• Illuminated initial 'T'(enebre) and plain initial 'Q'(uo) at the beginning of Dionysius the Areopagite's Epistolae., De caelesti hierarchia (ff. 3-117), De mystica theologia (ff. 117v-120v), and Epistolae (ff. 120v-135v), preceded (ff. 1-2v) by a table of contents

colours and gold, with three-sided border incorporating arms. Small initials in gold on a ground of red, blue, and green; or in plain blue. De caelesti hierarchia (ff. 3-117), De mystica theologia (ff. 117v-120v), and Epistolae (ff. 120v-135v), preceded (ff.

• Decorated initial 'D'(isciplina), at the beginning of Book 1 of Isidore's Etymologiae., Etymologiae

ruled in blind, horizontals in leadpoint. Large initials in green, red or blue, usually with decoration in one of the other colours. Small initials in red, green, or blue. Diagrams of consanguinity (ff. 109v-110). Etymologiae Unidentified owner, Cambridge or Oxford,

• Initial 'R' with the arms of Henry Despenser, bishop of Norwich, in the upper margin the signature of 'William Howarde 1579', in the right margin an ink drawing of a lion rampant, and in the lower margin the ink stamp of the Royal Society of London., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

1). Large initials in gold, pink, and/or blue, some also with red, with gold balls, and/or with foliate, floral, or filigree decoration (one with heraldic arms, f. 21). Line fillers in pink and/or blue. Historia ecclesiastica (ff. 1-99), De muliere

• Illuminated border and Initial 'N'(octiam) with an unfinished drawing of a seated man (possibly Bede) writing at the desk holding a quill and a knife, and on the bar border, a quadruped (dragon?)., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

1). Large initials in gold, pink, and/or blue, some also with red, with gold balls, and/or with foliate, floral, or filigree decoration (one with heraldic arms, f. 21). Line fillers in pink and/or blue. Historia ecclesiastica (ff. 1-99), De muliere

• Miniature of the Crucifixion, and full foliate border, facing the historiated initial 'T'(e) with the Instruments of the Passion of Christ, at the beginning of the 'Te igitur' in a Missal., Missal, Use of Rome

196v, 201, 203v, 206v, 227, 241v). 5 smaller puzzle initials in red and blue (ff. 193, 246v, 249v, 251, 256). Small initials in plain red or blue. Capital letters highlighted in yellow. Missal, Use of Rome The calendar includes Bernardinus,

• Calendar page and historiated initial 'A'(d) with David, at the beginning of a Missal., Missal, Use of Rome

196v, 201, 203v, 206v, 227, 241v). 5 smaller puzzle initials in red and blue (ff. 193, 246v, 249v, 251, 256). Small initials in plain red or blue. Capital letters highlighted in yellow. Missal, Use of Rome The calendar includes Bernardinus,

• Historiated initial 'R'(esurrexi) with the Resurrection of Christ, in a Missal., Missal, Use of Rome

196v, 201, 203v, 206v, 227, 241v). 5 smaller puzzle initials in red and blue (ff. 193, 246v, 249v, 251, 256). Small initials in plain red or blue. Capital letters highlighted in yellow. Missal, Use of Rome The calendar includes Bernardinus,

• Miniature, in two compartments, of a widow seeing the sun on Alkmund's breast, and on the right, Alkmund kneeling before the pope, with a Veronica's veil (an image of Christ's face on a linen cloth) in the background, with an illuminated initial, from John Lydgate's Lives of Saints Edmund and Fremund., Lives of Saints Edmund and Fremund

(ff. 1, 5). Large initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials in gold with purple or blue pen-flourishing or in blue with red pen-flourishing. Lives of Saints Edmund and Fremund This

• Illuminated initial 'T'(his), and in the lower margin, the arms of Bury St Edmunds and an ownership inscription that 'Thys boke gyften to my lady beaumoun be har lovftng moder margaret ffytz wauter w^t^ all my hart’ ', in John Lydgate's Lives of Saints Edmund and Fremund., Lives of Saints Edmund and Fremund

(ff. 1, 5). Large initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials in gold with purple or blue pen-flourishing or in blue with red pen-flourishing. Lives of Saints Edmund and Fremund This

• Detail of a miniature of an infant being handed to its mother by a man in a boat on the Thames, with the marginal inscription 'london bredge', from John Lydgate's Lives of Saints Edmund and Fremund., Lives of Saints Edmund and Fremund

(ff. 1, 5). Large initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials in gold with purple or blue pen-flourishing or in blue with red pen-flourishing. Lives of Saints Edmund and Fremund This

• Detail of a miniature of a boy being thrown by cattle from London Bridge, and floating in the water with a boatman rowing towards him, from John Lydgate's Lives of Saints Edmund and Fremund., Lives of Saints Edmund and Fremund

(ff. 1, 5). Large initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials in gold with purple or blue pen-flourishing or in blue with red pen-flourishing. Lives of Saints Edmund and Fremund This

• Detail of a miniature of the discovery of Edmund's head with a scroll with gold inscription 'heer heer herr', with a wolf guarding it, and a man blowing a horn, from John Lydgate's Lives of Saints Edmund and Fremund., Lives of Saints Edmund and Fremund

(ff. 1, 5). Large initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials in gold with purple or blue pen-flourishing or in blue with red pen-flourishing. Lives of Saints Edmund and Fremund This

• Detail of a miniature of the death of King Offa, lying in a brocade canopied bed and giving a ring to his steward, from John Lydgate's Lives of Saints Edmund and Fremund., Lives of Saints Edmund and Fremund

(ff. 1, 5). Large initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials in gold with purple or blue pen-flourishing or in blue with red pen-flourishing. Lives of Saints Edmund and Fremund This

• Detail of a miniature of King Offa and his retinue kneeling at the Holy Sepulchre, with a Cruxifixion image on the retable, from John Lydgate's Lives of Saints Edmund and Fremund., Lives of Saints Edmund and Fremund

(ff. 1, 5). Large initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials in gold with purple or blue pen-flourishing or in blue with red pen-flourishing. Lives of Saints Edmund and Fremund This

• Detail of a miniature of John Lydgate kneeling at the shrine of Edmund, with an illuminated initial 'O', from John Lydgate's Lives of Saints Edmund and Fremund., Lives of Saints Edmund and Fremund

(ff. 1, 5). Large initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials in gold with purple or blue pen-flourishing or in blue with red pen-flourishing. Lives of Saints Edmund and Fremund This

• Detail of a miniature of Edmund in battle against the Danes at Thetford, with God blessing above, from John Lydgate's Lives of Saints Edmund and Fremund., Lives of Saints Edmund and Fremund

(ff. 1, 5). Large initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials in gold with purple or blue pen-flourishing or in blue with red pen-flourishing. Lives of Saints Edmund and Fremund This

• Foliate initial and border., Le livre des quatre vertus (De quatuor virtutibus) (ff. 1-28v); Le livre de vieillesse (De senectute) (ff. 30-129v) and Le livre de amitié (De amicitia) (ff. 130-192v); Letter of Bernard of Clairvaux (ff. 193-195v); Hymn to the Virgin (ff. 196-199)

in colours and gold. Small initials in blue on red grounds, decorated with golden acanthus, with partial foliate borders, in colours and gold. Line fillers decorated with coloured flowers on red or blue grounds, at the beginning including the letters

• Decorated initial with flowers, and border including mottos., Le livre des quatre vertus (De quatuor virtutibus) (ff. 1-28v); Le livre de vieillesse (De senectute) (ff. 30-129v) and Le livre de amitié (De amicitia) (ff. 130-192v); Letter of Bernard of Clairvaux (ff. 193-195v); Hymn to the Virgin (ff. 196-199)

in colours and gold. Small initials in blue on red grounds, decorated with golden acanthus, with partial foliate borders, in colours and gold. Line fillers decorated with coloured flowers on red or blue grounds, at the beginning including the letters

• Decorated initial with flowers, and border including mottos., Le livre des quatre vertus (De quatuor virtutibus) (ff. 1-28v); Le livre de vieillesse (De senectute) (ff. 30-129v) and Le livre de amitié (De amicitia) (ff. 130-192v); Letter of Bernard of Clairvaux (ff. 193-195v); Hymn to the Virgin (ff. 196-199)

in colours and gold. Small initials in blue on red grounds, decorated with golden acanthus, with partial foliate borders, in colours and gold. Line fillers decorated with coloured flowers on red or blue grounds, at the beginning including the letters

• Decorated line-fillers., Le livre des quatre vertus (De quatuor virtutibus) (ff. 1-28v); Le livre de vieillesse (De senectute) (ff. 30-129v) and Le livre de amitié (De amicitia) (ff. 130-192v); Letter of Bernard of Clairvaux (ff. 193-195v); Hymn to the Virgin (ff. 196-199)

in colours and gold. Small initials in blue on red grounds, decorated with golden acanthus, with partial foliate borders, in colours and gold. Line fillers decorated with coloured flowers on red or blue grounds, at the beginning including the letters