• Decorated initial and display script, at the beginning of book 3 of Columella's Rei rusticae., Rei rusticae, etc.

in gold on red and blue grounds in different patterns (ff. 13, 27v, 36v, 51, 63v, 76, 89, 100, 112v, 122v, 123, 129, 148v, 170, 197). Smaller decorated initials in gold on red and blue grounds. Display script in square

• null, Rei rusticae, etc.

in gold on red and blue grounds in different patterns (ff. 13, 27v, 36v, 51, 63v, 76, 89, 100, 112v, 122v, 123, 129, 148v, 170, 197). Smaller decorated initials in gold on red and blue grounds. Display script in square

• null, Rei rusticae, etc.

in gold on red and blue grounds in different patterns (ff. 13, 27v, 36v, 51, 63v, 76, 89, 100, 112v, 122v, 123, 129, 148v, 170, 197). Smaller decorated initials in gold on red and blue grounds. Display script in square

• null, Rei rusticae, etc.

in gold on red and blue grounds in different patterns (ff. 13, 27v, 36v, 51, 63v, 76, 89, 100, 112v, 122v, 123, 129, 148v, 170, 197). Smaller decorated initials in gold on red and blue grounds. Display script in square

• null, Various sermons, (labelled as those from Advent to Easter) with table of contents

in the bowl and sprouting into the inner border (f. 136). Large and small red and blue puzzle initials. Small simple red or blue initials. Light yellow highlights to the capital letters at the beginning of sentences. Various sermons, (labelled

• null, Various sermons, (labelled as those from Advent to Easter) with table of contents

in the bowl and sprouting into the inner border (f. 136). Large and small red and blue puzzle initials. Small simple red or blue initials. Light yellow highlights to the capital letters at the beginning of sentences. Various sermons, (labelled

• Decorated initials., Mainly scientific and grammatic miscellany, including the Summa Chiromantiae (ff. 100-108v; 109-34), the Mirror of Light (ff. 155-168); Cistercian statuta and ordinationes (ff. 200-220); De sphaera (ff. 59-75); algorismus with commentary (ff. 26-43)

169, 198). 1 large initial in red with blue and red penwork decoration (f. 3). Large initials in blue with red pen-flourishing. Small initials in red or green. Paraphs in red, blue, or green. Highlighing of letters in red. Marginal

• Miniature of the translator, Simon de Hesdin, at work in his study, with an inscription on the wall reading, 'Je suis bien / Toudis Joieulx', and a date '1479' with words 'de anno' inscribed on a scroll pending from a bookshelf; with a full border containing the royal arms of England on two banners held by angels, and on a shield surrounded by the Garter with the motto 'Honny soit qui mal y pense', and surmounted by a crowned helm with a mantling in Edward IV's colours of red and blue and a crest of a white lion, with two other shields bearing the same arms for Edward's sons, and the York badge of white ~rose-en-soleil~ with the motto 'Dieu est mon droit'; and a foliate initial 'L'(a brieste), at the beginning of book 1., Facta et dicta memorabilia

blue with pen-flourishing in red and black, at the beginning of chapters. Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. Running titles and chapter numbers in red and

• Miniature of pagan priest worshiping an idol, and of a Christian mass in front of an altar, with a full border containing the royal arms of England surmounted by a crowned helm with mantling in Edward's colours of red and blue and surrounded by the Garter, with two escutcheons bearing the royal arms for his sons, Edward, the Prince of Wales and Richard, duke of York, two banners with the royal arms of England, and the Yorkist badge of the white ~rose-en-soleil~ with a motto 'Dieu et mon droit', with a puzzle initial 'D'(e ceulz), at the beginning of book 6., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Detail from the full border of the royal arms of England surmounted by a crowned helm with mantling in Edward's colours of red and blue and surrounded by the Garter, with two escutcheons bearing the royal arms for his sons, Edward, the Prince of Wales and Richard, duke of York, two banners with the royal arms of England, and the Yorkist badge of the white ~rose-en-soleil~ with a motto 'Dieu et mon droit'., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Miniature of Charles V, king of France, receiving the book from the translator, Raoul des Presles, with a full border containing the royal arms of England surmounted by a crowned helm with mantling in Edward's colours of red and blue and surrounded by the Garter, with two escutcheons bearing the royal arms differenced by labels of three points for his sons, Edward, the Prince of Wales and Richard, duke of York, two banners bearing the royal arms of England held by angels, and the Yorkist badge of the white ~rose-en-soleil~ with a motto 'Dieu et mon droit', with a foliate initial 'A'(vous) at the beginning of the prologue., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• An astrological diagram of the phases of the sun and moon, with vovelles., Miscellany with various astronomical, calendrical, medical, and philosophical texts

initial in red and blue with red and blue pen-flourishing (f. 33). Large initials in blue with red pen-flourishing or in red with blue pen-flourishing. Smaller initials in blue with red pen-flourishing and in red with blue pen-flourishing. Rubrics, paraphs,

• Detail of a miniature of a bloodletting man with one foot in a bleeding pan and a spindle in his hand., Miscellany with various astronomical, calendrical, medical, and philosophical texts

initial in red and blue with red and blue pen-flourishing (f. 33). Large initials in blue with red pen-flourishing or in red with blue pen-flourishing. Smaller initials in blue with red pen-flourishing and in red with blue pen-flourishing. Rubrics, paraphs,

• A diagram of the sphere of life and death used in prognostication., Miscellany with various astronomical, calendrical, medical, and philosophical texts

initial in red and blue with red and blue pen-flourishing (f. 33). Large initials in blue with red pen-flourishing or in red with blue pen-flourishing. Smaller initials in blue with red pen-flourishing and in red with blue pen-flourishing. Rubrics, paraphs,

• Miniature of the Birth of the Virgin with an inscription on the wall 'Joy sans fin', and of the Annunciation to Joachim and the meeting of Joachim and Anna at the Golden Gate, with a full border containing the royal arms of England surrounded by the Garter with the motto 'Honny soit qui mal y pense', surmounted by a crowned helm with a mantling in Edward VI's colours of red and blue, and the Yorkist badge of a white ~rose-en-soleil~ with the motto 'Dieu est mon droit', and an illuminated initial 'C'(ombien) with the white rose of the York family, at the beginning of the prologue to book 2., Fleur des histoires, books 2-3

an initial in colours (f. 175). Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. Fleur des histoires, books 2-3 Edward IV (b. 1442, d. 1483), king of England and

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or