• Detail of miniature of the Nativity, at the beginning of Prime in the Hours of the Virgin., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Detail of miniature of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Detail of miniature of the Presentation, at the beginning of None in the Hours of the Virgin., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Detail of miniature of the Flight into Egyp, at the beginning of Vespers in the Hours of the Virgint., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Detail of miniature of the Coronation of the Virgin, at the beginning of Compline in the Hours of the Virgin., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Detail of miniature of David penitent, at the beginning of the Penitential Psalms., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Decorated initial 'D'(omine) with a marginal bird., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Decorated initial 'D'(omine) with a flower., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Miniature of Apollonia being tortured by having her teeth pulled out by two men., Book of Hours, Use of Lisieux

(2 lines) with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Lisieux Nicholas Joseph Foucault (b. 1643, d. 1721),

• Detail of an illuminated initial 'E'(cce)., Miscellany, including the Prick of Conscience and the Expanded Northern Homily Cycle

the Prick of Conscience (IMEV 3428.44), and the Gospel of Nichodemus (IMEV 512). Large initials in gold on grounds of blue and pink with painted flourishes at the beginning of each new narrative section. Cadels in ink including faces of

• Detail of cadels with human and animal faces., Miscellany, including the Prick of Conscience and the Expanded Northern Homily Cycle

the Prick of Conscience (IMEV 3428.44), and the Gospel of Nichodemus (IMEV 512). Large initials in gold on grounds of blue and pink with painted flourishes at the beginning of each new narrative section. Cadels in ink including faces of

• Detail of cadels in the Gospel of Nichodemus with faces, abstract shapes, and on the left, part of a fish.., Miscellany, including the Prick of Conscience and the Expanded Northern Homily Cycle

the Prick of Conscience (IMEV 3428.44), and the Gospel of Nichodemus (IMEV 512). Large initials in gold on grounds of blue and pink with painted flourishes at the beginning of each new narrative section. Cadels in ink including faces of

• Detail of text page., Miscellany, including the Prick of Conscience and the Expanded Northern Homily Cycle

the Prick of Conscience (IMEV 3428.44), and the Gospel of Nichodemus (IMEV 512). Large initials in gold on grounds of blue and pink with painted flourishes at the beginning of each new narrative section. Cadels in ink including faces of

• Miniature of the Crucifixion at the beginning of the Hours of the Cross., Book of Hours, Use of Troyes, imperfect

72v, 77). Large initials in gold and colours, some defaced (ff. 56v, 61, 77). Initials and line-fillers in red or blue. Capitals marked with yellow. Book of Hours, Use of Troyes, imperfect Certain saints in the calendar and in the

• Detail of a miniature of Cyrus and his army marching off to war., Cyropaedia (Cyropédie)

at the beginning of each book and the prologue (ff. 7, 42v, 76v, 112, 140v, 169). Initials in gold on blue and rose grounds with white decoration in white. Cyropaedia (Cyropédie) Edward IV (b. 1442, d. 1483), king of England

• Initial 'P'(ost) with white vine decoration, at the beginning of Pliny 's Epistola 2., Epistolae 1-7 and 9

of each book except book 3 (ff. 1, 14v, 42v, 56v, 69, 83v, 97v). Small initials alternately plain red or blue. Epistolae 1-7 and 9 Colophon(?), erased (f. 111v), in pink ink like that of the headings.? Palla Strozzi (b.

• Illuminated white vine initial 'F'(requenter) at the beginning of Pliny's Epistolae., Epistolae 1-7 and 9

of each book except book 3 (ff. 1, 14v, 42v, 56v, 69, 83v, 97v). Small initials alternately plain red or blue. Epistolae 1-7 and 9 Colophon(?), erased (f. 111v), in pink ink like that of the headings.? Palla Strozzi (b.

• Title, encircled by a wreath and held by two putti., De re rustica

73, 87, 102, 114, 128, 139, 146, 167v, 192, 193, 218v (x2), 241v, 258v). Small initials in plain red or blue. De re rustica Spaces for arms left blank (ff. 1v, 2).Perhaps a direct copy of Biblioteca Apostolica Vaticana, Urb.

• White vine initial 'S'(epenumero) and three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

73, 87, 102, 114, 128, 139, 146, 167v, 192, 193, 218v (x2), 241v, 258v). Small initials in plain red or blue. De re rustica Spaces for arms left blank (ff. 1v, 2).Perhaps a direct copy of Biblioteca Apostolica Vaticana, Urb.

• Illuminated white vine initial 'C'(upis) at the beginning of Pliny's Epistola 4., Epistolae 1-7 and 9

of each book except book 3 (ff. 1, 14v, 42v, 56v, 69, 83v, 97v). Small initials alternately plain red or blue. Epistolae 1-7 and 9 Colophon(?), erased (f. 111v), in pink ink like that of the headings.? Palla Strozzi (b.