• Miniature of David penitent, decorated initial 'D'(omine) and foliate borders including medallions with Bathsheba and the Last Judgement, at the beginning of the Penitential Psalms., Book of Hours, Use of Lisieux

(2 lines) with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Lisieux Nicholas Joseph Foucault (b. 1643, d. 1721),

• Miniature of Virgin and Child with donor, decorated initial 'D'(oulce) and foliate borders, at the beginning of the prayer Doulce dame., Book of Hours, Use of Rouen

19v, 23, 33v, 47, 49v, 51v, 53v, 55, 77v, 107). Small initials and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Rouen Unidentified female owner, late 15th century: depiction

• Miniature of David penitent, decorated initial 'D'(omine) and foliate borders, at the beginning of the Penitential Psalms., Book of Hours, Use of Rouen

19v, 23, 33v, 47, 49v, 51v, 53v, 55, 77v, 107). Small initials and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Rouen Unidentified female owner, late 15th century: depiction

• Miniatures of the labour of the months and zodiacs, for October and November in the calendar., Book of Hours, Use of Rome

borders including hybrid figures, birds, etc., in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Rome Unidentified owner, 16th century: added arms (f. 13).The Harley Collection, formed by

• Miniature of the Virgin and Child with angels and heraldic arms, at the beginning of the prayer Obsecro te., Book of Hours, Use of Rome

borders including hybrid figures, birds, etc., in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Rome Unidentified owner, 16th century: added arms (f. 13).The Harley Collection, formed by

• Miniature of the Visitation, decorated initial 'D'(eus) and foliate borders including birds, at the beginning of Lauds in the Hours of the Virgin., Book of Hours, Use of Troyes (with a Parisian calendar)

(2 lines) with partial foliate borders, in colours and gold, throughout. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Troyes (with a Parisian calendar) Inscribed, 16th century: 'Ces heures appartiennent a Pierre

• Miniature of the Flight into Egypt, decorated initial 'D'(eus) and foliate borders including birds, at the beginning of None in the Hours of the Virgin., Book of Hours, Use of Troyes (with a Parisian calendar)

(2 lines) with partial foliate borders, in colours and gold, throughout. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Troyes (with a Parisian calendar) Inscribed, 16th century: 'Ces heures appartiennent a Pierre

• Miniature of Job on the dungheap, decorated initial 'D'(ilexi) and foliate borders including a bird and a butterfly, at the beginning of the Office of the Dead., Book of Hours, Use of Troyes (with a Parisian calendar)

(2 lines) with partial foliate borders, in colours and gold, throughout. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Troyes (with a Parisian calendar) Inscribed, 16th century: 'Ces heures appartiennent a Pierre

• Miniature of the Annunciation, decorated initial 'D'(omine) and foliate borders including birds, at the beginning of the Hours of the Virgin., Book of Hours, Use of Troyes (with a Parisian calendar)

(2 lines) with partial foliate borders, in colours and gold, throughout. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Troyes (with a Parisian calendar) Inscribed, 16th century: 'Ces heures appartiennent a Pierre

• Miniature of Cato in dispute with Scipio Africanus and Gaius Laelius Sapiens., De la vieillesse (De Senectute) and De l'amitié (De Amicitia)

of the book which follows on the next page (f. 4). Large and small initials in gold on red and blue grounds. Cadels, many including human heads. Capital letters highlighted in yellow. De la vieillesse (De Senectute) and De l'amitié

• Text page., Book of Hours, Use of Paris

in colours and gold. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Miniature of a procession into church., Book of Hours, Use of Paris

in colours and gold. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Miniature of a procession into church., Book of Hours, Use of Paris

in colours and gold. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Miniature of Apollonia being tortured by having her teeth pulled out by two men., Book of Hours, Use of Lisieux

(2 lines) with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Lisieux Nicholas Joseph Foucault (b. 1643, d. 1721),

• Illuminated initials and foliate border., Book of Hours, Use of Paris

in colours and gold. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Miniature of Christ in majesty, with the Virgin Mary and John the Baptist, and the Resurrection of the Souls. Decorated initial in gold and colours, and full foliate border., Book of Hours, Use of Paris

and partial foliate borders on recto, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription, 16th century (f. 1).Ownership mark dated 1640 (f. 2).The Harley Collection,

• Miniature of the Annunciation to the Shepherds., Book of Hours, Use of Paris

and partial foliate borders on recto, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription, 16th century (f. 1).Ownership mark dated 1640 (f. 2).The Harley Collection,

• Miniature of the Crucifixion at the beginning of the Hours of the Cross., Book of Hours, Use of Troyes, imperfect

72v, 77). Large initials in gold and colours, some defaced (ff. 56v, 61, 77). Initials and line-fillers in red or blue. Capitals marked with yellow. Book of Hours, Use of Troyes, imperfect Certain saints in the calendar and in the

• White vine initial 'D'(ivitias) at the beginning of the text., Various poems including Carmina, Elegiae and Catullus' Carmina

86v, 103). 3 large initials in gold on coloured panels (ff. 14v, 69v, 155). Coloured initials in alternating red or blue. Various poems including Carmina, Elegiae and Catullus' Carmina Maffeo Veggio (b. 1407, d. 1458) and Giovanni Pontani (b. 1426,

• Initial 'A'(dam) with foliate and spray decoration., Latin Brut Chronicle of England, 2nd version

additions up to 1456 (Matheson 1998). Initial with foliate and spray decoration in gold and colours (f. 2). Initials in blue with pen-flourishing in red. Paraphs in red. Initials highlighted in yellow. Latin Brut Chronicle of England, 2nd version Written