• Marginal drawing of a seated old man holding a round red object in his left hand, adjacent to Horace's account of the Seven Ages of Man., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

Seven Ages of Man. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Illuminated initial 'Q'(ui), and full foliate border with putti holding heraldic arms, at the beginning of Ludovicus Lazarelli's Liber de apparatu Patavini Astiludii., Liber de apparatu Patavini Astiludii ad reverendum dominum D. Iohannem Chetvorth de Britannia, a description of the festivities organised by John Chedworth as rector of the Jurists at the University of Padua in 1467-68

(f. 1). Small initials (2 lines) in gold on coloured grounds, green and blue,blue and red, or green and red. Small initials (1 line) in plain blue. Paraph marks in plain red. Liber de apparatu Patavini Astiludii ad reverendum

• Decorated initial 'H'(umano)at the beginning of Horace's Ars poetica., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

of Horace's Ars poetica. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Marginal marks similar to notaries' marks on a former flyleaf., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

on a former flyleaf. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Detail of decorated initial., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

Detail of decorated initial. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• null, Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v, 17v, 19, 21, 26v)

• Illuminated initial 'I'(lle) with white vine decoration of the Ille ego opening of the Aeneid, and in the lower margin, effaced arms within a green wreath., Aeneis (index Aeneid), with the Ille ego opening; Bucolica (index Bucolics, Eclogues), book I, imperfect (ff. 165-178v); Georgica (index Georgics)(ff. 179-214v); verses on the 12 books of Aeneis (f. 216v)

of red, green, and blue, with gold and gold balls (f. 1). Large initials in gold with white vine decoration in colours at the beginning of books. Large initials in gold on coloured grounds, usually of blue, green, and red,

• Decorated table of contents; Inhabited initial 'I'(nvestigatam), and a partial border including medaillons, and heraldic arms supported by putti in the lower margin, at the beginning of Boethius's De Sancta Trinitate., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Decorated initial 'M'(aiores), at the beginning of Boethius's super Cicero's Topica., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Detail of illuminated title page., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Detail of illuminated initial and border., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Detail of Medici arms., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Detail of illuminated initial., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Detail of decorated initial., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

Detail of decorated initial. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• null, Book of Hours, Use of Clermont

and blue and gold acanthus leaf scrolls. Additional large red initial with flowers on a gold ground for the Te Deum with a partial border (f. 20v). Small gold initials on red and blue grounds. Line fillers in red, blue

• null, Book of Hours, Use of Clermont

and blue and gold acanthus leaf scrolls. Additional large red initial with flowers on a gold ground for the Te Deum with a partial border (f. 20v). Small gold initials on red and blue grounds. Line fillers in red, blue

• null, Book of Hours, Use of Clermont

and blue and gold acanthus leaf scrolls. Additional large red initial with flowers on a gold ground for the Te Deum with a partial border (f. 20v). Small gold initials on red and blue grounds. Line fillers in red, blue

• Detail of text and diagram., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Detail of marginal drawing., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

Detail of marginal drawing. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Miniature of the birth of Cyrus, at the beginning of book 4., Le miroir historial (a French translation of the Speculum historiale) books 1-5

of books. Small initials in colours with penwork decoration in gold. Initials in blue with red pen-flourishing, or in gold with black pen-flourishing. Line-fillers in gold and blue. First letters of sentences highlighted in yellow. Le miroir historial (a French