• Detail of a marginal image of a banner held by an angel in the external margin, at the beginning of chapter 1 of book 2., Recueil des croniques d’Engleterre

252, 258v, 259v, 265v, 267v, 276, 281v, 284, 293v, 299). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Recueil des croniques d’Engleterre Edward IV (b.

• Detail of a miniature of Richard II with his court after his coronation, at the beginning of chapter 1 of book 1., Recueil des croniques d’Engleterre

252, 258v, 259v, 265v, 267v, 276, 281v, 284, 293v, 299). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Recueil des croniques d’Engleterre Edward IV (b.

• Detail of a marginal image of a banner held by an angel, between two lozenges bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', at the beginning of chapter 1 of book 1., Recueil des croniques d’Engleterre

252, 258v, 259v, 265v, 267v, 276, 281v, 284, 293v, 299). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Recueil des croniques d’Engleterre Edward IV (b.

• Detail from the full border, of the royal arms on a shield encircled by the Garter with the motto 'Honny soit qui mal y pense', at the beginning of chapter 1 of book 1., Recueil des croniques d’Engleterre

252, 258v, 259v, 265v, 267v, 276, 281v, 284, 293v, 299). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Recueil des croniques d’Engleterre Edward IV (b.

• Text page., Recueil des croniques d’Engleterre

252, 258v, 259v, 265v, 267v, 276, 281v, 284, 293v, 299). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Recueil des croniques d’Engleterre Edward IV (b.

• Detail from the full border of the royal arms of England on a banner held by an angel and on a shield encircled by the Garter with the motto 'Honny soit qui mal y pense', and surmounted by a crowned helm with mantling in Edward's IV colours of red and blue, with two shields with the same arms differenced, for the king's two sons, in the lower margin, at the beginning of book 5., Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour des champs)

soit qui mal y pense', and surmounted by a crowned helm with mantling in Edward's IV colours of red and blue, with two shields with the same arms differenced, for the king's two sons, in the lower margin, at the

• Text page facing the miniature of Vincent of Beauvais., Le miroir historial (a French translation of the Speculum historiale) books 1-5

of books. Small initials in colours with penwork decoration in gold. Initials in blue with red pen-flourishing, or in gold with black pen-flourishing. Line-fillers in gold and blue. First letters of sentences highlighted in yellow. Le miroir historial (a French

• Detail of a miniature of Richard II with his court after his coronation, at the beginning of chapter 1 of book 1., Recueil des croniques d’Engleterre

252, 258v, 259v, 265v, 267v, 276, 281v, 284, 293v, 299). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Recueil des croniques d’Engleterre Edward IV (b.

• Miniature of the marriage of Waleran, comte de St Pol, to Maud, half-sister of Richard II, at the beginning of chapter 13 of book 1., Recueil des croniques d’Engleterre

252, 258v, 259v, 265v, 267v, 276, 281v, 284, 293v, 299). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Recueil des croniques d’Engleterre Edward IV (b.

• Detail of a miniature of the death of Bertrand du Guesclin, at the siege of Randon, with a partial border, at the beginning of chapter 17 of book 1., Recueil des croniques d’Engleterre

252, 258v, 259v, 265v, 267v, 276, 281v, 284, 293v, 299). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Recueil des croniques d’Engleterre Edward IV (b.

• Detail of a miniature of king Richard II ordering the execution of a rebel, at the beginning of chapter 14 of book 2., Recueil des croniques d’Engleterre

252, 258v, 259v, 265v, 267v, 276, 281v, 284, 293v, 299). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Recueil des croniques d’Engleterre Edward IV (b.

• Miniature of the author with a man holding a spade in an orchard, with a full border containing the royal arms of England on a banner held by an angel and on a shield encircled by the Garter with the motto 'Honny soit qui mal y pense', and surmounted by a crowned helm with mantling in Edward's IV colours of red and blue, with two shields with the same arms differenced, for the king's two sons, in the lower margin; and a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', in the outer margin, at the beginning of book 5., Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour des champs)

soit qui mal y pense', and surmounted by a crowned helm with mantling in Edward's IV colours of red and blue, with two shields with the same arms differenced, for the king's two sons, in the lower margin; and a

• Detail of a miniature of the Death of Alexander, at the beginning of book 6., Le miroir historial (a French translation of the Speculum historiale), books 6-9

109, 180). Small initials in colours with penwork decoration in gold. Initials in blue with red pen-flourishing, or in gold with black pen-flourishing. Line-fillers in gold and/or blue. First letters of sentences highlighted in yellow. Le miroir historial (a French

• Miniature of the Death of Alexander, at the beginning of book 6., Le miroir historial (a French translation of the Speculum historiale) books 1-5

of books. Small initials in colours with penwork decoration in gold. Initials in blue with red pen-flourishing, or in gold with black pen-flourishing. Line-fillers in gold and blue. First letters of sentences highlighted in yellow. Le miroir historial (a French

• Miniature of Caesar crossing the Rhine, with the arms of the Holy Roman emperor held by one of the soldiers, at the beginning of book 7., Le miroir historial (a French translation of the Speculum historiale), books 6-9

109, 180). Small initials in colours with penwork decoration in gold. Initials in blue with red pen-flourishing, or in gold with black pen-flourishing. Line-fillers in gold and/or blue. First letters of sentences highlighted in yellow. Le miroir historial (a French

• Detail of a miniature of Caesar crossing the Rhine, with the arms of the Holy Roman emperor held by one of the soldiers, at the beginning of book 7., Le miroir historial (a French translation of the Speculum historiale), books 6-9

109, 180). Small initials in colours with penwork decoration in gold. Initials in blue with red pen-flourishing, or in gold with black pen-flourishing. Line-fillers in gold and/or blue. First letters of sentences highlighted in yellow. Le miroir historial (a French

• Miniature of Claudius and Herod Agrippa, at the beginning of book 9., Le miroir historial (a French translation of the Speculum historiale), books 6-9

109, 180). Small initials in colours with penwork decoration in gold. Initials in blue with red pen-flourishing, or in gold with black pen-flourishing. Line-fillers in gold and/or blue. First letters of sentences highlighted in yellow. Le miroir historial (a French

• Detail of a miniature of Claudius and Herod Agrippa, at the beginning of book 9., Le miroir historial (a French translation of the Speculum historiale), books 6-9

109, 180). Small initials in colours with penwork decoration in gold. Initials in blue with red pen-flourishing, or in gold with black pen-flourishing. Line-fillers in gold and/or blue. First letters of sentences highlighted in yellow. Le miroir historial (a French

• Coloured print with Christ as Man of Sorrows being adored by a Carthsian, pasted to a page painted in red covered with streaming blood. A Carthusian kneels before a bloody Christ, who stands beside his cross. They converse by means of scrolls with texts in latin. The Carthusian petitions Christ: ‘O Lord I beseech, send me salvation’ (Domine obsecro dirige ad me salutem). He replies: ‘Son, shun (temptation, understood), subdue (it), say nothing, keep quiet (Fili fuge, vince, tace, quiesce). The formulation is found in Abelard’s Epistle VII on the foundation of a women’s convent, and the context is how to avoid the temptation to sin. Below is a caption in English: ‘The greatest comfort in al temptacyon Is the remembraunce of Crystes passyon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Coloured print with Christ as the Man of Sorrows surrounded by instruments of the Passion pasted to a page painted in red covered with streaming blood, with an indulgence (later defaced): ‘To all them that devoutly say five Pater nosters, five Aves, and a Creed afore such a figure are granted 32,755 years of pardon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),