• Miniature of the achievements of arms of the first knights of the Order of the Golden Fleece., Statuts de l'Ordre de la Toison d'Or (index Statutes and Armorial of the Order of the Golden Fleece)

77). Large 'champ' initials in colours and gold. Numerous smaller initials in gold with black pen-flourishing, alternating with initials in blue with red pen-flourishing. Rubrics and Roman numerals in red. Cadels. Statuts de l'Ordre de la Toison d'Or (index Statutes

• Miniature of Charles the Bold., Statuts de l'Ordre de la Toison d'Or (index Statutes and Armorial of the Order of the Golden Fleece)

77). Large 'champ' initials in colours and gold. Numerous smaller initials in gold with black pen-flourishing, alternating with initials in blue with red pen-flourishing. Rubrics and Roman numerals in red. Cadels. Statuts de l'Ordre de la Toison d'Or (index Statutes

• Detail of a miniature of Charles the Bold., Statuts de l'Ordre de la Toison d'Or (index Statutes and Armorial of the Order of the Golden Fleece)

77). Large 'champ' initials in colours and gold. Numerous smaller initials in gold with black pen-flourishing, alternating with initials in blue with red pen-flourishing. Rubrics and Roman numerals in red. Cadels. Statuts de l'Ordre de la Toison d'Or (index Statutes

• Detail of a miniature of Maximilian, Archduke of Austria., Statuts de l'Ordre de la Toison d'Or (index Statutes and Armorial of the Order of the Golden Fleece)

77). Large 'champ' initials in colours and gold. Numerous smaller initials in gold with black pen-flourishing, alternating with initials in blue with red pen-flourishing. Rubrics and Roman numerals in red. Cadels. Statuts de l'Ordre de la Toison d'Or (index Statutes

• Miniature of a battle scene at the beginning of book 7, and full border with a wolf running away with a sheep and a crippled hybrid creature., Les Fais et les Dis des Romains et de autres gens (index Memorabilia, index Facta et Dicta Memorabilia), vol. 2

descenders and catchwords decorated with cadels in brown ink with a yellow wash (e. g., f. 151v). Line-fillers in gold, blue and red. Les Fais et les Dis des Romains et de autres gens (index Memorabilia, index Facta et Dicta

• Miniature of courtiers and servants observing a couple lying in bed at the beginning of book 8, and full border with a man climbing a vine and a hybrid creature wrestling a bear., Les Fais et les Dis des Romains et de autres gens (index Memorabilia, index Facta et Dicta Memorabilia), vol. 2

descenders and catchwords decorated with cadels in brown ink with a yellow wash (e. g., f. 151v). Line-fillers in gold, blue and red. Les Fais et les Dis des Romains et de autres gens (index Memorabilia, index Facta et Dicta

• Meeting of the Order of the Golden Fleece, with the head of the order seated on a throne, and the knights seated to the right and left of him, with the four officers of the order in the foreground with books., Statuts de l'Ordre de la Toison d'Or (index Statutes and Armorial of the Order of the Golden Fleece)

77). Large 'champ' initials in colours and gold. Numerous smaller initials in gold with black pen-flourishing, alternating with initials in blue with red pen-flourishing. Rubrics and Roman numerals in red. Cadels. Statuts de l'Ordre de la Toison d'Or (index Statutes

• Miniature of Philip the Good, Duke of Burgundy, founder of the Order of the Golden Fleece., Statuts de l'Ordre de la Toison d'Or (index Statutes and Armorial of the Order of the Golden Fleece)

77). Large 'champ' initials in colours and gold. Numerous smaller initials in gold with black pen-flourishing, alternating with initials in blue with red pen-flourishing. Rubrics and Roman numerals in red. Cadels. Statuts de l'Ordre de la Toison d'Or (index Statutes

• Miniature of the Annunciation, at the beginning of the Hours of the Virgin at Matins., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Minature of Christ carrying the cross, at the beginning of the Hours of the Cross., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Miniature of David watching Bathsheba bathing in a pool ornamented with two statuettes: Amor shooting an arrow at the bosom of Bathseba, and Abundance holding a torch and a cornucopia, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Miniature depicting the Adoration of the Magi; at the beginning of the Hours of the Virgin at Sext., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Detail of a miniature including angels., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Detail of a miniature of the Annuncation., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Detail of a minature of Christ carrying the cross, at the beginning of the Hours of the Cross., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Detail of a miniature of Bathsheba bathing in a pool., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Miniature of the painter Zeuxis painting nude models from nature., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Detail of a miniature of Raison (Reason) advising the Lover., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of Virginius beheading his daughter Virginia., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of l'Ami (the Friend) and the Lover., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in