallions with Bathsheba and the Last Judgement, at the beginning of the Penitential Psalms., Book of Hours, Use of Lisieux

(2 lines) with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Lisieux Nicholas Joseph Foucault (b. 1643, d. 1721),

• Miniature of Apollonia being tortured by having her teeth pulled out by two men., Book of Hours, Use of Lisieux

(2 lines) with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Lisieux Nicholas Joseph Foucault (b. 1643, d. 1721),

• Pen-flourished initials, Meditations on the Life of Christ

catchwords. Alternating initials in blue with red pen-flourishing or in red with violet pen-flourishing. Rubrics in red (now faded). Meditations on the Life of Christ Written in 1454 by Jacobus de Parma in Bologna for Frater Gabriel, provincial vicar: colophon,

• Detail of an illuminated initial 'E'(cce)., Miscellany, including the Prick of Conscience and the Expanded Northern Homily Cycle

the Prick of Conscience (IMEV 3428.44), and the Gospel of Nichodemus (IMEV 512). Large initials in gold on grounds of blue and pink with painted flourishes at the beginning of each new narrative section. Cadels in ink including faces of

• Detail of cadels with human and animal faces., Miscellany, including the Prick of Conscience and the Expanded Northern Homily Cycle

the Prick of Conscience (IMEV 3428.44), and the Gospel of Nichodemus (IMEV 512). Large initials in gold on grounds of blue and pink with painted flourishes at the beginning of each new narrative section. Cadels in ink including faces of