• Opening page of the text of the Tabula Cebetis, with decorated borders and initials., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Decorated initial 'E'(st)., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Miniature with a dead landscape., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Miniature of the Seat of Virtue, with a personification of Virtue in a garden with Aeternitas, Gloria, Studius, and Mars., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Coloured initial 'U' with penwork decoration., Fragment from and Canon law (?) text, on paper

Regiment of Princes, 1st half of the 15th century (f. 90).Musical notation (f. 79). Initial in blue with penwork decoration in red. Paraphs in blue or red. Fragment from and Canon law (?) text, on paper ff. 59r-v [part 6]

• Full-page architectural border in colours and gold with a large historiated initial 'D'(ominus) with Pope Gregory the Great, putti, Jerome and another Church father, and the arms of Ferdinand I of Aragon, king of Naples., Sermons (index Homiliae)

and gold, some large, some small. Smaller gold initials on coloured grounds. Running headers in blue and gold. Rubrics in red. Headings in gold or blue. Sermons (index Homiliae) Ferdinand I of Aragon, king of Naples (b. 1424, d. 1494):

• Foliate border with four portraits of philosophers in roundels, putti, the coat of arms of Aragon, and a large historiated initial 'D'(ivina) of Plato in his study., Opera

style. Other small initials in gold on blue and red panels. Capitals in red identify the speakers in the dialogues (e.g. Socrates and Alcibiades). Rubrics, headings, and marginal notes in red and blue. Opera Ferdinand I of Aragon, king of

• Miniature of Penelope giving a letter to a man in a boat, with a decorated initial 'P' and full-border in colours and gold, at the beginning of the epistle., Heroides (index Eroidi)

60v, 66, 74v, 81v, 88v, 99v, 108v, 115, 127, 140, 151v, 161v, 170v, 177v). Line fillers in red, gold and blue. Incipits and explicits in red. Cadels. Heroides (index Eroidi) 15th-century monograms (of first owner?): 'SE' (border of ff. 51,

• Miniature of a woman on a horse-drawn cart, with two men blowing horns alongside, with a decorated initial 'S' and a full border in colours and gold., Heroides (index Eroidi)

60v, 66, 74v, 81v, 88v, 99v, 108v, 115, 127, 140, 151v, 161v, 170v, 177v). Line fillers in red, gold and blue. Incipits and explicits in red. Cadels. Heroides (index Eroidi) 15th-century monograms (of first owner?): 'SE' (border of ff. 51,

• Miniature of Briseis at an open window with a letter in her hand, and the illuminated initial 'C'(este lettre que maintenant tu liz)., Heroides (index Eroidi)

60v, 66, 74v, 81v, 88v, 99v, 108v, 115, 127, 140, 151v, 161v, 170v, 177v). Line fillers in red, gold and blue. Incipits and explicits in red. Cadels. Heroides (index Eroidi) 15th-century monograms (of first owner?): 'SE' (border of ff. 51,

• Miniature of Dido, seated in the courtyard of a castle, with a letter in her lap, thrusting a sword through her chest. Below, the illuminated initial 'C'(omme le cisne quant mort luy est prochaine)., Heroides (index Eroidi)

60v, 66, 74v, 81v, 88v, 99v, 108v, 115, 127, 140, 151v, 161v, 170v, 177v). Line fillers in red, gold and blue. Incipits and explicits in red. Cadels. Heroides (index Eroidi) 15th-century monograms (of first owner?): 'SE' (border of ff. 51,

• Miniature of Adriane, asleep in bed on an island, surounded by a lion, a wolf, a griffin and a dragon, with an illuminated initial 'J'(ay plus trouvé de clemence et pitié)., Heroides (index Eroidi)

60v, 66, 74v, 81v, 88v, 99v, 108v, 115, 127, 140, 151v, 161v, 170v, 177v). Line fillers in red, gold and blue. Incipits and explicits in red. Cadels. Heroides (index Eroidi) 15th-century monograms (of first owner?): 'SE' (border of ff. 51,

• Miniature of the Visitation, set within an architectural frame, and initial 'D'(eus), at the beginning of Lauds of the Hours of the Virgin., Book of Hours, Use of Tiron

colours and gold. Large decorated foliate initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Book of Hours, Use of Tiron Louis I de Crevant, abbot (between 1494 and 1503) of the Benedictine

• Miniature of the Adoration of the Magi, set within an architectural frame, at the beginning of Sext of the Hours of the Virgin., Book of Hours, Use of Tiron

colours and gold. Large decorated foliate initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Book of Hours, Use of Tiron Louis I de Crevant, abbot (between 1494 and 1503) of the Benedictine

• Miniature of Job on the dunghill visited by two friends, set within an architectural frame, at the beginning of the Office of the Dead., Book of Hours, Use of Tiron

colours and gold. Large decorated foliate initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Book of Hours, Use of Tiron Louis I de Crevant, abbot (between 1494 and 1503) of the Benedictine

• Detail of a miniature of Charles the Bold enthroned and surrounded by his court receiving the book from Vasco da Lucena, at the beginning of the prologue., Cyropaedia (Cyropedie); De re militari (Lart de chevalerie)

at the beginning of each book (ff. 11, 42, 76v, 112, 139, 169, 205). Initials and paraphs in gold on blue and rose grounds with penwork decoration in gold. Cyropaedia (Cyropedie); De re militari (Lart de chevalerie) Thomas Thwaytes (d.

• Miniature of Charles the Bold enthroned and surrounded by his court receiving the book from Vasco da Lucena, with a full border containing Charles's motto 'oublier ne puis' and the arms of Thomas Thwaytes, at the beginning of the prologue., Cyropaedia (Cyropedie); De re militari (Lart de chevalerie)

at the beginning of each book (ff. 11, 42, 76v, 112, 139, 169, 205). Initials and paraphs in gold on blue and rose grounds with penwork decoration in gold. Cyropaedia (Cyropedie); De re militari (Lart de chevalerie) Thomas Thwaytes (d.

• Historiated initial 'C' of a saint (upper left)., Cuttings from a liturgical manuscript

Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To see the Samuel Rogers Album (Post-1600. Gold tooled dark blue ?morocco with on the spine: 'Italian / Miniatures / And Illuminated / Borders. / Samuel / Rogers Collection /

• Historiated initial 'C' of a saint (upper right)., Cuttings from a liturgical manuscript

Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To see the Samuel Rogers Album (Post-1600. Gold tooled dark blue ?morocco with on the spine: 'Italian / Miniatures / And Illuminated / Borders. / Samuel / Rogers Collection /

• Historiated initial 'D' of a saint (left centre)., Cuttings from a liturgical manuscript

Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To see the Samuel Rogers Album (Post-1600. Gold tooled dark blue ?morocco with on the spine: 'Italian / Miniatures / And Illuminated / Borders. / Samuel / Rogers Collection /