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Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To see the Samuel Rogers Album (Post-1600. Gold tooled dark blue ?morocco with on the spine: 'Italian / Miniatures / And Illuminated / Borders. / Samuel / Rogers Collection /
in colours and gold. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Rome The Harley Collection, formed by Robert Harley
including hybrid figures, animals, birds, etc., in colours and gold. Small initials and line fillers in gold on red or blue grounds. Book of Hours, Use of Rome André Serre, of Dijon, c. 1500: his portrait at the beginning of
including hybrid figures, animals, birds, etc., in colours and gold. Small initials and line fillers in gold on red or blue grounds. Book of Hours, Use of Rome André Serre, of Dijon, c. 1500: his portrait at the beginning of
border (f. 12). Initials and paraphs in colours on brown grounds with penwork decoration in gold or/and white. Line-fillers in blue, brown and gold or white. Chroniques de France ou de Saint Denis (from 1380 to 1422) Thomas Thwaytes (d.
Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To see the Samuel Rogers Album (Post-1600. Gold tooled dark blue ?morocco with on the spine: 'Italian / Miniatures / And Illuminated / Borders. / Samuel / Rogers Collection /
Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To see the Samuel Rogers Album (Post-1600. Gold tooled dark blue ?morocco with on the spine: 'Italian / Miniatures / And Illuminated / Borders. / Samuel / Rogers Collection /
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in