• Detail of a drawing of the constellation Saggittarius, with the stars picked out as red dots., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Detail of a drawing of the constellation Capricorn, with the stars picked out as red dots., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Miniature of the Crucifixion, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Cross., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Miniature of Pentecost, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Holy Spirit., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Miniature of David in Penitence, decorated initial 'D'(omine), and full border, at the beginning of the Penitential Psalms., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Historiated initial 'I'(n) with Luke painting the Virgin, and partial border, at the beginning of his Gospel., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Historiated initial 'I'(sta) with Apollonia holding tooth, and partial border, at the beginning of her suffrage., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Miniature of the stoning of Stephen, with an historiated initial 'E'(stienne) of Stephen preaching, and partial foliate borders, at the beginning of his legend., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• Miniature of the conversion of Saul (Paul) on the road to Damascus, with an illuminated initial 'L'(a), and partial foliate borders, at the beginning of the legend of Paul., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• Miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), and partial foliate borders, at the beginning of her legend., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• Text page of the Golden Legend (George)., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• Text of the Golden Legend (the Passion)., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• Illuminated initial with penwork decoration, including an added sketch of a king, at the beginning of the Opus qui Candelabrum nominatur; in the lower margin heraldic arms added., Candelabrum, followed by a list of chapters (ff. 77-80)

the Opus qui Candelabrum nominatur; in the lower margin heraldic arms added. 1 large initial in blue with reserved designs and penwork decoration in brown, including an added sketch of a king (f. 1). 7 spaces for large illuminated initials

• Miniature of the Annunciation, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Virigin., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Detail of a miniature of the stoning of Stephen, with an historiated initial 'E'(stienne) of Stephen preaching, at the beginning of his legend., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• Detail of a miniature of the conversion of Saul (Paul) on the road to Damascus, with partial foliate borders, at the beginning of the legend of Paul., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• Detail of a miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), at the beginning of her legend., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• Detail of a miniature of the Crucifixion, at the beginning of the Hours of the Cross., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Miniature of Pentecost, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Holy Spirit., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Detail of a miniature of David in Penitence, at the beginning of the Penitential Psalms., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of