• Astrological tables., Miscellany with astrological, alchemical and medical texts, including a verse on the four complexions from the Regimen sanitatis Salernitatem, De corio serpentis, and Tractatus de sphaera (the astronomical tables on ff. 1-15v correspond to the years 1444-1500), imperfect

the contents, see the Catalogue of Harley medical manuscripts. Initials in blue with red pen-flourishing or red penwork decoration. Small plain initials in blue. Paraphs in red or blue. Capitals marked in red. Miscellany with astrological, alchemical and medical texts,

• Decorated initial 'D'(eo) with foliate decoration extending into the margins., Statuti di Venezia (Statutes of Venice)

Verona). Initial in blue and red ink with foliate decoration including acanthus leaves extending into the margins (f. 2). Numerous small initials in red or blue with flourishing in the other colour. Coloured initials in red or blue. Statuti di

• Puzzle initial 'D'(Ividitur) with pen-flourishing extending into the margin., Miscellany of historical chronicles, including Marco Polo's 'Conditionibus et consuetudinibus orientalium regionum' (index De mirabilibus orientalium regionum) in the Latin translation of Francesco Pipino (ff. 2-47v), Hayton's 'Flos Historiarum' (ff. 47v-86v), and 'Geoffrey's 'Historia regum Britanniae' (index Gesta Britonum, De gestis Britonum) (ff. 88-150), preceded by 'De origine Gigantum' (index Story of Albina) (ff. 87-88)

initials with pen-flourishing extending into the margin in red and blue. Initials in blue with pen-flourishing extending into the margin in red. Rubrics in red. Paraphs in red and blue. Small initials highlighted in red. Added pen-sketch of a coat

• Decorated initial 'R'(everendissimo)., Ecclesiasticos admonens ad residentiam et fidelem dispensationem suorum beneficiorum

Decorated initial 'R'(everendissimo). 2 large initials in gold on red and blue grounds (ff. 1v, 2). 26 large plain initials in red or blue (ff. 2v, 3, 4v, 5v, 6v, 7, 8, 8v, 9, 9v, 11v (x 2), 13, 13v,

• Pen-flourished initial 'B'(ritannia)., Chronicles of England to the reign of king Henry VI (r. 1422-1461 and again from 1470-1471) (Chronicon Angliae)

reused parchment flyleaf bound upside down. Partial bar border in red and blue with a large initial in blue with red pen-flourishing (f. 1). Large initials in blue with red pen-flourishing. Paraphs in red. Chronicles of England to the reign

• Decorated initial with pen-flourishing., Various texts including Chronica pontificum et imperatorum (ff. 8-47v), Querimonia Frederici (ff. 48-119v), 'Ordinacio concilij lugdunum' (ff. 120-5), beginning imperfectly

~Catalogue~ 1808. Large initial in blue with reserved lines and pen-flourishing in red including a hybrid creature (f. 8). Initials in blue or red with pen-flourishing in the other colour. Paraphs in red or blue. Various texts including Chronica pontificum

• Miniature of the death of Philippe VI, with a partial border containing the arms of John Donne, at the beginning of the list of contents., Chroniques (books 3-4)

on blue and rose ground with penwork decoration in white, at the beginning of books 3 and 4 (ff. 9, 154v), with a partial border, at the beginning of book 3 (f. 9). Initials and paraphs in gold on blue

• Detail of a miniature of the death of Philippe VI, at the beginning of the list of contents., Chroniques (books 3-4)

on blue and rose ground with penwork decoration in white, at the beginning of books 3 and 4 (ff. 9, 154v), with a partial border, at the beginning of book 3 (f. 9). Initials and paraphs in gold on blue

• null, Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• null, Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• null, Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Illuminated white vine-stem initial 'Q'(uid) at the beginning of Book II of Martial's Epigrams; the text attributed to Pomponio Leto., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Illuminated initial 'Q'(ui), and full foliate border with putti holding heraldic arms, at the beginning of Ludovicus Lazarelli's Liber de apparatu Patavini Astiludii., Liber de apparatu Patavini Astiludii ad reverendum dominum D. Iohannem Chetvorth de Britannia, a description of the festivities organised by John Chedworth as rector of the Jurists at the University of Padua in 1467-68

(f. 1). Small initials (2 lines) in gold on coloured grounds, green and blue,blue and red, or green and red. Small initials (1 line) in plain blue. Paraph marks in plain red. Liber de apparatu Patavini Astiludii ad reverendum

• Opening of Martial's Liber de Spectaculis, with the title in the square capitals attributed to Bartolomeo Sanvito, and the text to Pompino Leto, with the illuminated white vine-stem initial 'B'(arbara)., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue

• Illuminated initial 'Q'(uae) and lower border with white vine-stem decoration, green parrots, and putti holding a wreath (left blank, perhaps for the addition of a coat of arms)., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue

• Illuminated white vine-stem initial 'Q'(uid) at the beginning of Book II of Martial's Epigrams; the text attributed to Pomponio Leto., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue

• Decorated table of contents; Inhabited initial 'I'(nvestigatam), and a partial border including medaillons, and heraldic arms supported by putti in the lower margin, at the beginning of Boethius's De Sancta Trinitate., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Decorated initial 'M'(aiores), at the beginning of Boethius's super Cicero's Topica., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours