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British Library Catalogue of Illuminated Manuscripts
in green with red and sometime also green penwork decoration, often extending into leaves coloured in green. Large initials in blue with red penwork decoration, often in the form of leaves, and sometimes in the form of faces (e.g. ff.
in green with red and sometime also green penwork decoration, often extending into leaves coloured in green. Large initials in blue with red penwork decoration, often in the form of leaves, and sometimes in the form of faces (e.g. ff.
in green with red and sometime also green penwork decoration, often extending into leaves coloured in green. Large initials in blue with red penwork decoration, often in the form of leaves, and sometimes in the form of faces (e.g. ff.
in green with red and sometime also green penwork decoration, often extending into leaves coloured in green. Large initials in blue with red penwork decoration, often in the form of leaves, and sometimes in the form of faces (e.g. ff.
in green with red and sometime also green penwork decoration, often extending into leaves coloured in green. Large initials in blue with red penwork decoration, often in the form of leaves, and sometimes in the form of faces (e.g. ff.
in green with red and sometime also green penwork decoration, often extending into leaves coloured in green. Large initials in blue with red penwork decoration, often in the form of leaves, and sometimes in the form of faces (e.g. ff.
in green with red and sometime also green penwork decoration, often extending into leaves coloured in green. Large initials in blue with red penwork decoration, often in the form of leaves, and sometimes in the form of faces (e.g. ff.
historiated initials in colours, at the beginning of the text ad the preface (ff. 2, 7). Initials in black on blue grounds, or in gold on red grounds. Moralia, book 3, 19: De virtute mulierum Mary I (b. 1516, d.
of Sir Mirth, watched by the narrator of the Roman de la rose, dressed in blue, at the left. The text of this manuscript was copied from a printed edition published at Lyon, probably around 1487 (see Kren and McKendrick
Mirth, watched by the narrator of the Roman de la rose, dressed in blue, at the left. The text of this manuscript was copied from a printed edition published at Lyon, probably around 1487 (see Kren and McKendrick 2003 no.
including hybrid figures, animals, birds, etc., in colours and gold. Small initials and line fillers in gold on red or blue grounds. Book of Hours, Use of Rome André Serre, of Dijon, c. 1500: his portrait at the beginning of
including hybrid figures, animals, birds, etc., in colours and gold. Small initials and line fillers in gold on red or blue grounds. Book of Hours, Use of Rome André Serre, of Dijon, c. 1500: his portrait at the beginning of
the months and Zodiac signs integrated in a full border of acanthus leaves, flowers, birds and fruits on a gold, blue, red and unpainted ground (ff. 25-30v, 2 per page). Initials in colours and gold with acanthus leaves in grisaille.
- Detail of an historiated initial 'D'(ixit) of a king and fool at the beginning of Psalm 52., Psalter
the months and Zodiac signs integrated in a full border of acanthus leaves, flowers, birds and fruits on a gold, blue, red and unpainted ground (ff. 25-30v, 2 per page). Initials in colours and gold with acanthus leaves in grisaille.
the months and Zodiac signs integrated in a full border of acanthus leaves, flowers, birds and fruits on a gold, blue, red and unpainted ground (ff. 25-30v, 2 per page). Initials in colours and gold with acanthus leaves in grisaille.
the months and Zodiac signs integrated in a full border of acanthus leaves, flowers, birds and fruits on a gold, blue, red and unpainted ground (ff. 25-30v, 2 per page). Initials in colours and gold with acanthus leaves in grisaille.
in watercolour, on the title-page (f. 1). Double gold frame combined with a rope pattern on all folios, occasionally with blue (ff. 27-42v only). 'Pastorelle sur la victoire obtenue contre les allemands reytres lansquenets souysses et francoys rebelles a Dieu
(x2), 224, 225, 231, 233v, 234, 234v, 238v, 241v). Smaller and small initials and line-fillers in gold on red and blue grounds. Prayers The calendar is Parisian, but the manuscript was probably made for use in Brittany: the litany includes
(x2), 224, 225, 231, 233v, 234, 234v, 238v, 241v). Smaller and small initials and line-fillers in gold on red and blue grounds. Prayers The calendar is Parisian, but the manuscript was probably made for use in Brittany: the litany includes
(x2), 224, 225, 231, 233v, 234, 234v, 238v, 241v). Smaller and small initials and line-fillers in gold on red and blue grounds. Prayers The calendar is Parisian, but the manuscript was probably made for use in Brittany: the litany includes