• Faceted initial 'Q'(uem)., De officiis

the beginning of each book ( ff. 1, 65v, 104v). Similar capitals for the colophon (f. 155v). Numerous initials in blue. Rubrics and notes in red. De officiis Written in 1498 by Bartolomeo Sanvito of Padua (b. 1435, d. 1518):

• Colophon of the scribe Bartolomeo Sanvito., De officiis

the beginning of each book ( ff. 1, 65v, 104v). Similar capitals for the colophon (f. 155v). Numerous initials in blue. Rubrics and notes in red. De officiis Written in 1498 by Bartolomeo Sanvito of Padua (b. 1435, d. 1518):

• Miniature of Briseis at an open window with a letter in her hand, and the illuminated initial 'C'(este lettre que maintenant tu liz)., Heroides (index Eroidi)

60v, 66, 74v, 81v, 88v, 99v, 108v, 115, 127, 140, 151v, 161v, 170v, 177v). Line fillers in red, gold and blue. Incipits and explicits in red. Cadels. Heroides (index Eroidi) 15th-century monograms (of first owner?): 'SE' (border of ff. 51,

• Miniature of Dido, seated in the courtyard of a castle, with a letter in her lap, thrusting a sword through her chest. Below, the illuminated initial 'C'(omme le cisne quant mort luy est prochaine)., Heroides (index Eroidi)

60v, 66, 74v, 81v, 88v, 99v, 108v, 115, 127, 140, 151v, 161v, 170v, 177v). Line fillers in red, gold and blue. Incipits and explicits in red. Cadels. Heroides (index Eroidi) 15th-century monograms (of first owner?): 'SE' (border of ff. 51,

• Miniature of Adriane, asleep in bed on an island, surounded by a lion, a wolf, a griffin and a dragon, with an illuminated initial 'J'(ay plus trouvé de clemence et pitié)., Heroides (index Eroidi)

60v, 66, 74v, 81v, 88v, 99v, 108v, 115, 127, 140, 151v, 161v, 170v, 177v). Line fillers in red, gold and blue. Incipits and explicits in red. Cadels. Heroides (index Eroidi) 15th-century monograms (of first owner?): 'SE' (border of ff. 51,

• Miniature of the Visitation, set within an architectural frame, and initial 'D'(eus), at the beginning of Lauds of the Hours of the Virgin., Book of Hours, Use of Tiron

colours and gold. Large decorated foliate initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Book of Hours, Use of Tiron Louis I de Crevant, abbot (between 1494 and 1503) of the Benedictine

• Miniature of the Adoration of the Magi, set within an architectural frame, at the beginning of Sext of the Hours of the Virgin., Book of Hours, Use of Tiron

colours and gold. Large decorated foliate initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Book of Hours, Use of Tiron Louis I de Crevant, abbot (between 1494 and 1503) of the Benedictine

• Miniature of Job on the dunghill visited by two friends, set within an architectural frame, at the beginning of the Office of the Dead., Book of Hours, Use of Tiron

colours and gold. Large decorated foliate initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Book of Hours, Use of Tiron Louis I de Crevant, abbot (between 1494 and 1503) of the Benedictine

• Miniature of various locations set out in a landscape: 'La Chastel en Chaire', 'Le jardin du baume,' 'La cite de Babiloine,' and 'Les Moulins de Babiloine'., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

Foliate initials in colours and gold, or puzzle initials in red and blue with red and brown pen-flourishing, at the beginning of some books or chapters. Initials in blue with red pen-flourishing, or in red with brown pen-flourishing. Historia de

• Miniature of Nectanebus receiving a letter; miniature of Nectanebus on a roof, in flight, having shaved his head., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

Foliate initials in colours and gold, or puzzle initials in red and blue with red and brown pen-flourishing, at the beginning of some books or chapters. Initials in blue with red pen-flourishing, or in red with brown pen-flourishing. Historia de

• Detail of a miniature of Imagination taking leave of the knight, with the city of Halle in the background, with a full trompe l'oeil border including a bird and an owl., Imaginacion de vraye noblesse

the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in blue and white on red grounds with penwork decoration in gold. Imaginacion de vraye noblesse Quentin Poulet, scribe, illuminator (his

• Detail of an historiated initial 'A'(vous) of Henry VII receiving the book from the writer., Imaginacion de vraye noblesse

the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in blue and white on red grounds with penwork decoration in gold. Imaginacion de vraye noblesse Quentin Poulet, scribe, illuminator (his

• Detail of a marginal painting of flowers and a bear, from the partial trompe l'oeil border., Imaginacion de vraye noblesse

the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in blue and white on red grounds with penwork decoration in gold. Imaginacion de vraye noblesse Quentin Poulet, scribe, illuminator (his

• Text page., Imaginacion de vraye noblesse

the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in blue and white on red grounds with penwork decoration in gold. Imaginacion de vraye noblesse Quentin Poulet, scribe, illuminator (his

• Miniature of Imagination introducing the knight to the three Virtues (or the three aspects of Nobility), with a full trompe l'oeil border, including flowers, birds, and a monkey., Imaginacion de vraye noblesse

the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in blue and white on red grounds with penwork decoration in gold. Imaginacion de vraye noblesse Quentin Poulet, scribe, illuminator (his

• Detail of a miniature of Imagination introducing the knight to the three Virtues (or the three aspects of Nobility)., Imaginacion de vraye noblesse

the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in blue and white on red grounds with penwork decoration in gold. Imaginacion de vraye noblesse Quentin Poulet, scribe, illuminator (his

• Detail from the full trompe l'oeil border, including flowers, a bird, and a monkey., Imaginacion de vraye noblesse

the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in blue and white on red grounds with penwork decoration in gold. Imaginacion de vraye noblesse Quentin Poulet, scribe, illuminator (his

• Miniature of a prince enthroned, with supplicants surrounding him, and God the Father above, with a full trompe l'oeil border including flowers, Tudor roses, and a bird., Imaginacion de vraye noblesse

the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in blue and white on red grounds with penwork decoration in gold. Imaginacion de vraye noblesse Quentin Poulet, scribe, illuminator (his

• Detail of a miniature of a prince enthroned, with supplicants surrounding him, and God the Father above., Imaginacion de vraye noblesse

the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in blue and white on red grounds with penwork decoration in gold. Imaginacion de vraye noblesse Quentin Poulet, scribe, illuminator (his

• Detail from the full trompe l'oeil border of a bird among flowers., Imaginacion de vraye noblesse

the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in blue and white on red grounds with penwork decoration in gold. Imaginacion de vraye noblesse Quentin Poulet, scribe, illuminator (his