• Detail of a miniature of the battle of Mont d'Or., Chroniques

Foliate initials in colours and gold, and initials and paraphs in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose and blue with penwork decoration in white. Chroniques William, 1st baron Hastings (b. c.1430, d.

• Detail of a miniature of the capture of Wark Castle., Chroniques

Foliate initials in colours and gold, and initials and paraphs in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose and blue with penwork decoration in white. Chroniques William, 1st baron Hastings (b. c.1430, d.

• Miniature of ships with the royal arms of England and George, led by Thomas, earl of Buckingham, holding a shield bearing his arms (the royal arms of England differentiated by a label of 5 point and a bordure), illustrating the English reinforcements of the duke of Brittany, with a partial border and a foliate initial 'V'(ous)., Chroniques

Foliate initials in colours and gold, and initials and paraphs in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose and blue with penwork decoration in white. Chroniques William, 1st baron Hastings (b. c.1430, d.

• Detail of a miniature of a landscape, a river scene with walled towns, and ships representing England., Anciennes et nouvelles chroniques d'Angleterre, volume 1

first page of a quire in which it is situated. Initials in gold on blue and rose grounds with penwork decoration on white. Line-fillers in blue and rose with penwork decoration in white. Anciennes et nouvelles chroniques d'Angleterre, volume 1

• Detail of a miniature of a view of England, with a walled tower, and ships., Anciennes et nouvelles chroniques d'Angleterre, volume 1

first page of a quire in which it is situated. Initials in gold on blue and rose grounds with penwork decoration on white. Line-fillers in blue and rose with penwork decoration in white. Anciennes et nouvelles chroniques d'Angleterre, volume 1

• Text page., Anciennes et nouvelles chroniques d'Angleterre, volume 1

first page of a quire in which it is situated. Initials in gold on blue and rose grounds with penwork decoration on white. Line-fillers in blue and rose with penwork decoration in white. Anciennes et nouvelles chroniques d'Angleterre, volume 1

• Historiated initial., Sonetti and Canzoniere (ff. 10-150), Trionfi (ff. 151-187v) (ends imperfectly), preceded by a table

(ff. 10, 151). 1 large initial in gold on a blue ground with a partial border of branches with little flames (f. 108v). 5 large initials in gold on blue and green grounds with partial foliate borders, in colours and

• Historiated initial., Sonetti and Canzoniere (ff. 10-150), Trionfi (ff. 151-187v) (ends imperfectly), preceded by a table

(ff. 10, 151). 1 large initial in gold on a blue ground with a partial border of branches with little flames (f. 108v). 5 large initials in gold on blue and green grounds with partial foliate borders, in colours and

• Illuminated initial., Sonetti and Canzoniere (ff. 10-150), Trionfi (ff. 151-187v) (ends imperfectly), preceded by a table

(ff. 10, 151). 1 large initial in gold on a blue ground with a partial border of branches with little flames (f. 108v). 5 large initials in gold on blue and green grounds with partial foliate borders, in colours and

• Decorated initial., Sonetti and Canzoniere (ff. 10-150), Trionfi (ff. 151-187v) (ends imperfectly), preceded by a table

(ff. 10, 151). 1 large initial in gold on a blue ground with a partial border of branches with little flames (f. 108v). 5 large initials in gold on blue and green grounds with partial foliate borders, in colours and

• Miniature of the Baptism of Christ, at the beginning of the second article of Jean le Meung's Sept articles de la foi., Les sept articles de la foi

Meung's Sept articles de la foi. The leaves are misbound and the 1843 catalogue describes a blue morocco binding, which suggests that the binding pre-dates the volume's arrival at the British Museum; it may therefore date from shortly before the

• Miniature of the Nativity, at the beginning of Prime in the Hours of the Virgin., Book of Hours, Use of Angers

colours, gold, and silver. Small initials alternating in gold or silver on red or blue grounds. Line-fillers decorated in gold on red grounds, silver on blue grounds, or brown branches of wood. Book of Hours, Use of Angers Unidentified owner,

• Miniature of the Coronation of the Virgin, at the beginning of Compline in the Hours of the Virgin; heraldic arms., Book of Hours, Use of Angers

colours, gold, and silver. Small initials alternating in gold or silver on red or blue grounds. Line-fillers decorated in gold on red grounds, silver on blue grounds, or brown branches of wood. Book of Hours, Use of Angers Unidentified owner,

• Miniature of the Annunciation to the Shepherds, at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Angers

colours, gold, and silver. Small initials alternating in gold or silver on red or blue grounds. Line-fillers decorated in gold on red grounds, silver on blue grounds, or brown branches of wood. Book of Hours, Use of Angers Unidentified owner,

• Miniature of the Flight into Egypt, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of Tours

contemporary professional hands, suffrages including small initials in plain red and blue (ff. 117v-120v) and the prayer O intemerata (ff. 121-123v) with a puzzle initial in red and blue at the beginning. 12 full-page miniatures in golden frames on dark

• Detail of miniature of the Nativity., Book of Hours, Use of Angers

colours, gold, and silver. Small initials alternating in gold or silver on red or blue grounds. Line-fillers decorated in gold on red grounds, silver on blue grounds, or brown branches of wood. Book of Hours, Use of Angers Unidentified owner,

• Detail of miniature of the Annunciation to the Shepherds, at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Angers

colours, gold, and silver. Small initials alternating in gold or silver on red or blue grounds. Line-fillers decorated in gold on red grounds, silver on blue grounds, or brown branches of wood. Book of Hours, Use of Angers Unidentified owner,

• Detail of miniature of the Coronation of the Virgin, at the beginning of Compline in the Hours of the Virgin., Book of Hours, Use of Angers

colours, gold, and silver. Small initials alternating in gold or silver on red or blue grounds. Line-fillers decorated in gold on red grounds, silver on blue grounds, or brown branches of wood. Book of Hours, Use of Angers Unidentified owner,

• Miniature of the Annunciation, borders composed of shells including heraldic arms supported by lions in the lower margin, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome

symbols of the Passion of Christ. Large decorated initials in gold on red or blue grounds. Small initials and line fillers in gold on red or blue grounds. Book of Hours, Use of Rome Philippe de Commynes (b. 1447, d.

• Miniature of Mark with his symbol the lion and borders composed of shells, at the beginning of his Gospel., Book of Hours, Use of Rome

symbols of the Passion of Christ. Large decorated initials in gold on red or blue grounds. Small initials and line fillers in gold on red or blue grounds. Book of Hours, Use of Rome Philippe de Commynes (b. 1447, d.