'105', skips from 64 to 67.Thomov assigns this manuscript to Group I.A. 5 large initials in red with blue pen-flourishing or in blue with light red pen-flourishing (ff. 112, 118v, 120v [with reserved zoomorphic design], 122, 124). Selected treatises, including
'105', skips from 64 to 67.Thomov assigns this manuscript to Group I.A. 5 large initials in red with blue pen-flourishing or in blue with light red pen-flourishing (ff. 112, 118v, 120v [with reserved zoomorphic design], 122, 124). Selected treatises, including
'105', skips from 64 to 67.Thomov assigns this manuscript to Group I.A. 5 large initials in red with blue pen-flourishing or in blue with light red pen-flourishing (ff. 112, 118v, 120v [with reserved zoomorphic design], 122, 124). Selected treatises, including
'105', skips from 64 to 67.Thomov assigns this manuscript to Group I.A. 5 large initials in red with blue pen-flourishing or in blue with light red pen-flourishing (ff. 112, 118v, 120v [with reserved zoomorphic design], 122, 124). Selected treatises, including
first page of a quire in which it is situated. Initials in gold on blue and rose grounds with penwork decoration on white. Line-fillers in blue and rose with penwork decoration in white. Anciennes et nouvelles chroniques d'Angleterre, volume 1
first page of a quire in which it is situated. Initials in gold on blue and rose grounds with penwork decoration on white. Line-fillers in blue and rose with penwork decoration in white. Anciennes et nouvelles chroniques d'Angleterre, volume 1
partial borders, at the beginning of each book. Initials and paraphs in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue, rose, and gold with penwork decoration in white. Chronicle Jean of Valois, (b. 1340,
partial borders, at the beginning of each book. Initials and paraphs in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue, rose, and gold with penwork decoration in white. Chronicle Jean of Valois, (b. 1340,
'Honny soit qui mal y pense', and surmounted by a crowned helm with mantling in Edward's colours of red and blue, with two shields with the same arms differenced, for the king's two sons; lozenges bearing a white rose of
England surrounded by the Garter, and surmounted by a crowned helm with a mantling in Edward's colours of red and blue, and a lion crest with fleur-de-lis, supported by two lions; and an illuminated initial 'A'( la requeste). Includes a
initials in gold on blue and rose grounds with penwork decoration in gold (ff. 1-138v), some with the royal arms of England or heraldic lions (ff. 21v, 59, 59v, 76). Smaller initials in gold on blue or rose grounds with
initials in gold on blue and rose grounds with penwork decoration in gold (ff. 1-138v), some with the royal arms of England or heraldic lions (ff. 21v, 59, 59v, 76). Smaller initials in gold on blue or rose grounds with
initials in gold on blue and rose grounds with penwork decoration in gold (ff. 1-138v), some with the royal arms of England or heraldic lions (ff. 21v, 59, 59v, 76). Smaller initials in gold on blue or rose grounds with
infernum viventes'.Catchwords and bifolium signatures. Some pointing hands in the margins, sometimes with annotations (e.g., f. 265). 1 initial in blue on gold ground, with a red rose, and a full border with red and white Tudor roses, acanthus leaves
scenes, animals, etc., in colours and gold, in the margins, on nearly all pages. Small initials in plain gold or blue. Book of Hours, Use of Worms, with elements of a Breviary Phillip Carteret Webb (b. 1702, d. 1770), barrister
scenes, animals, etc., in colours and gold, in the margins, on nearly all pages. Small initials in plain gold or blue. Book of Hours, Use of Worms, with elements of a Breviary Phillip Carteret Webb (b. 1702, d. 1770), barrister
scenes, animals, etc., in colours and gold, in the margins, on nearly all pages. Small initials in plain gold or blue. Book of Hours, Use of Worms, with elements of a Breviary Phillip Carteret Webb (b. 1702, d. 1770), barrister
in green, red, and blue with geometric decoration (f. 2). Large, small, and one-line initials in red or green, some decorated with foliate arabesques (e.g., ff. 101v, 111v). Commentaria in Epistolas beati Pauli Probably fom a monastic house in the
in green, red, and blue with geometric decoration (f. 2). Large, small, and one-line initials in red or green, some decorated with foliate arabesques (e.g., ff. 101v, 111v). Commentaria in Epistolas beati Pauli Probably fom a monastic house in the
scenes, animals, etc., in colours and gold, in the margins, on nearly all pages. Small initials in plain gold or blue. Book of Hours, Use of Worms, with elements of a Breviary Phillip Carteret Webb (b. 1702, d. 1770), barrister