• An engraved historiated full-page border of medallions containing the four Evangelists and scenes from the life of the Virgin and the life and Passion of Christ: (anti-clockwise from top left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, John, the Feeding of the Five Thousand, the Last Supper, Matthew, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection., Cuttings from a printed Missal, containing text from the Masses for the feasts of Pentecost and Augustus

Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To see the Samuel Rogers Album (Post-1600. Gold tooled dark blue ?morocco with on the spine: 'Italian / Miniatures / And Illuminated / Borders. / Samuel / Rogers Collection /

• An engraved historiated full-page border of medallions containing the four Evangelists and scenes from the life of the Virgin and the life and Passion of Christ: (anti-clockwise from top left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, Matthew, the Feeding of the Five Thousand, the Last Supper, John, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection., Cuttings from a printed Missal, containing text from the Masses for the feasts of Pentecost and Augustus

Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To see the Samuel Rogers Album (Post-1600. Gold tooled dark blue ?morocco with on the spine: 'Italian / Miniatures / And Illuminated / Borders. / Samuel / Rogers Collection /

• Illuminated initial 'Q'(uod) enclosing flowers combined with a full panel border with flowers and a bird. The roses, greyhound, and dragon are heraldic motifs referring to the royal Tudor family., Quaestiones de observantia quadragesimali (index Matters concerning Lenten observance)(ff. 1v-67); Poem in praise of Henry VII's marriage to Elizabeth of York and of the birth of prince Arthur (ff. 67v-86v)

with flowers, acanthus, a dog and a dragon (ff. 19, 52). Initials in gold with black penwork decoration or in blue with red penwork decoration. Capitals highlighted in yellow. Rubrics in purple ink. Quaestiones de observantia quadragesimali (index Matters concerning

• Illuminated initial 'C'(ui) enclosing flowers combined with a full panel border with flowers, acorns, and a greyhound holding a banner with the coat of arms of Henry VII., Quaestiones de observantia quadragesimali (index Matters concerning Lenten observance)(ff. 1v-67); Poem in praise of Henry VII's marriage to Elizabeth of York and of the birth of prince Arthur (ff. 67v-86v)

with flowers, acanthus, a dog and a dragon (ff. 19, 52). Initials in gold with black penwork decoration or in blue with red penwork decoration. Capitals highlighted in yellow. Rubrics in purple ink. Quaestiones de observantia quadragesimali (index Matters concerning

• Miniature of a battle scene at the beginning of book 7, and full border with a wolf running away with a sheep and a crippled hybrid creature., Les Fais et les Dis des Romains et de autres gens (index Memorabilia, index Facta et Dicta Memorabilia), vol. 2

descenders and catchwords decorated with cadels in brown ink with a yellow wash (e. g., f. 151v). Line-fillers in gold, blue and red. Les Fais et les Dis des Romains et de autres gens (index Memorabilia, index Facta et Dicta

• Miniature of courtiers and servants observing a couple lying in bed at the beginning of book 8, and full border with a man climbing a vine and a hybrid creature wrestling a bear., Les Fais et les Dis des Romains et de autres gens (index Memorabilia, index Facta et Dicta Memorabilia), vol. 2

descenders and catchwords decorated with cadels in brown ink with a yellow wash (e. g., f. 151v). Line-fillers in gold, blue and red. Les Fais et les Dis des Romains et de autres gens (index Memorabilia, index Facta et Dicta

• Miniature of the Annunciation, at the beginning of the Hours of the Virgin at Matins., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Minature of Christ carrying the cross, at the beginning of the Hours of the Cross., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Miniature of David watching Bathsheba bathing in a pool ornamented with two statuettes: Amor shooting an arrow at the bosom of Bathseba, and Abundance holding a torch and a cornucopia, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Miniature depicting the Adoration of the Magi; at the beginning of the Hours of the Virgin at Sext., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Detail of a miniature including angels., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Detail of a miniature of the Annuncation., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Detail of a minature of Christ carrying the cross, at the beginning of the Hours of the Cross., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Detail of a miniature of Bathsheba bathing in a pool., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Miniature of the painter Zeuxis painting nude models from nature., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Detail of a miniature of Raison (Reason) advising the Lover., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of Virginius beheading his daughter Virginia., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of l'Ami (the Friend) and the Lover., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of Beaute (Beauty) and Laideur (Ugliness) fighting Chastete (Chastity)., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of Delilah cutting Samson's hair., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in